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The ultimate guide to one-stroke painting Become a one-stroke wonder with this all-in-one reference! Here, beloved decorative painter and PBS television instructor Donna Dewberry takes you step-by-step through more than 60 demonstrations using her popular One-Stroke techniques. From flowers, trees and berries to birds, fruit and more, the at-a-glance format makes it quick and easy to find the subject you want. Simply grab a brush and follow along as Donna guides you through mixing colors, loading brushes and making strokes. Each demonstration features big, beautiful color photos, color swatches, brush selection and complete instructions that will have you painting like a pro right away. Donna even helps you put it all together with 10 gorgeous designs that show you how to create great compositions every time. This really is the perfect reference for every decorative painter. Start at the beginning to learn the basics, or flip through to quickly find what you need. Either way, Donna Dewberry's Essential One-Stroke Painting Reference is the book you'll turn to again and again for inspiration, instruction and instant creative success!
The Ultimate Donna Dewberry guide to her popular one-stroke painting technique. This well known author and decorative painter also shares tips and ideas for creating beautifully painted items for the home A must-have guide for decorative painters.
Paint lovely landscapes in an afternoon! Learn to paint gorgeous landscapes the one-stroke way! In this inspiring guide, beloved artist and PBS painting instructor Donna Dewberry shows you how easy and fun it is to paint a range of enchanting outdoor scenes, using her popular one-stroke painting techniques. Open this guide and explore the creative possibilities. From peaceful sunsets and breathtaking vistas to flowered fields and blooming gardens, Donna makes every painting achievable and satisfying. Just follow along, step by step. In addition to in-depth guidance on choosing materials and mastering basic strokes, you'll find: 15 complete start-to-finish landscape painting demonstrations 15 tear-out cards featuring Donna's easy color recipes 7 painting projects designed to function across two, three and four canvases for enhanced home-decorating potential 27 quick demos on those landscape details that make your paintings pop Best of all, most paintings can be completed in an afternoon or less, thanks to Donna's clever sponging and brush-loading techniques. What could be better? With Donna Dewberry and your own creativity, a world of lovely landscape painting awaits you.
15 projects for your home and garden.
In her number one bestseller, You Just Don't Understand, Deborah Tannen showed why talking to someone of the other sex can be like talking to someone from another world. Her bestseller Talking from 9 to 5 did for workplace communication what You Just Don't Understand did for personal relationships. Now Tannen is back with another groundbreaking book, this time widening her lens to examine the way we communicate in public--in the media, in politics, in our courtrooms and classrooms--once again letting us see in a new way forces that have been powerfully shaping our lives. The Argument Culture is about a pervasive warlike atmosphere that makes us approach anything we need to accomplish as a fight between two opposing sides. The argument culture urges us to regard the world--and the people in it--in an adversarial frame of mind. It rests on the assumption that opposition is the best way to get anything done: The best way to explore an idea is to set up a debate; the best way to cover the news is to find spokespeople who express the most extreme, polarized views and present them as "both sides"; the best way to settle disputes is litigation that pits one party against the other; the best way to begin an essay is to oppose someone; and the best way to show you're really thinking is to criticize and attack. Sometimes these approaches work well, but often they create more problems than they solve. Our public encounters have become more and more like having an argument with a spouse: You're not trying to understand what the other person is saying; you're just trying to win the argument. But just as spouses have to learn ways of settling differences without inflicting real damage on each other, so we, as a society, have to find constructive and creative ways of resolving disputes and differences. Public discussions require making an argument for a point of view, not having an argument--as in having a fight. The war on drugs, the war on cancer, the battle of the sexes, politicians' turf battles--in the argument culture, war metaphors pervade our talk and shape our thinking. Tannen shows how deeply entrenched this cultural tendency is, the forms it takes, and how it affects us every day--sometimes in useful ways, but often causing, rather than avoiding, damage. In the argument culture, the quality of information we receive is compromised, and our spirits are corroded by living in an atmosphere of unrelenting contention. Tannen explores the roots of the argument culture, the role played by gender, and how other cultures suggest alternative ways to negotiate disagreement and mediate conflicts--and make things better, in public and in private, wherever people are trying to resolve differences and get things done. The Argument Culture is a remarkable book that will change forever the way you perceive the world. You will listen to our public voices in a whole new way.
