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A collection of fictionalized true to life adventures as seen in Arizona Territory in the 1850 to 1880 era where Indian warfare and pillaging Raiders were common.These tales all involve realistic events that have been written in a manner to provide an enjoyable short story for the commuter or an interesting lunch break. Violence, during this period in American history was common place and has been included as necessary to provide realism.Authentic practices for training horses and gunmanship techniques are included in some stories. It's my desire to provide the reader with an interesting and satisfying story that is both entertaining and educational. Thank you for taking the time to read this.
The remarkable story of David Kennedy's crusade to combat America's plague of gang- and drug-related violence - with methods that have been astonishingly effective across the country. 'If you want to read a book on urban gangs and find out why they exist and why they kill each other, read this ... this is a sociology book, but it's like immersing yourself in The Wire ... When Kennedy says something, you believe him' Scotsman Gang- and drug-related inner-city violence, with its attendant epidemic of incarceration, is the defining crime problem in our country. In some neighborhoods in America, one out of every two hundred young black men is shot to death every year, and few initiatives of government and law enforcement have made much difference. But when David Kennedy, a self-taught and then-unknown criminologist, engineered the "Boston Miracle" in the mid-1990s, he pointed the way toward what few had imagined: a solution. Don't Shoot tells the story of Kennedy's long journey. Riding with beat cops, hanging with gang members, and stoop-sitting with grandmothers, Kennedy found that all parties misunderstood each other, caught in a spiral of racialized anger and distrust. He envisioned an approach in which everyone-gang members, cops, and community members-comes together in what is essentially a huge intervention. Offenders are told that the violence must stop, that even the cops want them to stay alive and out of prison, and that even their families support swift law enforcement if the violence continues. In city after city, the same miracle has followed: violence plummets, drug markets dry up, and the relationship between the police and the community is reset. This is a landmark book, chronicling a paradigm shift in how we address one of America's most shameful social problems. A riveting, page-turning read, it combines the street vérité of The Wire, the social science of Gang Leader for a Day, and the moral urgency and personal journey of Fist Stick Knife Gun. But unlike anybody else, Kennedy shows that there could be an end in sight.
“[Jance] continues to grow in her art.... It’s no mystery why this writer is a hit.”— Seattle Times A premium edition reissue of the third electrifying Joanna Brady novel by New York Times bestselling author J. A. Jance. A prisoner languishes in a Phoenix jail cell accused of slaying his estranged wife. No one believes the man is innocent, except the new female sheriff of Cochise County, in town for a crash course in police training. Joanna Brady is out of her jurisdiction—and possibly out of her league. For a human monster is on the prowl, hiding the grisly evidence of his horrific crimes in the vast emptiness of the Arizona desert. And an impromptu investigation, with no official sanction, and no back-up, is drawing a cold, ingenious serial killer much too close to Brady for comfort—and closer, worse still, to her little girl.
Karen Pryor’s clear and entertaining explanation of behavioral training methods made Don’t Shoot the Dog a bestselling classic with revolutionary insights into animal—and human—behavior. In her groundbreaking approach to improving behavior, behavioral biologist Karen Pryor says, “Whatever the task, whether keeping a four-year-old quiet in public, housebreaking a puppy, coaching a team, or memorizing a poem, it will go fast, and better, and be more fun, if you know how to use reinforcement.” Now Pryor clearly explains the underlying principles of behavioral training and reveals how this art can be applied to virtually any common situation. And best of all, she tells how to do it without yelling threats, force, punishment, guilt trips—or shooting the dog. From the eight methods for putting an end to all kinds of undesirable behavior to the ten laws of “shaping” behavior, Pryor helps you combat your own addictions and deal with such difficult problems as a moody spouse, an impossible teen, or an aged parent. Plus, there’s also incredibly helpful information on house training the dog, improving your tennis game, keeping the cat off the table, and much more! “In the course of becoming a renowned dolphin trainer, Karen Pryor learned that positive reinforcement…is even more potent that prior scientific work had suggested…Don’t Shoot the Dog looks like the very best on the subject—a full-scale mind-changer” (The Coevolution Quarterly). Learn why pet owners rave, “This book changed our lives!” and how these pioneering techniques can work for you, too.
The author describes his stint as a music teacher inside San Quentin, discussing the connections he made with inmates through music and the advice he gave his at-risk students on the outside about the harsh reality of prison life.
A tour-de-force. A harrowing comic masterpiece. A timely novel that transcends the times. An instant American classic. This is what critics are not saying about Bradley Sands' latest magnum opus, Please Do Not Shoot Me in the Face: A Novel. A novel in three parts, Please Do Not Shoot Me in the Face: A Novel is the story of one boy detective, the worst ninja in the world, and the great American fast food wars. It is a novel of loss, destruction, and-incredibly-genuine hope. Please Do Not Shoot Me in the Face: A Novel contains three classic Bradley Sands novellas: Frankie Nougat and the Missing Heart, Cheesequake Smash-Up, and Apocalypse Ninja.
Understanding the explosive protests over police killings and the legacy of racism Following the high-profile deaths of eighteen-year-old Michael Brown in Ferguson, Missouri, and twenty-five-year-old Freddie Gray in Baltimore, Maryland, both cities erupted in protest over the unjustified homicides of unarmed black males at the hands of police officers. These local tragedies—and the protests surrounding them—assumed national significance, igniting fierce debate about the fairness and efficacy of the American criminal justice system. Yet, outside the gaze of mainstream attention, how do local residents and protestors in Ferguson and Baltimore understand their own experiences with race, place, and policing? In Hands Up, Don’t Shoot, Jennifer Cobbina draws on in-depth interviews with nearly two hundred residents of Ferguson and Baltimore, conducted within two months of the deaths of Brown and Gray. She examines how protestors in both cities understood their experiences with the police, how those experiences influenced their perceptions of policing, what galvanized Black Lives Matter as a social movement, and how policing tactics during demonstrations influenced subsequent mobilization decisions among protesters. Ultimately, she humanizes people’s deep and abiding anger, underscoring how a movement emerged to denounce both racial biases by police and the broader economic and social system that has stacked the deck against young black civilians. Hands Up, Don’t Shoot is a remarkably current, on-the-ground assessment of the powerful, protestor-driven movement around race, justice, and policing in America.
When Diane Smith and Zane Winston are murdered, no one could have foreseen the far-reaching consequences. Detective Gabriel St. John gets involved because of his relationship with Zanes wifean old friend from high school. Soon, his murder investigation turns into a case of international intrigue since the victims held a secret government contract. Gabe is just a small-town cop and veteran of the 101st Airborne Division. He served in the bloodbath of D-Day and grew up at the hands of an abusive, drunken dad. Is he ready to go up against the CIA? Well, hes about to find out since Diane and Zane were apparently only small fish in this string of assassinations. The true target is a scientist named Victor Marchenko. The CIA will stop at nothing to have Marchenko killed.. Gabe could stand aside and let the big boys fight it out, but it irks him that an old scientist is about to be murdered and he doesnt know why. Spies from all sides get involved, and it appears that Gabe has more women than clues, but he will doggedly stay on Marchenkos trail to the bitter end.
The Lomo camera, an icon of mid-20th century design, is perceived as unable to take a bad picture, due to the unique, glass lens and capability for handling low-light levels. This antidote to all things digital and slick has found a vast international following of people who use it to document every aspect of their lives. This has spawned fan clubs and competitions the world over, culminating in the 2001 final in Cuba. This work features many images by keen lomographers, alongside facts, figures, anecdotes and ravings. It charts the visual language, history and lifestyle of this unique cult, an extraordinary camera and its global audience.