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As a comedian, Dominic Holland has fearlessly confronted thorny subjects. Asking questions such as; When is an onion actually peeled? Rest assured, his writing here remains as intrepid. 31 comic essays on your life and his.
“Written in prose so clear that we absorb its images as if by mind meld, “The Last Painting” is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it’s fiction that keeps you up at night — first because you’re barreling through the book, then because you’ve slowed your pace to a crawl, savoring the suspense.” —Boston Globe A New York Times Bestseller A New York Times Book Review Editor's Choice A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH. Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city’s Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it. New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer’s marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict. Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.
A "marvelous" (Economist) account of how the Christian Revolution forged the Western imagination. Crucifixion, the Romans believed, was the worst fate imaginable, a punishment reserved for slaves. How astonishing it was, then, that people should have come to believe that one particular victim of crucifixion-an obscure provincial by the name of Jesus-was to be worshipped as a god. Dominion explores the implications of this shocking conviction as they have reverberated throughout history. Today, the West remains utterly saturated by Christian assumptions. As Tom Holland demonstrates, our morals and ethics are not universal but are instead the fruits of a very distinctive civilization. Concepts such as secularism, liberalism, science, and homosexuality are deeply rooted in a Christian seedbed. From Babylon to the Beatles, Saint Michael to #MeToo, Dominion tells the story of how Christianity transformed the modern world.
“I’m mad as hell, and I’m not going to take it anymore!” The words of Howard Beale, the fictional anchorman in 1976’s hit film Network, struck a chord with a generation of Americans. In this colourful new history, Dominic Sandbrook ranges seamlessly over the political, economic, and cultural high (and low) points of American life in the 1970s, exploring the roots of the fears, resentments, cravings, and disappointments we know so well today. From Richard Nixon and Ronald Reagan to Anita Bryant and Jerry Falwell, he shows how the 1970s saw the emergence of a new right-wing populism, setting the stage for the bitter partisanship and near-total cynicism of our modern political landscape.
Have you ever seriously questioned Christianity? If so, you’re not alone. A lot of people have wondered if this faith is outdated . . . irrelevant . . . maybe even harmful. But what if everything is not as it seems? What if there’s more to the story? Questioning Christianity explores the nature and relevance of the Christian story in an accessible and compelling way. No slogans. No politics. No simple solutions to complex problems. After many years of exploring issues of faith with skeptics, seekers, and new believers, Dan Paterson and Rian Roux serve as guides to help you navigate what can be a disorienting and confusing journey. Perhaps you’re feeling lost, unable to find your bearings, and you need some help to map out the terrain around you. Or maybe you’ve encountered obstacles and have hard questions that need to be addressed before you can move ahead. Whatever it is that has made you curious about this faith, there are good answers waiting to be discovered. So go ahead. Question Christianity. Just give Christianity the chance to answer back.
A "fresh...thrilling" (The Guardian) account of the Graeco-Persian Wars. In the fifth century B.C., a global superpower was determined to bring truth and order to what it regarded as two terrorist states. The superpower was Persia, incomparably rich in ambition, gold, and men. The terrorist states were Athens and Sparta, eccentric cities in a poor and mountainous backwater: Greece. The story of how their citizens took on the Great King of Persia, and thereby saved not only themselves but Western civilization as well, is as heart-stopping and fateful as any episode in history. Tom Holland’s brilliant study of these critical Persian Wars skillfully examines a conflict of critical importance to both ancient and modern history.
At long last, Sarah Britton, called the “queen bee of the health blogs” by Bon Appétit, reveals 100 gorgeous, all-new plant-based recipes in her debut cookbook, inspired by her wildly popular blog. Every month, half a million readers—vegetarians, vegans, paleo followers, and gluten-free gourmets alike—flock to Sarah’s adaptable and accessible recipes that make powerfully healthy ingredients simply irresistible. My New Roots is the ultimate guide to revitalizing one’s health and palate, one delicious recipe at a time: no fad diets or gimmicks here. Whether readers are newcomers to natural foods or are already devotees, they will discover how easy it is to eat healthfully and happily when whole foods and plants are at the center of every plate.
