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As 85 color images reveal the beauty and craftsmanship of these unique toys, 25 historical sepia-toned photos place them in the context in which they were used, all accompanied by fact-filled captions and an authoritative text. Seven tales illustrate the role of toys in passing on valuable lessons.
A variety of Native American dolls - from prehistoric ceramic figures to striking contemporary creations by Inuit and Pueblo artists - fill the pages of Small Spirits. These miniature forms have played rich and diverse roles in indigenous cultures from antiquity to the present, serving as toys and learning tools for children, sacred and magical figurines, props and performers in drama and dance, and in recent years, as items manufactured for sale. Some dolls today are created as artworks and coveted by collectors. Full-color images portray the beauty and craftsmanship of the dolls - among the most enchanting objects in the National Museum of the American Indians's vast collections - in Small Spirits. Each doll, from the simplest toy made of sticks and cloth scraps to the exquisitely dressed replica of a woman in her finest regalia, offers a glimpse into a particular cultural world, like that of the Navajo, Cree, or Tapirape - and into the mind of an individual maker, perhaps a grandmother reflecting on the past, a child fashioning a plaything, or an artist creating a gallery piece. The great variety of form and materials - such as walrus tusk ivory, cornhusks, and beeswax embellished with the brilliantly colored feathers of tropical birds - reflects the vibrancy and range of Native American lifeways.
Includes "eighty-five...full-color images...twenty-five historical sepia-toned photographs...[and] seven compelling tales that illustrate the role of toys in passing valuable lessons from one generation to the next..."
Noted paper doll artist Kathy Allert's keen eye for authentic detail is reflected in this meticulously researched and accurately rendered collection. It contains a boy and a girl doll, each approximately 5 1/2" high, and 31 different full-color outfits accurately re-creating the native dress of 19 tribes that span a vast area of the North American continent. Among the traditional costumes (identified on each plate) are an Apache coming-of-age dress; a Tlingit dress with button blanket; an Inuit costume of the Far North, complete with ivory snow goggles and harpoon; the dress of a modern Kiowa princess; the feathered short and fringed leggings of a Crow warrior; the lace-trimmed blouse and multicolored skirt of a young Seminole girl; the brightly decorated trousers and tunic of a Choctaw boy playing stickball; a Pueblo Deer Dancer's costume, decorated with evergreen sprigs; as well as colorful tribal outfits of the Algonquin, Iroquois, Cheyenne, Ojibwa, Sioux, Hopi, Navajo, and other Indian tribes. Headdresses, hats, baskets, jars, dolls, and other accessories complete the authentic native costumes. A unique addition to any paper doll collection, this charming volume offers hours of educational entertainment for doll lovers of all ages. It is an especially useful resource for social studies classes or for anyone interested in the clothing and culture of North American Indians.
Authentic paper dolls and exquisite costumes of 23 tribes of native American Indians. Beautiful fashions for both everyday and lavish ceremonies. 2 dolls 24 costumes.
Illustrating the diversity and beauty of Native American horse tack and gear, Jaye Oliver traces their evolution from the mid-nineteenth century to the early twentieth century. Drawing upon objects from North American museum and historical society collections, Oliver’s lush, full-color paintings sample equine finery of the various tribes of the North American Southwest, Plateau, and Great Plains. Including a historical narrative and illustrated glossary, as well as curatorial descriptions of each object portrayed, this work is as instructive as it is breathtaking. Including pictorial instructions for assembling the tack and gear, this work is for students, collectors, and aficionados of all ages, offering an unprecedented survey of the following collections: Buffalo Bill Historical Center, Cody, Wyoming; Denver Art Museum; Glenbow Museum, Alberta, Canada; Haffenreffer Museum of Anthropology, Brown University; Museum of Indian Arts and Culture, Museum of New Mexico; Montana Historical Society; Minnesota Historical Society; State Historical Society of North Dakota; Nez Percé National Historical Park, National Park Service; National Museum of the American Indian, Smithsonian Institution; National Museum of Natural History/Department of Anthropology, Smithsonian Institution; Portland Art Museum, Oregon; School of American Research, Santa Fe.
