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A NEW KIND OF SEX ED.Pussy Prayers is about rekindling the connection to your pleasure center - the space through which you manifest worlds - regardless of the body parts you do or don't have. These pages speak to the unique sexual experiences of Black women and femmes in order to help them heal from trauma and miseducation while learning how to powerfully conjure up a life that is dripping with sweetness - all by getting in touch with the one part of yourself that was divinely designed for pleasure. Here, you'll find stories, sister-girl-talk, and practical, easy-to-do rituals to begin your personal journey of understanding the importance of pleasure, its connection to manifestation, and ways to increase your personal power so you can enjoy #EverydayDeliciousness.BLACK GIRL BLISS is an educational platform dedicated to cultivating the spiritual, sexual, and self-care practices of Black women and femmes. Learn more at BlackGirlBliss.com
No laughing please! A serial killer, a porno star, a stripper, an old lady with dementia, a wannabe lesbian, and a biker dude all board the plane going to Greece for a vacation. The plane comes to an emergency landing, making them refugees on an island in Greece. A lawyer, an FBI Agent and a Corporate VIP set out to search for their missing loved ones and where do they end up? On Bad Boy Island of course. Only to find themselves in a Reality TV show. Never Stop Laughing!
Three plays about transformation, intimacy and power from award-winning American Playwright Jen Silverman. Contains the plays The Roommate; The Moors and Collective Rage: A Play in 5 Betties. Collective Rage: A Play in 5 Betties - Five different women named Betty collide at the intersection of anger, sex, and the “thea-tah”, falling in love in unexpected ways. The Moors - Two sisters and a dog living on the bleak English moors, and dreaming of love and power, are surprised by a sudden arrival. The Moors is a dark comedy about love, desperation, and visibility. In The Roommate a middle-aged housewife makes a new friend with a big secret. A dark comedy about what it takes to re-route your life - and what happens when the wheels come off.
Drawing on conversations with hundreds of women about their genitalia, the author presents a collection of performance pieces from her one-woman show of the same name.
When Racine finds out her lover of the past four years is married with kids, her world crumbles. She'll never find another love. Life is closing in on her. The years are catching up. But, when Racine burns every belonging her ex left at her house, the fire attracts a creature that scares her stiff. Racine's never been a fan of snakes, but when Boh transforms before her eyes, she's willing to make an exception. Can she ever hope to trust another man? And, even if she does, how can she possibly share her life with a snake?
Susanna Kaysen, who wrote about her teenage depression in the bestseller Girl, Interrupted, now takes on another taboo: her vagina–which suddenly and inexplicably starts to hurt. And neither Kaysen’s cheery gynecologist, nor her internist, nor a laconic “vulvologist” has the cure. An alternative health nurse suggests direct application of tea, baking soda, and boric acid. Others recommend novocaine, oatmeal, “bio-feedback,” and anti-depressants. Nothing works. As sex becomes more and more painful, Kaysen’s relationship with her boyfriend disintegrates and she turns to her best friends, her wicked sense of humor, and finally wry self-reflection to get herself through. Using this unusual lens, Kaysen challenges us to think in new ways about the centrality and power of sexuality. The Camera My Mother Gave Me is an unexpected and revelatory book from one of our most candid, insightful and consistently surprising writers.
This book explores the relationship between cultural psychology and aesthetics, by integrating the historical, theoretical and phenomenological perspectives. It offers a comprehensive discussion of the history of aesthetics and psychology from an international perspective, with contributions by leading researchers from Serbia, Austria, Portugal, Norway, Denmark, and Brazil. The first section of the book aims at summarizing the debate of where the song comes from. It discusses undeveloped topics, methodological hints, and epistemological questions in the different areas of contemporary psychological sciences. The second section of the book presents concrete examples of case-studies and methodological issues (the new melodies in psychological research) to stimulate further explorations. The book aims to bring art back into psychology, to provide an understanding for the art of psychology. An Old Melody in a New Song will be of interest to advanced students and researchers in the fields of educational and developmental psychology, cultural psychology, history of ideas, aesthetics, and art-based research.
When she discovered that Jim Morrison of The Doors read "The History of Magic" by Kurt Seligmann, she bought it. Though she's not a reader, she liked the illustrations and incorporated some of the characteristics of "Hermetic Conversation" in her cover, since the other picture, which inspired her from a 1960's Good Housekeeping magazine also had two people talking. In reference to her book, the twelve keys can be referred to the 12 months of the year, since she includes dates when she's writing. They can also be referred to the different journals she writes in that are being held like cards. The position of the stars were like the luck of the draw relating to agriculture back then, which is why I put the "cheddar" man wizard on the "basil" card, which looks like Stonehenge, for the cover. He also appears to be a flask used in alchemy to create the philosopher's tincture.
This text is a case study of a woman, otherwise intelligent and apparently sane, who was convinced that she had internally a full set of functioning male sex organs. This account of her diagnosis and treatment is illustrated by excerpts from the patient-analyst dialogue during her therapy.