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Sequel to Bram Stoker's horror classic Dracula. THIS ISSUE: The soul-shattering secrets behind the Suicide Club are revealed as Scotland Yard Detective Champion Harrison and clairvoyant Dion Fortune challenge Count Dracula and his followers on their own battleground. The final conflict between the forces of goodness and evil is about the begin, and the fate of England and her citizens’ souls hang in the balance.
Sequel to the Bram Stoker's horror classic Dracula. Count Dracula, king of the vampires, is dead, but he isn’t finished with England. Resurrected, Dracula rises from the grave, and before long a rash of bizarre suicides begins plaguing London. Scotland Yard Detective Champion Harrison suspects these may actually be murders, and noted occult specialist Sir John Chandos and beautiful clairvoyant Dion Fortune from the Hermetic Order of the Golden Dawn offer to assist Harrison’s investigation. Their search leads them to London’s newest and most mysterious club and its peculiar chairman. And as the soul-shattering secrets behind the Suicide Club are revealed Detective Champion Harrison and clairvoyant Dion Fortune challenge Count Dracula and his followers on their own battleground. The final conflict between the forces of goodness and evil is about to begin, and the fate of England and her citizens’ souls hang in the balance. Based on the works of Bram Stoker and Robert Louis Stevenson. Collects issues 1-4.
Sequel to the Bram Stoker's horror classic Dracula. THIS ISSUE: Count Dracula, king of the vampires, is dead, but he isn’t finished with England. Resurrected, Dracula rises from the grave, and before long a rash of bizarre suicides begins plaguing London. Scotland Yard Detective Champion Harrison suspects these may actually be murders, and noted occult specialist Sir John Chandos and beautiful clairvoyant Dion Fortune from the Hermetic Order of the Golden Dawn offer to assist Harrison’s investigation. Their search leads them to London’s newest and most mysterious club and its peculiar chairman.
Sequel to Bram Stoker's horror classic Dracula. THIS ISSUE: Scotland Yard Detective Champion Harrison and the lovely clairvoyant Dion Fortune must rescue their friend Sir John Chandos from becoming the latest victim of Count Dracula’s Suicide Club. Much to their regret, however, all three are about to learn that the patient Vampire King may suffer setbacks, but never gives up on anything he sets his mind on.
A faithful adaptation of the classic horror novel by Bram Stoker. The entire saga is here from Harker's journey to Transylvania, to the crash of the ship Demeter on the shores of England, to the chase of men after an immortal...this is the story of Dracula. THIS ISSUE: The real truth regarding Dracula is known and the hunt, lead by Van Helsing, is on to kill Count Dracula. Mina, a victim of Dracula's blood thirst, is near death and possibly turning into one of his un-dead night creatures. The only hope for her survival is for four brave men to venture into unknown lands against an enemy of the ages. The exciting and gripping conclusion to the adaptation of Bram Stoker's classic Dracula novel. A Caliber Comics release.
"They hunt on the margins of an America in turmoil, on the wide new highways and in small, forgotten towns. Using their powerful, big-block cars as weapons, they cause horrific accidents, feed on the carnage, then hurtle back into the dark. Killing their prey and wiping the minds of those they meet, they remain faceless, hidden; until one woman survives the wreck that kills her family and carries the memory of their shining eyes and their teeth with her on a cross-country odyssey of revenge. This is a story you will remember on long drives down lonely roads, and on starless nights when you wonder about your fellow travelers – especially the one that just got behind you with no headlights on."--Amazon.
The people in these eight interlaced stories are ?bound together by the worst sort of grief,? the kind that can devour you after someone close takes his or her own life. Even so, Toni Graham reveals a piercingly funny cast, short on patience with themselves and the incongruous pieties of daily life in the Heartland.
A faithful adaptation of the classic horror novel by Bram Stoker. The entire saga is here from Harker's journey to Transylvania, to the crash of the ship Demeter on the shores of England, to the chase of men after an immortal...this is the story of Dracula. THIS ISSUE: Jonathan Harker is called to Transylvania to facilitate a London estate purchase by Count Dracula. But when Harker finds himself a prisoner in the castle of Dracula and three beautiful women threaten him, he realizes that this is no simple business transaction. His only hope is to escape or die because the alternative is unthinkable to him. A Caliber Comics release.
A faithful adaptation of the classic horror novel by Bram Stoker that not only includes the famous tale but also "Lady in the Tomb" which is an adaptation of a short piece by Stoker entitled, "Dracula's Guest" which was said to be part of the original Dracula novel but removed prior to printing. The entire saga is here from Harker's journey to Transylvania, to the crash of the ship Demeter on the shores of England, to the chase of men after an immortal...this is the story of Dracula. Written by Steven Philip Jones, illustrated by Robert Schnieders and Craig Taillefer. Collects comic book issues #1-4, plus 'The Lady In The Tomb' comic release. A Caliber Comics release.
Critics have traditionally characterized classic horror by its use of shadow and suggestion. Yet the graphic nature of early 1930s films only came to light in the home video/DVD era. Along with gangster movies and "sex pictures," horror films drew audiences during the Great Depression with sensational content. Exploiting a loophole in the Hays Code, which made no provision for on-screen "gruesomeness," studios produced remarkably explicit films that were recut when the Code was more rigidly enforced from 1934. This led to a modern misperception that classic horror was intended to be safe and reassuring to audiences. The author examines the 1931 to 1936 "happy ending" horror in relation to industry practices and censorship. Early works like Murders in the Rue Morgue (1932) and The Raven (1935) may be more akin to The Texas Chain Saw Massacre (1974) and Hostel (2005) than many critics believe.