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The Aperture Masters of Photography Series has become a touchstone of Aperture's longstanding commitment to introducing the history and art of photography to a broader public. Each volume provides an ongoing comprehensive view of the artists who have helped shape the medium. Initially presented as the History of Photography Series in 1976, the first volume featured Henri Cartier-Bresson and was edited by legendary French publisher Robert Delpire, who cofounded the series with Aperture's own Michael Hoffman. Twenty volumes have been published in total, each of them devoted to an image-maker whose achievements have accorded them vital importance in the history of photography. Each volume presents an evocative selection of the photographer's life's work, introduced with a foreword by a notable curator or historian of each artist. The series will be relaunched in Fall 2014, beginning with books on Paul Strand and Dorothea Lange, elegantly updated and refreshed for today's photography-hungry audiences, and introducing new, image-by-image commentary and chronologies of the artists' lives for each of the previously published titles. The series will also include entirely new titles on individual artists. The Aperture Masters of Photography Series is an unparalleled library of both historical and contemporary photographers, and serves as an accessible compilation for anyone studying the history of photography.
USBBY Outstanding Books for Young People with Disabilities Colonial Dames of America Book Award ALA/Amelia Bloomer Book List NCSS Notable Trade Book Bank Street College of Education Best Book of the Year “An excellent beginner’s resource for biography, U.S. history, and women’s studies.” —Kirkus Reviews Here is the powerful and inspiring biography of Dorothea Lange, one of the founders of documentary photography. After a childhood bout of polio left her with a limp, all Dorothea Lange wanted to do was disappear. But her desire not to be seen helped her learn how to blend into the background and observe. With a passion for the artistic life, and in spite of her family's disapproval, Lange pursued her dream to become a photographer and focused her lens on the previously unseen victims of the Great Depression. This poetic biography tells the emotional story of Lange's life and includes a gallery of her photographs, an author's note, a timeline, and a bibliography.
Essays by R.H. Cravens, Arthur C. Danto and Madonna.
This critically acclaimed work brings us a new selection of poignant essays by master photographer Robert Adams. In this volume, Adams evinces his firm belief in the importance of art. Photographers "may or may not make a living by photography," he writes, "but they are alive by it."
Gertrude Kasebier, Imogen Cunningham, Dorothea Lange, Laura Gilpin--author Judith Fryer Davidov examines the influence of the lives and work of a particular network of women photographers linked by time, interaction, and friendship. In presenting one of the most important strands of American photography, this richly illustrated book will interest students of American visual culture, women's studies, and general readers alike. 220 photos.
A collection of illustrated, black-and-white photographs by American documentary photographer and photojournalist, Dorothea Lange, depicting American migrant workers and sharecroppers during the Great Depression.
When Diane Arbus died in 1971 at the age of forty-eight, she was already a significant influenceeven something of a legendamong serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972along with the posthumous retrospective at The Museum of Modern Artoffered the general public its first encounter with the breadth and power of her achievements. The response was unprecedented. The monograph of eighty photographs was edited and designed by the painter Marvin Israel, Diane Arbuss friend and colleague, and by her daughter Doon Arbus. Their goal in making the book was to remain as faithful as possible to the standards by which Diane Arbus judged her own work and to the ways in which she hoped it would be seen. Universally acknowledged as a classic, Diane Arbus: An Aperture Monograph is a timeless masterpiece with editions in five languages and remains the foundation of her international reputation. Nearly half of a century has done nothing to diminish the riveting impact of these pictures or the controversy they inspire. Arbuss photographs penetrate the psyche with all the force of a personal encounter and, in doing so, transform the way we see the world and the people in it. This is the first edition in which the image separations were created digitally; the files have been specially prepared by Robert J. Hennessey using prints by Neil Selkirk.
Introduction : "A camera is a tool for learning how to see ...".
A fifth procedural featuring Inspector Devlin, as well as the stark realities of recent Irish history You can't investigate the baby, Inspector. It's the law. Declan Cleary's body has never been found, but everyone believes he was killed for informing on a friend more than 30 years ago. Now the Commission for Location of Victims' Remains is following a tip-off that he was buried on the small isle of Islandmore, in the middle of the River Foyle. Instead, the dig uncovers a baby's skeleton, and it doesn't look like death by natural causes. But evidence revealed by the commission's activities cannot lead to prosecution. Inspector Devlin is torn. He has no desire to resurrect the violent divisions of the recent past, but neither can he let a suspected murderer go unpunished. Now that the secret is out, more deaths follow. Devlin must follow his conscience—even when that puts those closest to him at terrible risk.