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Arlian was winning his war against the dragons -- but he was discovering the costs of that victory might be far higher than he had expected, and more than he was willing to pay. Could he find a way to save humanity from both the dragons, and the wild magic the dragons had kept at bay?
After many years of peace in the Lands of Men, there came Dragon Weather: a wave of incredible heat, oppressive humidity, dark angry clouds . . . and dragons. Dragons with no remorse, no sympathy, no use for humans; dragons who destroyed an entire village and everyone in it. Everyone, that is, except the young boy Arlian. Orphaned and alone, Arlian was captured by looters and sold as a mining slave. He finally escaped, fueled by years of hatred and a personal vow to bring justice to all who had wronged him. After killing those who enslaved him, Arlian sought out The Dragon Society, whose sworn purpose was to stand against the dragon menace. It was there, among his peers, that Arlian discovered he is humanity's best hope for defeating the dragons . . . permanently. Now, Arlian seeks his final vengeance: death to all of dragonkind. But as he begins to destroy the evil beasts, wild magic seeps into the Lands of Men, sowing chaos and destruction in its wake. Will Arlian's all-consuming quest for justice consume humanity as well? The answer may lie within his ancient foe's most lethal weapon: Dragon Venom At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Like her half-breed mother, young Zarq Darquel can’t always hold her tongue. A peasant on a large dragon estate, she goes unnoticed by the Temple of the Dragon—until she accidentally captures the attention of an eccentric and dangerous dragonmaster, unleashing a storm of tragedy. Her clan is plunged into destitution, her beautiful sister, Waivia, sold into slavery, and her mother lost to madness. Desperate to find Waivia, Zarq and her delirious mother flee through the underworld of their land. Consumed with the desire for revenge, Zarq develops a taste for the highly addictive venom of the dragons she has been taught to revere—and with this poison, she imbibes their memories and glimpses a plot for social revolution. But to achieve it, she must defy not just sexual taboos and patriarchal conventions, but the Emperor who rules her nation.
Retelling of the Norse myth cycle from the point of view of Loki, the trickster god.
An exploration of how the image and idea of the dragon has evolved through history How did the dragon get its wings? Everyone in the modern West has a clear idea of what a dragon looks like and of the sorts of stories it inhabits, not least devotees of the fantasies of J. R. R. Tolkien, J. K. Rowling, and George R. R. Martin. A cross between a snake and some fearsome mammal, often sporting colossal wings, they live in caves, lie on treasure, maraud, and breathe fire. They are extraordinarily powerful, but even so, ultimately defeated in their battles with humans. What is the origin of this creature? The Dragon in the West is the first serious and substantial account in any language of the evolution of the modern dragon from its ancient forebears. Daniel Ogden's detailed exploration begins with the drakōn of Greek myth and the draco of the dragon-loving Romans, and a look at the ancient world's female dragons. It brings the story forwards though Christian writings, medieval illustrated manuscripts, and the lives of dragon-duelling saints, before concluding with a study of dragons found in the medieval Germanic world, including those of the Anglo-Saxon Beowulf and the Norse sagas.
Dragons had preyed on humans since time immemorial, and no one had ever found a way to kill them. Now, though, Arlian had learned the secrets the dragons had hidden from humanity for centuries. He knew how the dragons could be destroyed forever, and he intended to see it done. The only catch was that several humans, including Manfort's most powerful men and women, had to die to make it happen. Some of them did not intend to cooperate. Indeed, they preferred to cooperate with the dragons instead, to protect themselves, no matter how many innocents might die as a result. And Arlian would have to defeat this unholy alliance if he ever hoped to end the draconic threat.
The dragons only emerged from their deep caverns when the weather was right, with thick clouds and sweltering heat. It was on such a day that Arlian's home village was destroyed, his family and friends slaughtered. He survived, though, and swore vengeance on the dragons, and on the looters and slavers who had captured him in the ruins. But no one had ever slain a dragon; how could a mere slave hope to do so?
Stories about dragons, serpents, and their slayers make up a rich and varied tradition within ancient mythology and folklore. In this sourcebook, Daniel Ogden presents a comprehensive and easily accessible collection of dragon myths from Greek, Roman, and early Christian sources. Some of the dragons featured are well known: the Hydra, slain by Heracles; the Dragon of Colchis, the guardian of the golden fleece overcome by Jason and Medea; and the great sea-serpent from which Perseus rescues Andromeda. But the less well known dragons are often equally enthralling, like the Dragon of Thespiae, which Menestratus slays by feeding himself to it in armor covered in fish-hooks, or the lamias of Libya, who entice young men into their striking-range by wiggling their tails, shaped like beautiful women, at them. The texts are arranged in such a way as to allow readers to witness the continuity of and evolution in dragon stories between the Classical and Christian worlds, and to understand the genesis of saintly dragon-slaying stories of the sort now characteristically associated with St George, whose earliest dragon-fight concludes the volume. All texts, a considerable number of which have not previously been available in English, are offered in new translations and accompanied by lucid commentaries that place the source-passages into their mythical, folkloric, literary, and cultural contexts. A sampling of the ancient iconography of dragons and an appendix on dragon slaying myths from the ancient Near East and India, particularly those with a bearing upon the Greco-Roman material, are also included. This volume promises to be the most authoritative sourcebook on this perennially fascinating and influential body of ancient myth.
Trials of the Bloodstone is an epic dark fantasy novel that spins a grand tale about a mysterious clan that are seeking to rescue an important member of their society that is being held captive by an unknown powerful entity. They will attempt to rescue their clan member by finding a powerful artifact known as the Bloodstone to aid them in their rescue attempt.When main character Davarian is assigned the task by his clan to find the Bloodstone he finds himself traveling alongside with a mysterious member of his own society as well as an unlikely band of bounty hunters that he does not trust.Davarian does not realize however he will find himself knee deep in dragons, alien creatures, and dark evil powers all looking stop him on his quest to secure the Bloodstone and to free his fellow clan member.You can buy Trials of the Bloodstone for $15.95 at Moon's Light Magic Wiccan Supplies Store.http://www.moonslightmagic.com
This book is a pioneering work on a key iconographic motif, that of the dragon. It examines the perception of this complex, multifaceted motif within the overall intellectual and visual universe of the medieval Irano-Turkish world. Using a broadly comparative approach, the author explores the ever-shifting semantics of the dragon motif as it emerges in neighbouring Muslim and non-Muslim cultures. The book will be of particular interest to those concerned with the relationship between the pre-Islamic, Islamic and Eastern Christian (especially Armenian) world. The study is fully illustrated, with 209 (b/w and full colour) plates, many of previously unpublished material. Illustrations include photographs of architectural structures visited by the author, as well as a vast collection of artefacts, all of which are described and discussed in detail with inscription readings, historical data and textual sources.