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If there's one thing Bureau of Indian Affairs Investigator Emmet Quanah Parker knows, it's that the dead don't always stay dead. With him he carries the ghosts of a partner killed in action, three failed marriages, and a long affair with the bottle. And now he's about to face the most dangerous case of his career--one that begins with a body that doesn't stay buried. Brutally murdered and bizarrely mutilated, a woman's corpse is discovered on Havasupai Nation land. Parker is paired with FBI Special Agent Anna Turnipseed in a hastily assembled task force of two. The two share a mixed Native American ancestry...and little else. As they are pulled deeper into a complex case, Parker suspects they are being led--like Custer into Little Bighorn--into a killer's trap, with Anna the bait and Parker himself the quarry. At the heart of it are the dead, with history the most lethal weapon of all....
A story of Holocaust survival in Auschwitz. The author's parents met in Auschwitz, he from Greece and her from Poland. It is also the story of immigration, growing up in Australia, becoming a parent, an artist and a spiritual person.
NAMED A MOST ANTICIPATED BOOK IN ESSENCE MAGAZINE, THE MILLIONS AND BOOKISH "Don't Cry for Me is a perfect song."—Jesmyn Ward A Black father makes amends with his gay son through letters written on his deathbed in this wise and penetrating novel of empathy and forgiveness, for fans of Ta-Nehisi Coates, Robert Jones Jr. and Alice Walker As Jacob lies dying, he begins to write a letter to his only son, Isaac. They have not met or spoken in many years, and there are things that Isaac must know. Stories about his ancestral legacy in rural Arkansas that extend back to slavery. Secrets from Jacob's tumultuous relationship with Isaac's mother and the shame he carries from the dissolution of their family. Tragedies that informed Jacob's role as a father and his reaction to Isaac's being gay. But most of all, Jacob must share with Isaac the unspoken truths that reside in his heart. He must give voice to the trauma that Isaac has inherited. And he must create a space for the two to find peace. With piercing insight and profound empathy, acclaimed author Daniel Black illuminates the lived experiences of Black fathers and queer sons, offering an authentic and ultimately hopeful portrait of reckoning and reconciliation. Spare as it is sweeping, poetic as it is compulsively readable, Don't Cry for Me is a monumental novel about one family grappling with love's hard edges and the unexpected places where hope and healing take flight.
Dance Dance Dance—a follow-up to A Wild Sheep Chase—is a tense, poignant, and often hilarious ride through Murakami’s Japan, a place where everything that is not up for sale is up for grabs. As Murakami’s nameless protagonist searches for a mysteriously vanished girlfriend, he is plunged into a wind tunnel of sexual violence and metaphysical dread. In this propulsive novel, featuring a shabby but oracular Sheep Man, one of the most idiosyncratically brilliant writers at work today fuses together science fiction, the hardboiled thriller, and white-hot satire.
It’s shortly after World War II in Eastern Europe when a tormented young woman steps up to the door of a speeding train...and prepares to throw her baby outside. What happens next will forever alter the lives of the young woman, the horrified teacher who steps up to stop her...and the three-month old baby born into such dark circumstances. And so begins the life of Yugoslavian Ramona, whose childhood will be terribly marred by the weaknesses of those entrusted with her care. Buffeted from place to place with the violent secrets of how she came to be slowly revealed to her, Ramona eventually decides to leave the horrors of her childhood behind for a new start in Canada. There she begins to find her way and learn to love...until fresh tragedy sends her life off course and she finds herself trapped in an abusive marriage as miserable as her childhood. But Ramona has endured so much; she has vast reservoirs of strength within her. Now with two children of her own to protect, she slowly begins to extricate herself from the horror of her marriage to build a new life, free of abuse at last.
