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Steadily growing applications of game theory in modern science (including psychology, biology and economics) require sources to provide rapid access in both classical tools and recent developments to readers with diverse backgrounds. This book on game theory, its applications and mathematical methods, is written with this objective in mind.The book gives a concise but wide-ranging introduction to games including older (pre-game theory) party games and more recent topics like elections and evolutionary games and is generously spiced with excursions into philosophy, history, literature and politics. A distinguished feature is the clear separation of the text into two parts: elementary and advanced, which makes the book ideal for study at various levels.Part I displays basic ideas using no more than four arithmetic operations and requiring from the reader only some inclination to logical thinking. It can be used in a university degree course without any (or minimal) prerequisite in mathematics (say, in economics, business, systems biology), as well as for self-study by school teachers, social and natural scientists, businessmen or laymen. Part II is a rapid introduction to the mathematical methods of game theory, suitable for a mathematics degree course of various levels.To stimulate the mathematical and scientific imagination, graphics by a world-renowned mathematician and mathematics imaging artist, A T Fomenko, are used. The carefully selected works of this artist fit remarkably into the many ideas expressed in the book.This new edition has been updated and enlarged. In particular, two new chapters were added on statistical limit of games with many agents and on quantum games, reflecting possibly the two most stunning trends in the game theory of the 21st century.
"Meet Elena, poet, rapscallion, nimble art gourmand, and colorful sleuth. Her reason for being in time is Ernst, a painter, lord of hues and ripples, and a container of the fragrance of memory. Not since the meeting of the poet Rainier Maria Rilke and the artist Auguste Rodin has there been a melding of true artistic minds." - Nick Carbo
Zen of Cloud: Learning Cloud Computing by Examples on Microsoft Azure provides comprehensive coverage of the essential theories behind cloud computing and the Windows Azure cloud platform. Sharing the author's insights gained while working at Microsoft's headquarters, it presents nearly 70 end-to-end examples with step-by-step guidance on implement
I Love Information, selected by Brian Teare as a winner of the 2022 National Poetry Series, is a sophisticated and cerebral examination of knowledge, belief, and which begets which. Egret feathers. Pulverized chickpeas. A “faint but constant series of ovals and lines” that, remarkably, spell the name Penelope. “Nobody owns the meaning of these things,” Courtney Bush writes, but this does not stop the poet from seeking, from “reading meaning in the garbage” and in the flowers growing there. What does she seek? Not facts. Instead, something transcendent and mysterious, knowledges that can only be unlocked through experimentation with language, with art. In lieu of linear thought, Bush’s poems operate under unique logic systems that grow and branch like vines, driven not only by the urge to learn but also by the need for connection—between people, things, stories. Her speakers make cognitive leaps with youthful credulity, eager and open. “It comes down to a few things,” says one. “Vessels and bags / Every crude tool / Every day a friend to tell.” And another: “I want to tell you what a sword is. / To want to tell you has been my entire life.” They are explorers of the pathways between our outer and inner worlds, translators between what is and what could be. Bush’s reverence for the act of thought echoes that of a religious scholar gazing at the heavens. In order to learn, these poems suggest, we must believe the not-known is worth knowing. We must let belief hover around all parts of our lives, as a child does. “To have the idea of the secret chord is to have the secret chord,” Bush writes. To learn, we must make believe.
Five Faces of Exile is the first transnational history of Asian American intellectuals. Espiritu explores five Filipino American writers whose travels, literary works, and political reflections transcend the boundaries of nations and the categories of "Asia" and "America."
Response to Death presents a literary historical perspective on mourning, tracing examples of mourning in literary works from the medieval world to the present day. Contributors offer a chronological examination of the concept of the work of mourning in specific literary and historical contexts, beginning with an exploration of the medieval York Cycle of plays and sixteenth-century French women's lyric, and continuing through the Renaissance with considerations of Shakespeare, the nineteenth century, and into the twentieth century.
Trouble is brewing in the realms beyond the rainbow … Kitsuneko has always done her best to honor her duty. As a young fox-cat changeling, she was conscripted into slavery by King Dario and Queen Arianna of Toulacoeur to serve as the surrogate for Princess Cari, their daughter who was kidnapped seventeen years ago. But when Kiro, Cari's younger brother and the heir to the throne, proclaims his love for her, Kitsuneko is torn between her duty to the kingdom and her desire for the virtuous prince. And when Kiro's kisses leave her breathless, Kitsuneko finds herself -- and the kingdom -- in mortal danger. For the peace that Toulacoeur enjoys, maintained through the blessing of Kleon, the Unicorn Guardian, is at risk, and to maintain their rule, the king and queen have arranged for Kiro to marry Ariella, a Warlord's daughter from a tribe of Gryphon Riders. Can Kitsuneko and Kiro find a way to be together and keep the kingdom's peace? Or is their love destined to only lead to destruction? Kitsuneko is A Companion Novella to The Realms Beyond the Rainbow, a fantasy romance adventure with changelings, rainbow portals, and the US Space Force from award-winning, genre-hopping author C. S. Johnson. FROM THE BOOK: I look in the mirror carefully, scrutinizing the smallest details of the face before me. It is the face of a beautiful young woman, serene and striking all at once. I study the rosy cheeks, still youthfully plump while they start to hint at adulthood, while golden hair falls to either side, sweeping long past the pointed chin. My focus fastens onto the nose in wonderment, mesmerized by the size of the little bump that turns up at its end. I press down on it with my finger, and it shrinks, ever so slightly, in size. Finally, my gaze travels to see the two large, slanted eyes staring back at me; the misty green twinkles, simultaneously bewildered and cautious. The eyes are mine, even if the rest of the face is not. Of all the different kinds of changelings, the kitsunefolk are the only ones whose eyes refuse to change. I doubt this is anything but by design; my kinfolk are known for their inner stubbornness as much as they are known for their outward flexibility. Add in the catblood, and that’s me. I am a changeling from the Honeyspice Lands, a kitsune-neko, and that’s all. That is my only role to play in the grand kingdom of Toulacoeur, and so much so, that’s what they named me. I am Kitsuneko, slave of King Dario and his wife, Queen Arianna, their full-time substitute for their daughter, Princess Cari. I smile into the mirror, and the face of Princess Cari smiles back at me. “Perfect,” I whisper. “You look just like her.” Or at least, I look like what most people think Princess Cari would look like, if she hadn’t been kidnapped seventeen years ago. WHAT READERS ARE SAYING: "I absolutely love this "tail" of love and tragedy and hope!" ~ Malissa, Audiobook Reviewer "This is fantasy old school, one adults and kids will enjoy." ~ William, Goodreads Reviewer