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In Maggie Barlow's world, reality is overrated. So what if her singing career has hit a sour note or she's no longer the ingénue that she used to be? So what if she drinks and smokes a bit too much or likes to chat with a fairy godperson who appears to her from time to time? She's the queen of denial and an actress to boot—she can just take on the role of someone she likes better than her sorry self. Regrettably, that role is currently Dorothy in the Little Britches Theater Company's production of The Wizard of Oz. Dorothy on the Rocks is the story of a funny, lovable, totally self-destructive woman who, after a night of one-drink-too-many, wakes up with a strange man in her bed: confident, handsome, sexy, twenty-eight-year-old Jack. What happens next is what makes Barbara Suter's coming-of-middle-age tale so much fun. For when the make-believe is finally stripped away, our hurt, lonely, and very afraid heroine finally takes center stage and finds herself starring in a totally improbable love story. It just might be the role of a lifetime.
Includes chapters on rock-forming minerals, ores, igneous rocks, and precious minerals, and describes tests to determine minerals.
Dorothy on the Rocks é o romance de estreia da talentosa Barbara Suter. Vencedor de prêmios de romance estreante, o livro é para aqueles que estão apaixonados ou à procura de um grande amor e que sempre desejaram encontrar sua fada madrinha. “Um romance deliciosamente engraçado e charmoso que faz com que você acredite em fadas madrinhas e na magia do amor.” (Cassandra King) “Este romance tem tudo: brilho, glamour, muita bebida, amor e sexo, confusões, fadas, risadas e lágrimas em profusão. Além de tudo isso, inclui pequenos lembretes! Amo o jeito como Barbara escreve. A única coisa ruim é ter que ficar esperando pelo seu próximo livro.” (Mark Childress)
Elmo and his pet fish, Dorothy, are the greatest of friends. Elmo takes care of her and introduces her to his other friends, including Zoe, Bert, Ernie, Big Bird, and Cookie Monster. Elmo talks to Dorothy all the time. And—glug-glug—she answers Elmo in “fish-talk”! Scattered throughout the story are descriptions of how friends help each other: they keep each other company, share new experiences, cheer each other up, take care of each other, and much more. Toddlers will be familiar with Dorothy the goldfish from the “Elmo’s World” segments on Sesame Street.
Soil science is perhaps one of the oldest practical sciences, having been of concern to man probably from the time he progressed from a strictly preda tory life to one in which agriculture became important. In view of the anti quity of concern with the subject, it is perhaps surprising that it can be approached from a fresh viewpoint, as is done in this book. Because soil science is an applied science, it is not surprising that the approach is usually descriptive, rather than imaginative. For agriculturalists and other land users, perhaps the most important part of soil science is the description of soils and the capacities of such soils to maintain crops, and this is reflected by the fact that soil science is usually treated ima highly descriptive manner, with soil classification being one of the main efforts. The treatment of the subject from a geological point of view, with considerable emphasis on the evolution of soils and the reasons governing their composition and form, makes this a highly readable book. Books on soil science are timely, with present-day concern with such major problems as the pollution of our environment and the possibility of overreaching our capacity for producing food for an expanding population.
When it comes to movie reviews, critic Violet Epps is a powerhouse voice. But that’s only because she’s learned to channel her literary hero Dorothy Parker, the most celebrated and scathing wit of the twentieth century. If only Violet could summon that kind of strength in her personal life. Violet visits the Algonquin Hotel in an attempt to find inspiration from the hallowed dining room where Dorothy Parker and so many other famous writers of the 1920s traded barbs, but she gets more than she bargained for when Parker’s feisty spirit rematerializes. An irreverent ghost with problems of her own—including a refusal to cross over to the afterlife—Mrs. Parker helps Violet face her fears, becoming in turn mentor and tormentor…and ultimately, friend. READERS GUIDE INSIDE
Dorothy Lee is best remembered for her screen appearances with the popular comedy team of Bert Wheeler and Robert Woolsey. She went from being a struggling vaudeville performer to the female vocalist in one of the most successful bands in the country to a star in the new-fangled "talking pictures" all within the span of a few short years. During the Great Depression, she lived a fairy-tale existence, rubbing shoulders with Hollywood luminaries and earning an income that most people could only dream of. She retired and balanced domestic life with charity work. And she saw, to her amazement, a revived interest in the movie career she had written off long ago. Based on years of conversations between the authors and Dorothy Lee, this book is an informative biography filled with revealing insights on navigating the studio system during Hollywood's Golden Age and the ephemeral nature of fame.
During a painting retreat, a killer takes a creative approach to the ancient art of murder. The majestic landscape of the Scottish coast has attracted artists and fishermen for centuries. In the idyllic village of Kirkcudbright, every resident and visitor has two things in common: They either fish or paint (or do both), and they all hate Sandy Campbell. Though a fair painter, he is a rotten human being, and cannot enter a pub without raising the blood pressure of everybody there. No one weeps when he dies. Campbell's body is found at the bottom of a steep hill, and his easel stands at the top, suggesting that he took a tumble while painting. But something about the death doesn't sit right with gentleman sleuth Lord Peter Wimsey. No one in Kirkcudbright liked Campbell, and six hated him enough to become suspects. Five are innocent, and the other is the perpetrator of one of the most ingenious murders Lord Peter has ever encountered.
This is a story that, when told directly, shuts people up, the kind of story that drives people to change the subject, or cross the street when they see the teller coming. In 1949, author Dorothy Foltz-Gray and her identical twin sister, Deane, were born. In 1981, Deane, then a psychologist, was fatally shot by one of her patients. In the years between, the pair formed an almost supernaturally close bond, one so intimate that at times, their memories fused and their individual identities dimmed. Here, Foltz-Gray, an award-winning poet and journalist, recounts not only the extraordinary phenomenon of growing up in a world that could not distinguish her from another human being, but also the struggle to survive the loss of her twin. Foltz-Gray describes the imagined womb life she and her sister shared, their childhood and family, and their dreams of sharing each other’s lives. She also details the nightmare of her sister’s death, its immediate aftermath, and her attempts to recover her self. With and Without Her is the story of what happens when a life divides into before and after. It is a story of identity and individuation, confusion and competition, intimacy and separation, violence and murder. Most of all, it is the story we all face, of loss and survival.