Download Free Dracula Unmasked Book in PDF and EPUB Free Download. You can read online Dracula Unmasked and write the review.

What if someone wrote a tale about Dracula that was different from the rest? Wouldn’t it be refreshing to read a vampire story that cuts through Hollywood’s glitzy version of vampires, and invites the reader into the ethereal realm of otherworldly creatures? Our main character, Vlad Dracula is a handsome and virile vampire and although a savage killer, he is a hopeless romantic; our count also has the ability to time travel. In this gripping tale we explore the man living behind the vampire, as Dracula navigates his way through time, settling in London where he spawns a colony of vampires who live beneath Trafalgar Square. Assisting the seasoned vampire is the infamous Jack the Ripper; he has been made a creature of the night, but still has a penchant for killing prostitutes. When the Blitzkrieg destroys Makefield Manor in 1941, Dracula and his entourage are forced to leave London. They decide to settle in New York City during the tumultuous 1960s, where they discover a modern world and a new enemy called the Van Helsings. This narrative offers a different perspective on the ethereal realm of vampires and the earthbound spirits who keep them company, in a place called the Otherworld. Accompanying the two vampires on a journey through time are an artist, a poet and a group of misfit children; together they encounter an array of historical figures including, Elizabeth Bathory a.k.a. the Blood Countess, Adolph Hitler, Vincent Van Gogh, Charles Manson and even Bram Stoker, himself. Their misadventures create an action packed and compelling story that makes the reader want to keep turning the page. I hope you enjoy the ride!
What if someone wrote a tale about Dracula that was different from the rest? Wouldn’t it be refreshing to read a vampire story that cuts through Hollywood’s glitzy version of vampires, and invites the reader into the ethereal realm of otherworldly creatures? Vlad Dracula is a handsome and virile vampire, although a savage killer, he is a hopeless romantic; our count also has the ability to time travel. In this gripping tale we explore the man living behind the vampire, as Dracula navigates his way through time, settling in London where he spawns a colony of vampires who live beneath Trafalgar Square. Assisting the seasoned vampire is the infamous Jack the Ripper; he has been made a creature of the night, but still has a penchant for killing prostitutes. When the Blitzkrieg destroys Makefield Manor in 1941, Dracula and his entourage are forced to leave London. They decide to settle in New York City during the tumultuous 1960s, where they discover a modern world and a new enemy called the Van Helsings. This narrative offers a different perspective on the ethereal realm of vampires and the earthbound spirits who keep them company, in a place called the Otherworld. Accompanying the two vampires on a journey through time are an artist, a poet and a group of misfit children; together they encounter an array of historical figures including, Elizabeth Bathory a.k.a. the Blood Countess, Adolph Hitler, Vincent Van Gogh, Charles Manson and even Bram Stoker, himself. Their misadventures create an action packed and compelling story that makes the reader want to keep turning the page. I hope you enjoy the ride!
From the silent-film era to the blockbusters of today, Horror Unmasked is a fun-filled, highly illustrated dive into the past influences and present popularity of the horror film genre. The horror film’s pop-culture importance is undeniable, from its early influences to today’s most significant and exciting developments in the genre. Since 1990, the production of horror films has risen exponentially worldwide, and in 2021, horror films earned an estimated $580 million in ticket sales, not to mention how the genre has expanded into books, fashion, music, and other media throughout the world. Horror has long been the most popular film genre, and more horror movies have been made than any other kind. We need them. We need to be scared, to test ourselves, laugh inappropriately, scream, and flinch. We need to get through them and come out, blinking, still in one piece. This comprehensive guide features: A thorough discussion on monster movies and B-movies (The Thing; It Came from Outer Space; The Blob) The destruction of the American censorship system (Blood Feast; The Night of the Living Dead; The Texas Chainsaw Massacre) International horror, zombies, horror comedies, and horror in the new millennium (Matango; Suspiria; Ghostbusters) A dissection of the critical reception of modern horror (Neon Demon; Pan’s Labyrinth; Funny Games) Stunning movie posters and film stills, plus fan-made tributes to some of the most lauded horror franchises in the world (Aliens; the Evil Dead; The Hills Have Eyes; Scream) A perfect reference and informational book for horror fans and those interested in its cultural influence worldwide, Horror Unmasked provides a general introduction to the genre, serves as a guidebook to its film highlights, and celebrates its practitioners, trends, and stories.
