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In this English edition designed for either classroom use or performance, Robert Fedorchek presents a readable translation faithful to the tone and spirit of the original.
The first English language book to cover the full scope of modern Italy, from its official birth to today, "The Force of Destiny" is a brilliant and comprehensive study and a frightening example of how easily nation-building and nationalism can slip toward authoritarianism and war.
"Pilar Orsini Oquendo has just lost the love of her life. Her fiancé, Gonzalo, has been wrenched from her grasp by his untimely passing. Left alone to grieve, she finds herself at their favorite place, on a secluded beach in Spain. It is here where Gonzalo's childhood friend finds Pilar and, in a fit of lust, rapes her. Distraught and betrayed, Pilar soon finds the rape has produced a pregnancy. Despite the difficulty, Pilar decides to keep the baby. She struggles to wade through her emotional turmoil and continue her ambitious career as a translator of American literature. While speaking at Columbia University, Pilar meets Gus Brubaker. Gus is a Spanish literature translator, and he is immediately taken in by Pilar's intellect and stunning beauty. Pilar is conflicted and still dealing with the aftermath of her rape as her attacker continues his harassment. She is also pregnant. How will she explain this to Gus, who, she believes, will surely leave her when she reveals her pregnancy? The Translators tells a story of troubled romance set in the world of linguistics and literature. As Pilar and Gus travel the world together, they also must travel beyond pains of the past. In the conquering of violence, there is a possibility of healing and perhaps, a possibility of endless love."
As early as 1760 and as late as 1920, Romantic drama dominated Peninsular Spanish theater. This love affair with Romanticism influenced the formation of Spain's modern national identity, which depended heavily on defining women's place in 19th century society. Women who defied traditional gender roles became a source of anxiety in society and on stage. The adulteress embodied the fear of rebellious women, the growing pains of modernity and the political instability of war and invasion. This book examines the conflicted portrayal of women and the Spanish national identity. Studying the adulteress on stage, the author provides insight into the uneasy tension between progress and tradition in 19th century Spain.
It does not treat Romanticism as a limited "period" dominated by some construed singular master-ethos or dialectic; rather, it follows the literary patterns and dynamics of Romanticism as a flow of interactive currents across geocultural frontiers
March 3, 1945, turns into a fateful night of horror for a young American Marine caught in the onslaught of Japanese fire on Iwo Jima. But worse than the machine-gun wounds that he sustains is a reality that he will bury, a mental and psychological scar so terrible that he won't allow it to surface with doctors at Letterman Army Medical Center in San Francisco. It is only with a nurse who has an actual scar of her own from an abusive stepfather that he finds some respite. Given a medical discharge after V-E Day, the wounded Marine returns to his home in Mount Pleasant, Pennsylvania, which lies on the fringes of the dying coke and coal country. There he begins the agonizing journey of recognition to confront a naked, shattering truth. How he deals with his strong-willed father, friends, one antagonist, and the nurse who makes her way to Mount Pleasant, will determine the outcome of his nightmare on Iwo Jima. The Oldest Son is a story of the triumph of hope that springs from the love between a woman and a man.
The West has a long and rich dramatic tradition, and its dramatic works typically reflect the social and political concerns of playwrights and spectators. This book surveys the Western dramatic tradition from Ancient Greece to modern America. Included are chapters on great eras of drama, such as the Renaissance; national theatres, such as the theatres of Latin America, Ireland, and Poland; important theatrical movements, such as musical theatre and African American drama; and influential theatre styles, such as realism, expressionism, and surrealism. Entries are written by leading authorities and cite works for further reading. Students of literature and drama will appreciate the book for its convenient overview of the Western theatrical tradition, while students of history and social studies will welcome its illumination of different cultures and traditions. Designed for students, the book overviews Western drama from Ancient Greece to modern America. Included are chapters on great eras of drama, such as the Renaissance; national theatres, such as the theatres of Latin America, Ireland, and Poland; important theatrical movements, such as musical theatre and African American drama; and influential theatre styles, such as realism, expressionism, and surrealism. Each chapter is written by an expert contributor and offers an extended consideration of its topic and cites works for further reading. Students of drama and literature will value the book for its exploration of the Western theatrical tradition, while students of history and social studies will welcome its illumination of different cultures and traditions.
Fulfilling the need for English-source material on contemporary Spain, this book supplies readers with an in-depth, interdisciplinary guide to the country of Spain and its intricate, diverse culture. Far from a usual reference book, Modern Spain takes the reader through the country's history, economy, and politics as well as topics that address Spain's popular culture, such as food, sports, and sexuality. Because of the interdisciplinary nature of its content, this book differs from the average typical English manuals that very rarely cover in depth the whole array of interesting issues that define Spain in the 21st century. The vast amount of information makes this book the perfect companion for any reader wishing to learn more about Spain. Packed with current facts and statistics, this book offers an unbiased view of a modern country, making it an ideal source for undergraduate students and scholars.
Figures of Chance I: Chance in Literature and the Arts (16th–21st Centuries) proposes a transhistorical analysis that will serve as a reference work on the evolution of literary and artistic representations of chance and contingency. Alongside its multidisciplinary companion volume (Figures of Chance II), it considers how the projective and predictive capacity of societies is shaped by representations and cultural models of a reality that is understood, to varying degrees, to be contingent, unpredictable, or chaotic. Giving special emphasis to the French context while also developing broad cross-cultural comparisons, this volume examines the dialogue between evolving conceptions and changing representations of chance, from Renaissance figures of Fortune to the data-driven world of the present. Written by recognized specialists of each of the periods studied, it identifies and historicizes the main fictional and factual modes of portraying, narrating, and comprehending chance in the West.
The contents of this book cover what a Canon is and why it matters, the Canon backstory, modern Canons, factors that make a work Canonical, the literary Canon, and much more.