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Sometimes only a poem will do. These poetic prescriptions and wise words of advice offer comfort, delight and inspiration for all; a space for reflection, and that precious realization - I'm not the only one who feels like this. In the years since he first had the idea of prescribing short, powerful poems for all manner of spiritual ailments, William Sieghart has taken his Poetry Pharmacy around the length and breadth of Britain, into the pages of the Guardian, onto BBC Radio 4 and onto the television, honing his prescriptions all the time. This pocket-sized book presents the most essential poems in his dispensary- those which, again and again, have really shown themselves to work. Whether you are suffering from loneliness, lack of courage, heartbreak, hopelessness, or even from an excess of ego, there is something here to ease your pain.
Leonora Bernardi (1559-1616), a gentlewoman of Lucca, was a highly regarded poet, dramatist and singer. She was active in the brilliant courts of Ferrara and Florence at a time when creative women enjoyed exceptional visibility in Italy. Like many such figures, she has since suffered historical neglect. Drama, Poetry and Music in Late-Renaissance Italy presents the first ever study of Bernardi’s life, and modern edition of her recently discovered literary corpus, which mostly exists in manuscript. Her writings appear in the original Italian with new English translations, scholarly notes, critical essays and contributions by Eric Nicholson, Eugenio Refini and Davide Daolmi. Based on new archival research, the substantial opening section reconstructs Bernardi’s unusually colourful life. Bernardi’s works reveal her connections with some of the most pioneering poets, dramatists and musicians of the day, including her mentor Angelo Grillo and the first opera librettist Ottavio Rinuccini. The second major section presents her pastoral tragicomedy Clorilli, one of the earliest secular dramatic works by a woman. It was apparently performed in the early 1590s at a Medici villa near Florence, before Grandduke Ferdinando I de’ Medici, and his consort Christine of Lorraine, but now exists in an enigmatic Venetian manuscript. The third section presents Bernardi’s secular and religious verse, which engaged with new trends in lyric and poetry for music, and was set by various key composers across Italy.
over emergent literature and will show him to be a major figure in the conflict between tradition and contemporary cultural identity.
Poetry. In his first book-length volume of poetry, Anselm Berrigan asks Why wouldn't I mind/Brushing off another engagement/To go wander around/The shallows of downtown (from Ghost town). Though he may characterize these wide-wandering poems as flitting in the shallows, it is the accumulation of these shallows, of various downtowns and what is thought and seen in them, that makes a depth of INTEGRITY & DRAMATIC LIFE. I don't know what I say/& this has been pointed out to me (from Not all there) but in the process of reporting what many others say, and what he himself might say, provisionally, understatedly, dramatically, with integrity and irony and feeling and cities, friends, employers, nuclear war, drinks, chocloate donuts in vellum-all the detritus and necessity of an astute, young, urban, urbane, poetically driven life-Berrigan gives us a consummately delightful invitation. Someone is at the door. Shall I ask them in? (from A short history of autumn). We are someone. We have been asked
This brand new collection, impeccably edited by James Pethica, presents a comprehensive selection of Yeats's major contributions in poetry, drama, prose fiction, autobiography, and criticism.
Lee Morrissey explores how Milton's major late poems narrate varying responses to modernity: adjustment, avoidance, and antagonism.
What do we mean when call something a lyric poem? How many kinds of lyric are there? Are there fewer now than there were in 1920 or 1820 or 1620? The purpose of Forms of Late Modernist Lyric is to show that our oldest styles of poetic articulation – the elegy, the ode, the hymn – have figured all too briefly in modern genealogies of lyric, and that they have proved especially seductive, curiously enough, to avant-garde practitioners in the Anglophone tradition. The poets in question – Jorie Graham, Frank O’Hara, Michael Haslam, J. H. Prynne, Claudia Rankine, and others – have thickened the texture of lyric practice at a time when the growing tendency in critical circles has been to dissolve points of difference within the genre itself. The broader aim of this volume is to demonstrate that experimental poets since 1945 have not always been rebarbative and anti-traditional, but rather that their recourse to familiar forms and shapes of thought should prompt us to reconsider late modernism as a crucial phase in the evolving history of lyric. CONTRIBUTORS: Ruth Abbott, Edward Allen, Gareth Farmer, Fiona Green, Drew Milne, Jeremy Noel-Tod, Sophie Read, Matthew Sperling, Esther Osorio Whewell, John Wilkinson
Presents Spinoza’s life and philosophy specifically in logic theory, metaphysics, ethics’ doctrine, political doctrine, religion, and theology.