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Annette Carson, a member of the team that found the grave of the ‘Lost King’, Richard III, has produced this new edition of Mancini’s important eyewitness report. Domenico Mancini was an Italian visitor to London in 1483 who witnessed Richard III’s rise from Protector to King, and wrote the only genuinely contemporary account. An early translation was published in the 1930s which, for modern historians, leaves much to be desired. The title and a number of key passages were mistranslated. In addition, Mancini’s misunderstanding of England’s laws and governance, and his omission of crucial facts, were left unremarked. This is a more accurate translation and analysis which reflects the latest 21st-century research.
The murder of the Princes in the Tower is the most famous cold case in British history. Traditionally considered victims of a ruthless uncle, there are other suspects too often and too easily discounted. There may be no definitive answer, but by delving into the context of their disappearance and the characters of the suspects Matthew Lewis examines the motives and opportunities afresh as well as asking a crucial but often overlooked question: what if there was no murder? What if Edward V and his brother Richard, Duke of York survived their uncle’s reign and even that of their brother-in-law Henry VII? There are glimpses of their possible survival and compelling evidence to give weight to those glimpses, which is considered alongside the possibility of their deaths to provide a rounded and complete assessment of the most fascinating mystery in history.
Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them. Medieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over seventy original documents are transcribed and translated, including wills, inventories, letters and chronicle accounts, from a period which saw rapid advances in military technology. The book also includes an extensive glossary, lavishly illustrated with forty images of extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.
Richard III, King of England from 1483 to 1485, made good laws that still protect ordinary people today. Yet history concentrates on the fictional hunchback as depicted by Shakespeare: the wicked uncle who stole the throne and killed his nephews in the Tower of London. Voices have protested during the intervening years, some of them eminent and scholarly, urging a more reasoned view to replace the traditional black portrait. But historians, whether as authors or presenters of popular TV history, still trot out the old pronouncements about ruthless ambition, usurpation and murder. After centuries of misinformation, the truth about Richard III has been overdue a fair hearing. Annette Carson seeks to redress the balance by examining the events of his reign as they actually happened, based on reports in the original sources. She traces the actions and activities of the principal characters, investigating facts and timelines revealed in documentary evidence. She also dares to investigate areas where historians fear to tread, and raises some controversial questions. In 2012 Carson was a member of Philippa Langley's Looking For Richard Project, which provided important new answers from the DNA-confirmed discovery of the king's remains. Her involvement in Langley's Missing Princes Project, with its international research initiative on the 'princes in the Tower', has now informed her revelatory extra chapter.
Stephen. John. Edward II. Richard II. Richard III. These five are widely viewed as the worst of England’s medieval kings. Certainly, their reigns were not success stories. Two of these kings lost their thrones, one only avoided doing so by dying, another was killed in battle, and the remaining one had to leave his crown to his opponent. All have been seen as incompetent, their reigns blighted by civil war and conflict. They tore the realm apart, failing in the basic duty of a king to ensure peace and justice. For that, all of them paid a heavy price. As well as incompetence, some also have reputations for cruelty and villainy, More than one has been portrayed as a tyrant. The murder of family members and arbitrary executions stain their reputations. All five reigns ended in failure. As a result, the kings have been seen as failures themselves, the worst examples of medieval English kingship. They lost their reputations as well as their crowns. Yet were these five really the worst men to wear the crown of England in the Middle Ages? Or has history treated them unfairly? This book looks at the stories of their lives and reigns, all of which were dramatic and often unpredictable. It then examines how they have been seen since their deaths, the ways their reputations have been shaped across the centuries. The standards of their own age were different to our own. How these kings have been judged has changed over time, sometimes dramatically. Fiction, from Shakespeare’s plays to modern films, has also played its part in creating the modern picture. Many things have created, over a long period, the negative reputations of these five. Today, they have come to number among the worst kings of English history. Is this fair, or should they be redeemed? That is the question this book sets out to answer.
The Wars of the Roses, which saw England and Wales ravaged by warfare for three decades and dynasties rise and fall, decimated the nobility of an entire generation, and saw the rise of the merchant class, the decline of medieval feudalism and opened the country to the enlightened ideals of the Renaissance. Such has been its lasting effects the red and white rose of the Tudors is still a national symbol. This book is an exploration of the buildings, monuments, towns and battlefields of that turbulent era across both England and Wales – places that can still be visited and experienced today. The stories of the great battles of St Albans, Stoke Field, Wakefield, Townton, Barnet, Tewksbury and, of course, Bosworth, are told along with beautiful photographs to help guide the reader round these important sites, as well as the dozens of smaller engagements where the supporters of the Houses of York and Lancaster fought and died. Here are castles and manor houses galore, all of which played their part in this protracted struggle for the throne of England, such as Richard of York’s imposing powerbase of Lulow Castle and the magnificent Tudor stronghold of Bamburg. These are compared with the scant remains of Fotheringhay Castle, the birthplace of Richard III – the man whose remains were so dramatically uncovered in Leicester – and Micklegate Bar, York, was where Richard’s head was placed on a spike. We see the Clocktower of St Albans and ‘Gabriel’ the bell that was rung in 1455 alerting of the Yorkist advance, as well as the Tower of London where Henry VI met his death and the possible burial place of the two princes. These, and scores of other places, monuments, plaques, buildings and battlegrounds, represent not only a journey across England and Wales, but a journey back in time to the bloody conflict that was the War of the Roses.
A highly illustrated history of the Wars of the Roses based on the medieval art of Graham Turner. The period of civil strife in the second half of the 15th century now known as the Wars of the Roses was one of the most dramatic and tumultuous in English history. Since first being inspired by a visit to Bosworth battlefield nearly 30 years ago, renowned historical artist Graham Turner has built a worldwide reputation for his depictions of this colourful and troubled era, his paintings and prints prized by historians and collectors for their attention to detail and dramatic and atmospheric compositions. This new study contains a detailed history of the wars alongside a unique and comprehensive collection of over 120 of his paintings and drawings, many created especially for this book. It provides meticulously researched details of arms, armour, settings and countless other aspects of the period, while bringing to life the human stories behind the turbulent events.
The stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603.
Richard III was King of England in 1483–1485. Now the discovery of his lost grave has led to an upsurge of interest in his controversial reputation.
Locating the Queen's Men presents new and groundbreaking essays on early modern England's most prominent acting company, from their establishment in 1583 into the 1590s. Offering a far more detailed critical engagement with the plays than is available elsewhere, this volume situates the company in the theatrical and economic context of their time. The essays gathered here focus on four different aspects: playing spaces, repertory, play-types, and performance style, beginning with essays devoted to touring conditions, performances in university towns, London inns and theatres, and the patronage system under Queen Elizabeth. Repertory studies, unique to this volume, consider the elements of the company's distinctive style, and how this style may have influenced, for example, Shakespeare's Henry V. Contributors explore two distinct genres, the morality and the history play, especially focussing on the use of stock characters and on male/female relationships. Revising standard accounts of late Elizabeth theatre history, this collection shows that the Queen's Men, often understood as the last rear-guard of the old theatre, were a vital force that enjoyed continued success in the provinces and in London, representative of the abiding appeal of an older, more ostentatiously theatrical form of drama.