This volume addresses recent and ongoing ethnobotanical studies in the Balkans. The book focuses on elaborating the relevance of such studies for future initiatives in this region, both in terms of sustainable and peaceful (trans-regional, trans-cultural) rural development. A multi-disciplinary viewpoint is utilized, with an incorporation of historical, ethnographic, linguistic, biological, nutritional and medical perspectives. The book is also authored by recognized scholars, who in the last decade have extensively researched the Balkan traditional knowledge systems as they pertain to perceptions of the natural world and especially plants. Ethnobotany and Biocultural Diversities in the Balkans is the first ethnobotany book on one of the most biologically and culturally diverse regions of the world and is a valuable resource for both scholars and students interested in the field of ethnobotany.
"A more than credible job of presenting both the basics as well as a 19-project gallery of outdoor items. Each project features directions as well as worksheets on various design parts. The projects include chairs, tables, fountains, stepping stones and rocks, candleholders, planter boxes, and a watering can. Paint conversion chart...metric conversion chart."--"Booklist." "A must-have for your book collections!"--"Tole World."
It was a compliment to me to be asked to prepare the fourth edition of Westcott's Plant Disease Handbook, and the decision to accept the responsi bility for the fourth edition and now the fifth edition was not taken lightly. The task has been a formidable one. I have always had a great respect professionally for Dr. Cynthia Westcott. That respect has grown considerably with the completion of the two editions. I now fully realize the tremendous amount of effort expended by Dr. Westcott in developing the Handbook. A book such as this is never finished, since one is never sure that everything has been included that should be. I would quote and endorse the words of Dr. Westcott in her preface to the first edition: "It is easy enough to start a book on plant disease. It is impossible to finish it. " This revision of the Handbook retains the same general format contained in the previous editions. The chemicals and pesticides regulations have been updated; a few taxonomic changes have been made in the bacteria, fungi, and mistletoes; the changing picture in diseases caused by viruses and/or viruslike agents has been described. A few new host plants have been added, and many recently reported diseases as well as previously known diseases listed now on new hosts have been included. In addition, photographs have been replaced where possible, and the color photograph section has been retained.
For the past few decades there has been raging a kind of subterranean debate, one of monumental importance. It is a debate about the Holocaust - not whether or not it "happened" (this is a meaningless claim), but rather, how it happened, through what means, and to what extent. On the one hand we have the traditional, orthodox view: the six million Jewish casualties, the gas chambers, the cremation ovens and mass graves. On the other hand there is a small, renegade band of writers and researchers who refuse to accept large parts of this story. These revisionists, as they call themselves, present counter-evidence and ask tough questions. Among the issues they raise are these: There is no trace of a 'Hitler order' to exterminate the Jews; key witnesses have either falsified or greatly exaggerated important aspects of their stories; major death camps - Belzec, Chelmno, Sobibor, and Treblinka - have all but vanished; we find little evidence of disturbed earth for mass graves; we find few remains of the millions of alleged victims - neither bones nor ash; mass-gassing with Zyklon-B would be nearly impossible without ventilators and ceiling holes; mass-gassing with diesel engine exhaust is practically impossible, given the low level of carbon monoxide; wartime air photos of Auschwitz show none of the alleged mass-burnings or cremations; the '6 million' number has no basis in fact, and actually traces back decades before the war; trends in Jewish world population strongly suggest less than 6 million lost; and the present number of "survivors" - currently over 1 million - implies few wartime deaths. The revisionists arrive at a different account. Hitler, they say, wanted to expel the Jews, not kill them. The ghettos and concentration camps served primarily for ethnic cleansing and forced labor, not mass murder. The Zyklon gas chambers did in fact exist, but were used for delousing and sanitary purposes. And most important, the Jewish death toll was much lower than commonly assumed - on the order of 500,000. In this book, for the FIRST TIME EVER, the reader can now judge for himself. Arguments and counter-arguments for both sides are presented, and all relevant facts are laid out in a clear and concise manner. The entire debate is presented in a scholarly and non-polemical fashion. Citations are marked, and facts are checked. READ, and JUDGE FOR YOURSELF.