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Biography of the legendary Miki Dora, who learned to surf from his step father, Gard Chapin, at San Onofre Beach in Orange County, California.
Merging biography, memoir, and cultural history, this compelling book, a bestseller in France, traces the life of Dora Maar (1907–1997) through a serendipitous encounter with the artist’s address book. In search of a replacement for his lost Hermès agenda, Brigitte Benkemoun’s husband buys a vintage diary on eBay. When it arrives, she opens it and finds inside private notes dating back to 1951—twenty pages of phone numbers and addresses for Balthus, Brassaï, André Breton, Jean Cocteau, Paul Éluard, Leonor Fini, Jacqueline Lamba, and other artistic luminaries of the European avant-garde. After realizing that the address book belonged to Dora Maar—Picasso’s famous “Weeping Woman” and a brilliant artist in her own right—Benkemoun embarks on a two-year voyage of discovery to learn more about this provocative, passionate, and enigmatic woman, and the role that each of these figures played in her life. Longlisted for the prestigious literary award Prix Renaudot, Finding Dora Maar is a fascinating and breathtaking portrait of the artist. “Beautifully written and fascinating.”—Paris Match “One of the happy surprises of the end of the literary season.”—Livres Hebdo “A highly moving portrait of the artist.”—Elle (France) This book received support from the French Ministry of Foreign Affairs and the Cultural Services of the French Embassy in the United States through their publishing assistance program.
For twenty years, Miki "Da Cat" Dora was the king of Malibu surfers—a dashing, enigmatic rebel who dominated the waves, ruled his peers' imaginations, and who still inspires the fantasies of wannabes to this day. And yet, Dora railed against surfing's sudden post-Gidget popularity and the overcrowding of his once empty waves, even after this avid sportsman, iconoclast, and scammer of wide repute ran afoul of the law and led the FBI on a remarkable seven-year chase around the globe in 1974. The New York Times named him "the most renegade spirit the sport has yet to produce" and Vanity Fair called him "a dark prince of the beach." To fully capture Dora's never-before-told story, David Rensin spent four years interviewing hundreds of Dora's friends, enemies, family members, lovers, and fellow surfers to uncover the untold truth about surfing's most outrageous practitioner, charismatic antihero, committed loner, and enduring mystery.
A collection of memorabilia brings together the art of the Surrealist photographer and artist while documenting her seven-year affair with Pablo Picasso and considering her role as a friend and sexually unconventional woman.
Wyndham Lewis portrayed her as a tiny sex therapist, D. H. Lawrence as a frivolous artist's model and, elsewhere, as a gang-raped aesthete, and Aldous Huxley as jargon-speaking ultra-modern girl. Because of her Bohemian lifestyle, connection with the Bloomsbury group, her bobbed hair and outspoken views, painter Dora Carrington seems to symbolize the 'new' woman of the early 20th century. But the reality is more complex than that. While sexuality, infidelity and modernity were undeniably aspects of her personality, they were equally balanced by a loathing of her own femaleness, a devotion for 17 years with one man - albeit the homosexual Lytton Strachey, and respect for many aspects of traditional English life. Here is a vivid and compelling portrait of a remarkable woman -described by Lady Ottoline Morrell as 'a strange wild beast'.
Everything has a cost Pan and Dora belong together, but destiny doesn't let them. Not in this world. Their forbidden love exists only in a safely guarded box outside of space and time. When Pandora's box opens, their dreams threaten our world as a brutal dance of distorting dimensions manifests, consuming all in its wake. Pan and Dora might be able to restore the balance. But at what cost? Pan and Dora's Box is a cosmic horror story, but at its core, it's romance, deep, painful, raw, all too real. The kind that demands sacrifices. The kind that deserves those sacrifices. It's horror, the kind most of us know in some shape or form.
"Over two million of the nation's eleven million undocumented immigrants have lived in the United States since childhood. Due to a broken immigration system, they grow up to uncertain futures. In Lives in Limbo, Roberto G. Gonzales introduces us to two groups: the college-goers, like Ricardo, whose good grades and strong network of community support propelled him into higher education, only to land in a factory job a few years after graduation, and the early-exiters, like Gabriel, who failed to make meaningful connections in high school and started navigating dead-end jobs, immigration checkpoints, and a world narrowly circumscribed by legal limitations. This ethnography asks why highly educated undocumented youth ultimately share similar work and life outcomes with their less-educated peers, even as higher education is touted as the path to integration and success in America. Gonzales bookends his study with discussions of how the prospect of immigration reform, especially the Deferred Action for Childhood Arrivals (DACA) program, could impact the lives of these young Americans"--Provided by publisher.
This book examines the varied influences and accomplishments of the Indian Ladies’ Magazine, the first Indian magazine established and edited by an Indian woman—Kamala Satthianadhan—in English, written by women, for women. Influences include Victorian, Edwardian, and Modern literature and culture as well as traditional Indian literature and culture during the late colonial, pre-independence period. More than a literary journal, this publication also addressed social reforms, from “ladies’ philanthropy” to “women’s mission to women”; the emergence of Indian “identity politics” in response to the nationalist and independence movements; the Indian Woman Question in the context of female education debates and shifting concepts of “womanliness”; cultural exchanges recorded by Indian travelers to America; and the emergence of Indian nationalism, between World Wars I and II, leading to independence. This publication recorded and participated in the most pivotal moment in modern Indian history and did so by appealing to both the conservative and progressive socio-political urges marking the era.