In order to escape the poverty of the south, Alonas family moved to Chicago. The Crawford family has made a name for themselves as one of the leading Publishing Company in Chicago. Alona has now become a successful stock broker, for an investment company. She also is an up and coming writer. She has it all, loving husband, two wonderful children. She lives in a mansion, and drives a Mercedes Benz. Her world is turned upside down when she recognizes her childhood sweetheart at a dinner party, Drew Patton. A single Pastor, self-made millionaire, who owns a multi-media empire in New Orleans. They reconnect again and share an unforgettable rendezvous weekend while attending a writers conference. Alona and Drew, two devoted Christians will have their faith tested in this steamy love triangle. Was it love that brought them together? The Church will say it was Lust. The world will call it Love. What will Alona decide? Will she risk her 10- year marriage to follow what she believes is her heart? Your writer Taffi Stevens
The Enlhet, an Indigenous people of the Paraguayan Chaco, remained virtually untouched by colonialism until the 1920s. This changed with the arrival of Mennonites, who began settling in the centre of Enlhet territory in 1927; the Chaco War soon after (1932–35); the deadliest conflict in the western hemisphere after the American Civil War; and a terrible smallpox epidemic at the same time. In Don’t Cry the Enlhet give their own account of this period, focusing on their experiences of the war between Paraguay and Bolivia, in voices never before heard outside their own society. Their accounts, translated from the Enlhet language and set alongside sensitive historical-anthropological analysis, allow unprecedented access to these hitherto hidden perspectives. Enlhet witnesses to those times describe the processes of colonization to which they were subjected while, at the same time, insisting on their own vision of the world. This vision challenges the views of colonial society, symbolizing the search for a relationship that assumes a shared history, addresses the gulf between peoples, and embraces the potential of each. These oral histories bear witness to the role of Indigenous voices in overcoming the colonial mindset deeply rooted within Western societies, which lacks the conceptual framework to meet Indigenous societies on equal terms. A unique example of history from an Indigenous perspective, this book reflects a crucial moment for a people who preserved their language despite adverse circumstances and whose origins still inform their daily life. Don’t Cry demonstrates the importance of native voices for both Indigenous and colonial societies.
Mommy, Please Don't Cry is a book of love and comfort for mothers who have experienced the deep sorrow of losing a child. Serene illustrations frame gentle words that describe heaven from a child's perspective. With room for the reader's personal reflections at the end of the book, every page is a poignant gift of hope and healing. "Our stories are all different, but our pain is the same," writes Linda. "We are mothers who will forever grieve the loss of our children. And yet, there is hope for our troubled souls."
From singer-songwriter Nathan Peterson (So Am I), comes a book of reflections about life, rest, and presence in the midst of grief. Written as a follow-up to So Am I, Peterson shares lessons learned during the 14 months following the passing of his one-year-old daughter, and explores the possibility that grief is not just a means to an end -- a necessary step on the road to healing -- but that grief is an end in itself -- that grief is healing. This book is not only for those who have lost a loved one. It is not a how-to book on grieving or an account of events. Rather, it is a sharing and an exploration of the inner world of a grieving father and of the beauty and inseparability of the pain, anger, and confusion of grief with healing. Presented as chronological writings from the day Olivia passed away until the Petersons' fifth child was born 14 months later, the chapters are interspersed with Nathan's journal entries from this period of time. Both Peterson's previous book (So Am I) and this book (Dance Again) correspond to albums (with the same titles) released and available on iTunes, Spotify, Amazon, and on his website.
"Barron paints a wholly plausible picture of teenage insecurity and ambition ... a play that wittily shows how dance can be a source of liberation without ever quelling the tremulous terrors of adolescence." - The Guardian Somewhere in America, a revolution is coming. An army of competitive dancers is ready to take over the world, one routine at a time. With a pre-teen battle for power and perfection raging on and off stage, Dance Nation is a ferocious exploration of youth, ambition and self-discovery. Winner of the Susan Smith Blackburn Prize and The Relentless Award, Dance Nation is Clare Barron's explosive play about the challenges of being young, and competitive dancing. Published for the first time in Methuen Drama's Modern Classics series, this edition features a brand new introduction by Eboni Booth and Purva Bedi.