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"The final work by the late historian Helen Brock, this definitive new edition makes the correspondence of Dr William Hunter (1718-83) available for the first time. Born in Scotland, William Hunter pursued an extensive medical education in Glasgow, Edinburgh, London and Paris. He settled in London where he made his name as an anatomist and obstetrician before being elected to the Royal Society in 1767. He was a knowledgeable collector. He bequeathed his anatomical and pathological preparations, natural history specimens, antiquities, paintings, and extensive library to the University of Glasgow where they now form the Hunterian Museum. Hunter's admiration for Leonardo da Vinci's anatomical drawings in the Royal Collection sparked the eighteenth century fashion for collecting his works on paper. Hunter's prominent position in London's scientific and artistic circles, his extensive medical and connoisseurial contacts in Scotland and Europe, and his network of students, make his correspondence a unique record of the Enlightenment. This edition presents all of his known correspondence, drawing upon archives around the world. The letters are presented chronologically and interspersed with new editorial material to create a fascinating narrative about this important era of medical and scientific discovery."--Publisher's description.
Excerpt from William Hunter, Anatomist, Physician, Obstetrician, (1718-1783): With Notices of His Friends Cullen, Smellie, Fothergill, and Baillie After a winter spent in Edinburgh attending the classes of Dr. Alexander Monro and others, William Hunter came, in the year 1741, to London. The journey was made by sea, and in the voyage from Leith they encountered a severe storm, and were in much peril of shipwreck. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"This publication accompanies the exhibitions William Hunter and the Anatomy of the Modern Museum co-organized by The Hunterian Museum, Glasgow, on view 27 September 2018-6 January, 2019, and the Yale Center for British Art, New Haven, on view 14 February-20 May 2019."