Eugene McCarthy was one of the most fascinating political figures of the postwar era: a committed liberal anti-Communist who broke with his party’s leadership over Vietnam and ultimately helped take down the political giant Lyndon B. Johnson. His presidential candidacy in 1968 seized the hearts and fired the imaginations of countless young liberals; it also presaged the declining fortunes of liberalism and the rise of conservatism over the past three decades. Dominic Sandbrook traces Eugene McCarthy’s rise to prominence and his subsequent failures, and makes clear how his story embodies the larger history of American liberalism over the last half century. We see McCarthy elected from Minnesota to the House and then to the Senate, part of a new liberal movement that combined New Deal domestic policies and fierce Cold War hawkishness, a consensus that produced huge electoral victories until it was shattered by the war in Vietnam. As the situation in Vietnam escalated, many liberals, like McCarthy, found themselves increasingly estranged from the anti-Communism that they had supported for nearly two decades. Sandbrook recounts McCarthy’s growing opposition to President Johnson and his policies, which culminated in McCarthy’s stunning near-victory in the New Hampshire presidential primary and Johnson’s subsequent withdrawal from the race. McCarthy went on to lose the nomination to Hubert Humphrey at the infamous 1968 Democratic National Convention in Chicago, which secured his downfall and led to Richard Nixon’s election, but he had pulled off one of the greatest electoral upsets in American history, one that helped shape the political landscape for decades. These were tumultuous times in American politics, and Sandbrook vividly captures the drama and historical significance of the period through his intimate portrait of a singularly interesting man at the center of it all.
To satisfy the needs of the hundreds of thousands of people who pay good money to see stand-up every year, Malcolm Hardee ('the comedian's comedian' WHSmith Online; 'a national monument' The Guardian) presents a comedy club on the page with a bill featuring the glitterati of British stand-up comedy. We let the famous names and new talents alike try out their written humour and their only brief is to make us laugh. We plan to make the book an annual event, and are sure it will soon become the world's largest virtual comedy club. Contributors include: Keith Allen, Jo Brand, Simon Day, Jenny -clair, Boothby Graffoe, Ricky Grover, Jeremy Hardy, Hattie Hayridge, John Hegley, Jeff Innocent, Mark Lamarr, Chris Lynam, Simon Munnery, Rob Newman, Mark Steel, Arthur Smith, Jim Tavare, Mark Thomas
SELECTED AS A BOOK OF THE YEAR 2019 BY THE TIMES, DAILY TELEGRAPH, LONDON EVENING STANDARD, DAILY MAIL AND BBC HISTORY MAGAZINE 'Magisterial ... If anyone wants to know what has been happening to Britain since the 1950s, it is difficult to imagine a more informative, or better-humoured guide ... a Thucydidean coolness, balance and wisdom that is superb.' - AN Wilson, The Times 'Who Dares Wins captures the period with clairvoyant vividness. Compulsively readable, the book will be indispensable to anyone who wants to understand these pivotal years.' - John Gray, New Statesman 'Immaculately well-researched, breathtakingly broad and beautifully written ... Sandbrook leaves the reader impatient for the next volume.' - Simon Heffer, Daily Telegraph The acclaimed historian of modern Britain, Dominic Sandbrook, tells the story of the early 1980s: the most dramatic, colourful and controversial years in our recent history. Margaret Thatcher had come to power in 1979 with a daring plan to reverse Britain's decline into shabbiness and chaos. But as factories closed their doors, dole queues lengthened and the inner cities exploded in flames, would her radical medicine rescue the Sick Man of Europe - or kill it off? Vivid, surprising and gloriously entertaining, Dominic Sandbrook's new book recreates the decisive turning point in Britain's recent story. For some people this was an age of unparalleled opportunity, the heyday of computers and credit cards, snooker, Sloane Rangers and Spandau Ballet. Yet for others it was an era of shocking bitterness, as industries collapsed, working-class communities buckled and the Labour Party tore itself apart. And when Argentine forces seized the Falkland Islands, it seemed the final humiliation for a wounded, unhappy country, its fortunes now standing on a knife-edge. Here are the early 1980s in all their gaudy glory. This is the story of Tony Benn, Ian Botham and Princess Diana; Joy Division, Chariots of Fire, the Austin Metro and Juliet Bravo; wine bars, Cruise missiles, the ZX Spectrum and the battle for the Falklands. And towering above them all, the most divisive Prime Minister of modern times - the Iron Lady.