A fully updated edition of David J. Skal's Hollywood Gothic, "The ultimate book on Dracula" (Newsweek). The primal image of the black-caped vampire Dracula has become an indelible fixture of the modern imagination. It's recognition factor rivals, in its own perverse way, the familiarity of Santa Claus. Most of us can recite without prompting the salient characteristics of the vampire: sleeping by day in its coffin, rising at dusk to feed on the blood of the living; the ability to shapeshift into a bat, wolf, or mist; a mortal vulnerability to a wooden stake through the heart or a shaft of sunlight. In this critically acclaimed excursion through the life of a cultural icon, David J. Skal maps out the archetypal vampire's relentless trajectory from Victorian literary oddity to movie idol to cultural commodity, digging through the populist veneer to reveal what the prince of darkness says about us all. includes black-and-white Illustrations throughout, plus a new Introduction.
The British Isles has a remarkable association with vampires – chilling supernatural creatures of the night. From the nineteenth-century writings of John Polidori, James Rymer, Sheridan Le Fanu and Bram Stoker, to the modern literary horrors of Clive Barker, Ramsey Campbell, Brian Lumley and Kim Newman, the vampire casts a strange and compelling shadow that spreads from the realms of fantasy into the world of the living. Here you will find vampire murderers and vampire hunters together with the real-life mysteries of Croglin Grange, Alnwick Castle, the Vampire of the Villas, the Yorkshire Vampire and the enduring phenomenon of London's famous Highgate Vampire. In this thought-provoking book, illustrated with never before seen photographs and drawing on extensive original research, writer and paranormal historian Paul Adams explores the fascinating history of British vampirism in both fact and fiction. With extensive chapters on the post-war revival of Gothic cinema horror and the influence of cult studio Hammer Films on the vampire in British television and music, here is a modern guide where every page is truly written in blood ...
Over the sixty years of his existence, Batman has encountered an impressive array of cultural icons and has gradually become one himself. This acclaimed book examines what Batman means and has meant to the various audiences, groups and communities who have tried to control and interpret him over the decades. Brooker reveals the struggles over Batman's meaning by shining a light on the cultural issues of the day that impacted on the development of the character. They include: patriotic propaganda of the Second World War; the accusation that Batman was corrupting the youth of America by appearing to promote a homosexual lifestyle to the fans of his comics; Batman becoming a camp, pop culture icon through the ABC TV series of the sixties; fans' interpretation of Batman in response to the comics and the Warner Bros. franchise of films.
Few books have so seized the public imagination as Bram Stoker's Dracula, even more popular now than when it was first published in 1897. This critical work represents a rereading of the horror classic as a Christian text, one that alchemizes Platonism, Gnosticism, Mariology and Christian resurrection in a tale that explores the grotesque. Of particular interest is the way in which the Dracula narrative emerges from earlier vampire tales, which juxtapose Apollonian and Dionysian impulses. A strong addition to vampire and horror scholarship.
Hybrid films that straddle more than one genre are not unusual. But when seemingly incongruous genres are mashed together, such as horror and comedy, filmmakers often have to tread carefully to produce a cohesive, satisfying work. Though they date as far back as James Whale’s Bride of Frankenstein (1935), horror-comedies have only recently become popular attractions for movie goers. In The Laughing Dead: The Horror-Comedy Film from Bride of Frankenstein to Zombieland, editors Cynthia J. Miller and A. Bowdoin Van Riper have compiled essays on the comic undead that look at the subgenre from a variety of perspectives. Spanning virtually the entire sound era, this collection considers everything from classics like The Canterville Ghost to modern cult favorites like Shaun of the Dead. Other films discussed include Abbott and Costello Meet Frankenstein, Beetlejuice, Ghostbusters, House on Haunted Hill, ParaNorman, Scream, Vampire’s Kiss, and Zombieland. Contributors in this volume consider a wide array of comedic monster films—from heartwarming (The Book of Life) to pitch dark (The Fearless Vampire Killers) and even grotesque (Frankenhooker). The Laughing Dead will be of interest to scholars and fans of both horror and comedy films, as well as those interested in film history and, of course, the proliferation of the undead in popular culture.
Not Your Mother's Vampire analyzes twenty current young adult vampire novels and also addresses Buffy the Vampire Slayer-all vampire representations aimed at younger audiences. The book's structure includes an overview of vampire scholarship, an analysis of vampire characters (featuring an exploration of vampire conventions and vampires and sexuality), an analysis of human characters (featuring an exploration of those humans who fight vampires and those who date vampires), and an analysis of the vampire characters from the Buffyverse.
This book sets the writings of Merimee, Le Fanu, Stoker and Verne in the context in which they were written - namely the response to Balkan, Ottoman and Austro-Hungarian politics. Gibson analyzes their works to reveal that the vampire acts as an allegory of the Near East through which constitutes a challenge to the 'orientalism' argument of today.