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Are you a genius who has been tormented by beauty since young? Please, no matter if it's the Ice Snow Huang Rong, or Li Mosou who has been emotionless since ancient times, with Ruo Ling's card, they are all my character cards. Do you have any masterwork weapons made by the ancient dwarves? F * * k, I don't need these things, because whether it's the golden saint robe or the Bio Boosting armour, they're just my items card; how can a Saint realm expert's battle qi mantra defeat my Dao-heart type demon, the War God's Atlas, the Lone Nine Swords, or the Six Passages Divine Sword? What! You still have magic? Sigh, I don't even dare to release the skill card that I came from the Immortal World. I'm afraid that you all will say that I am anti-human ...
The essays collected in Fate and Prognostication in the Chinese Literary Imagination deal with the philosophical, psychological, gender and cultural issues in the Chinese conception of fate as represented in literary texts and films, with a focus placed on human efforts to solve the riddles of fate prediction. Viewed in this light, the collected essays unfold a meandering landscape of the popular imaginary in Chinese beliefs and customs. The chapters in this book represent concerted efforts in research originated from a project conducted at the International Consortium for Research in the Humanities at the Friedrich-Alexander-University Erlangen-Nuremberg, Germany. Contributors are Michael Lackner, Kwok-kan Tam, Monika Gaenssbauer, Terry Siu-han Yip, Xie Qun, Roland Altenburger, Jessica Tsui-yan Li, Kaby Wing-Sze Kung, Nicoletta Pesaro, Yan Xu-Lackner, and Anna Wing Bo Tso.
Are you a genius who has been tormented by beauty since young? Please, no matter if it's the Ice Snow Huang Rong, or Li Mosou who has been emotionless since ancient times, with Ruo Ling's card, they are all my character cards. Do you have any masterwork weapons made by the ancient dwarves? F * * k, I don't need these things, because whether it's the golden saint robe or the Bio Boosting armour, they're just my items card; how can a Saint realm expert's battle qi mantra defeat my Dao-heart type demon, the War God's Atlas, the Lone Nine Swords, or the Six Passages Divine Sword? What! You still have magic? Sigh, I don't even dare to release the skill card that I came from the Immortal World. I'm afraid that you all will say that I am anti-human ...
The Mandate of Heaven was originally given to King Wen in the 11th century BC. King Wen is credited with founding the Zhou dynasty after he received the Mandate from Heaven to attack and overthrow the Shang dynasty. King Wen is also credited with creating the ancient oracle known as the Yijing or Book of Changes. This book validates King Wen's association with the Changes. It uncovers in the Changes a record of a total solar eclipse that was witnessed at King Wen's capital of Feng by his son King Wu, shortly after King Wen had died (before he had a chance to launch the full invasion). The sense of this eclipse as an actual event has been overlooked for three millennia. It provides an account of the events surrounding the conquest of the Shang and founding of the Zhou dynasty that has never been told. It shows how the earliest layer of the Book of Changes (the Zhouyi) has preserved a hidden history of the Conquest.
Throughout the years there have been several editions of Zhuang Zi's book with significant differences in certain parts of the text. Not every word in the book came from Zhuang Zi's pen. Contributions were made by his disciples and there have been many changes to the original text: errors in hand copying the text, in mistaking notations for text, and in outright forgery throughout centuries. Chen Guying's 1976 edition of the book, an eclectic study of all the editions that identifies probable forgeries, is used as the text reference in the present translation.
Drawing on a vast array of scholarship, this pioneering text illustrates how profoundly astronomical phenomena shaped ancient Chinese civilization.
The bestselling Journey to the West comic book by artist Chang Boon Kiat is now back in a brand new fully coloured edition. Journey to the West is one of the greatest classics in Chinese literature. It tells the epic tale of the monk Xuanzang who journeys to the West in search of the Buddhist sutras with his disciples, Sun Wukong, Sandy and Pigsy. Along the way, Xuanzang's life was threatened by the diabolical White Bone Spirit, the menacing Red Child and his fearsome parents and, a host of evil spirits who sought to devour Xuanzang's flesh to attain immortality. Bear witness to the formidable Sun Wukong's (Monkey God) prowess as he takes them on, using his Fiery Eyes, Golden Cudgel, Somersault Cloud, and quick wits! Be prepared for a galloping read that will leave you breathless!
Are you a genius who has been tormented by beauty since young? Please, no matter if it's the Ice Snow Huang Rong, or Li Mosou who has been emotionless since ancient times, with Ruo Ling's card, they are all my character cards. Do you have any masterwork weapons made by the ancient dwarves? F * * k, I don't need these things, because whether it's the golden saint robe or the Bio Boosting armour, they're just my items card; how can a Saint realm expert's battle qi mantra defeat my Dao-heart type demon, the War God's Atlas, the Lone Nine Swords, or the Six Passages Divine Sword? What! You still have magic? Sigh, I don't even dare to release the skill card that I came from the Immortal World. I'm afraid that you all will say that I am anti-human ...
Revered for millennia in the Chinese spiritual tradition of the Tao Te Ching, this poetic translation of an ancient Taoist text comes alive for the modern reader Witty, engaging and spiced with the lyricism of poetry, Chuang Tzu's Taoist insights in the Inner Chapters are timely and eternal. The only sustained section of text widely believed to be the work of Chuang Tzu himself, these chapters date to the 4th century B.C.E and are profoundly concerned with spiritual ecology. With bold and startling prose, David Hinton's vital translation is surprisingly modern, making this ancient text from the golden age of Chinese philosophy come alive for contemporary readers. The Inner Chapters' fantastical passages offer up a wild menagerie of characters, freewheeling play with language, and surreal humor. Interwoven with Chuang Tzu's sharp instruction on the Tao are short stories that are often rough and ribald, rich with satire and paradox.