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Former teammates return to drag the Doom Patrol down into their graves. In the face of absolute horror, can any death wish survive?
It's a black hole, but it's not a black hole. If you're a Doom Patrol fan, that made perfect sense. And even if not, then you're in for one hell of a ride as the Doom Patrol face off against an extremely annoying alien. Plus, the Metal Men journey into space!
These new adventures find the Doom Patrol facing off against a pan-dimensional wrecking crew who have come to Oolong Island looking for something specific - and the Doom Patrol had better find it while there's still an island left
Oolong Island is picking up the pieces after the Black Lanterns' devastating attack. Former Patrol member Crazy Jane finds the island first, bearing terrifying news of what's to come!
It is a time of great upheaval as Cliff transforms, Larry gives birth, Casey babysits—and the Doom Patrol becomes embroiled in the divorce proceedings of feuding cosmic entities.
They were outcast heroes, bound together by fate, led by their mysterious, wheelchair-bound Chief: Robotman, Elasti-Girl, Negative Man and Beast Boy.Their strange powers made them the objects of fear instead of hero worship. In the 1960s, they were the most unusual super-team comics readers had ever seen. In this fourth volume of their Archive series, the Doom Patrol faces such bizarre menaces as Mr. 103, Ultimax, and the Brotherhood of Evil, including the duo of the Braina disembodied, super-intelligent brainand Monsieur Mallah, an evil, talking ape who speaks with a French accent.
Originally published as My Greatest Adventure #80-85, The Doom Patrol #86-101.
Mento's back, and Rita's got him in a death grip! When her ex takes things a step too far, he learns a hard lesson about ticking off a 50-foot woman. Plus, secrets concerning Rita exposed!
Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world. Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture. In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.