Now in a full-color second edition, Not Just a Pretty Face is an engaging exploration of the role of dolls and doll making in Alaska Native cultures. From ancient ivory carvings to the thriving tourist market, dolls and human figurines have played integral parts in the ritual, economic, and social lives of Native Alaskans. Dolls served as children's playthings, represented absent community members at ceremonies, and predicted the movements of game animals for shamans. Not Just a Pretty Face surveys these and other uses of dolls and figurines, illustrating in beautiful color photographs the diversity of the doll-making tradition in Eskimo, Athabaskan, and Northwest Coast Native communities. Authors explore the ethnographic literature, twentieth-century oral histories, and photographic documentation of dolls and the doll-making process. Contemporary doll makers explain, in their own words, how they learned to make dolls and what doll making means to them. The second edition features a photo essay on Rosalie Paniyak of Chevak, one of the most influential doll makers in Alaska today. Not Just a Pretty Face provides a panoramic view of an ancient tradition and situates the art of doll making within a contemporary context. Scholarly, yet accessible, Not Just a Pretty Face is a lively contribution to the literature on dolls, anthropology, and Native studies.
The world of Native Amer. children was filled with dolls and toys, for play was an important way of teaching children the skills that they would need throughout their lives. This book takes you on a journey through Native Amer. childhood, full of joy and play, informed by a deep respect for the family. By playing with the miniature dolls, tipis, sleds, spears, canoes, kachinas, and cradleboards made for them by their parents and grandparents, children prepared for life. Includes 85 full-color images of the toys and 25 historical sepia-toned photos place them in the context in which they were used. Includes 7 tales that illustrate the role of toys in passing valuable lessons from one generation to the next.
Dress little Morning Star for a number of important tribal events. She comes with brightly colored outfits worn by the Shoshone, Kiowa, Apache, Cheyenne, Sioux, and Seminole. 1 doll, 22 costume stickers.
Since 1872 when traveling salesman Aaron Montgomery Ward realized he could eliminate the middleman and sell goods directly to his customers, Americans have had an ongoing love affair with the mail-order catalog, which continues undiminished even in today's online-driven world. The practical can find deals on furniture and clothing in L.L.Bean and Sears, the extravagant can consider his and hers matching helicopters, windmills, hot-air balloons, and submarines in the Neiman Marcus Fantasy Catalog; those looking to get their pulses racing can browse Victoria's Secret and Abercrombie & Fitch; while our inner swashbuckler can travel the world through the pages of the J. Peterman Owner's Manual where Moroccan caftans, Russian Navy t-shirts, and wooden water buckets from rural China entice the imagination. In Catalog: The Illustrated History of Mail Order Shopping, Robin Cherry traces the timeline of these snapshots from American history and discovers along the way how we dressed, decorated our houses, worked, played, and got around. From corsets to bell-bottoms, from baby-doll dresses and Doc Martens all the way to iPods, the history of these catalogs is the history of our lives and our culture. GIs during World War II were kept company by the models in the pages of lingerie catalogs; hockey goalies fashioned makeshift shin guards out of them during the Great Depression, and creative children across the country still play with homemade paper dolls cut from clothing catalogs. A number of celebrities got their start modeling for catalogs: Gregory Peck, Lauren Bacall, Katherine Heigl, Matthew Fox, and Angelina Jolie. Jimi Hendrix and Bob Dylan both got their first guitars from the Sears catalog. Organized into categories such as clothing, food, animals, and houses, author Robin Cherry explores the vivid stories behind Sears, Montgomery Ward, Lillian Vernon, Harry & David, Jackson & Perkins, and of course, 45 years of the Neiman Marcus Christmas Book. Insightful historical commentary places these catalogs in their social context, making this book a visual pleasure and a historically important piece of Americana.