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The 400th anniversaries of Don Quixote in 2005 and 2015 sparked worldwide celebrations that brought to the fore its ongoing cultural and ideological relevance. Living Quixote examines contemporary appropriations of Miguel de Cervantes's masterpiece in political and social justice movements in the Americas, particularly in Brazil. In this book, Cervantes scholar Rogelio Miñana examines long-term, Quixote-inspired activist efforts at the ground level. Through what the author terms performative activism, Quixote-inspired theater companies and nongovernmental organizations deploy a model for rewriting and enacting new social roles for underprivileged youth. Unique in its transatlantic, cross-historical, and community-based approach, Living Quixote offers both a new reading of Don Quixote and an applied model for cultural activism—a model based, in ways reminiscent of Paulo Freire, on the transformative potential of performance, literature, and art.
Michael Fane arrives in the thin red house in Carlington Road to his new family of Nurse, Cook, Annie the housemaid, his younger sister Stella, and the occasional presence of Mother. From here, the novel follows the next twenty years of his life as he tries to find his place in the upper echelons of Edwardian society, through prep school, studies at Oxford, and his emergence into the wide world. The setting is rich in period detail, and the characters portrayed are vivid and more nuanced in their actions and stories than first impressions imply. Sinister Street was an immediate critical success on publication, although not without some worry for its openness to discuss less salubrious scenes, and it was a favorite of George Orwell and John Betjeman. Compton Mackenzie had attended both St. James’ school and St. Mary’s College at Oxford and the novel is at least partly autobiographical, but for the same measure was praised as an accurate portrayal of that experience; Max Beerbohm said “There is no book on Oxford like it. It gives you the actual Oxford experience.” Although originally published in two volumes (in 1913 and 1914) for commercial reasons, the two form a single novel and have been brought back together again for this edition. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
In this second volume of a two-volume set, young protagonist Michael Fane goes to college and begins to explore his growing independence and the world around him. Acclaimed by an array of authors and critics as one of the most important works of fiction of the era, Sinister Street, Volume Two is a gripping literary account of young adulthood at the dawn of the twentieth century.
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
This book is a unique scholarly attempt to examine Don Quixote from multiple angles to see how the re-accentuation of the world’s greatest literary hero takes place in film, theatre, and literature. To accomplish this task, eighteen scholars from the USA, Canada, Spain, and Great Britain have come together, and each of them has brought his/her unique perspective to the subject. For the first time, Don Quixote is discussed from the point of re-accentuation, i.e. having in mind one of the key Bakhtinian concepts that will serve as a theoretical framework. A primary objective was therefore to articulate, relying on the concept of re-accentuation, that the history of the novel has benefited enormously from the re-accentuation of Don Quixote helping us to shape countless iconic novels from the eighteenth century, and to see how Cervantes’s title character has been reinterpreted to suit the needs of a variety of cultures across time and space.
Street to Street is one of Brian CastroOCOs best books yet, a comic-tragic enactment of the anxieties of the writing life, in which the early twentieth-century Sydney poet Christopher Brennan plays a major role. A legendary figure, with a commanding knowledge of classical and European poetry, Brennan wrote some of the most powerful poems in Australian literature. He died an impoverished alcoholic at the age of sixty-one. CastroOCOs double portrait of the poet and his biographer, the writer-academic Brendan Costa, plays on the disappointment, the guilt, the lack of recognition, which troubles those who live by their imaginations. The novella is the perfect form for CastroOCOs purpose, its compression heightening the wit and energy of his prose, and his remarkable feel for the embarrassments of character."