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When Ashley discovers a turn-of-the-century doll it is just the first of several puzzling events that lead her through the hedge and into a twilight past where she meets Louise, an ailing child whose beloved doll has mysteriously disappeared.
A suspenseful story of unexpected connections between present and past. Ashely and her mother need their new apartment to work out, but everything Ashely does seems to upset the irritable and unforgiving landlady. When Ashley makes friends with the girl next door, Kristi, they uncover a wooden box containing a well-loved turn-of-the-century doll. Ashley wants to keep the doll for herself, but Kristi has other ideas. So does the doll's original owner, a girl who died decades ago, but whom Ashley meets when she follows a mysterious white cat through a hedge. Can Ashley bring peace to the girl and resolve her own present-day challenges?
This timely and innovative book provides a detailed history of marketing to children, revealing the strategies that shape the design of toys and have a powerful impact on the way children play. Stephen Kline looks at the history and development of children's play culture and toys from the teddy bear and Lego to the Barbie doll, Care Bears and Teenage Mutant Ninja Turtles. He profiles the rise of children's mass media - books, comics, film and television - and that of the specially stores such as Toys 'R' Us, revealing how the opportunity to reach large audiences of children through television was a pivotal point in developing new approaches to advertising. Contemporary youngsters, he shows, are catapulted into a fantastic and chaotic time-space continuum of action toys thanks to the merchandisers' interest in animated television. Kline looks at the imagery and appeal of the toy commercials and at how they provide a host of stereotyped figures around which children can organize their imaginative experience. He shows how the deregulation of advertising in the United States in the 1980s has led directly to the development of the new marketing strategies which use television series to saturate the market with promotional "character toys". Finally, in a powerful re-examination of the debates about the cultural effects of television, Out of the Garden asks whether we should allow our children's play culture to be primarily defined and created by marketing strategies, pointing to the unintended consequences of a situation in which images of real children have all but been eliminated from narratives about the young.
This acclaimed biography of 19th century scientist Gregor Mendel is “a fascinating tale of the strange twists and ironies of scientific progress” (Publishers Weekly). A National Book Critics Circle Award finalist In The Monk in the Garden, award-winning author Robin Marantz Henig vividly chronicles the birth of genetics, a field that continues to challenge the way we think about life itself. Tending to his pea plants in a monastery garden, the Moravian monk Gregor Mendel discovered the foundational principles of genetic inheritance. But Mendel’s work was ignored during his lifetime, even though it answered the most pressing questions raised by Charles Darwin's revolutionary book, On the Origin of Species. Thirty-five years after his death, Mendel’s work was saved from obscurity when three scientists from three different countries nearly simultaneously dusted off his groundbreaking paper and finally recognized its profound significance. From the perplexing silence that greeted his discovery to his ultimate canonization as the father of genetics, Henig presents a tale filled with intrigue, jealousy, and a healthy dose of bad timing. Though little is known about Mendel’s life, she "has done a remarkable job of fleshing out the myth with what few facts there are" (Washington Post Book World).
"The Garden of the Plynck," authored through Karle Wilson Baker and published in 1916, stands as an incredible series of poetry that transports readers to a realm of enchantment and mysticism. Karle Wilson Baker, an American poet born in Little Rock, Arkansas, in 1878, showcases her precise voice and imaginative prowess on this compilation. The name poem, "The Garden of the Plynck," serves because the centerpiece, inviting readers into a dreamlike landscape wherein fact intertwines with the fantastical. Baker's verses showcase vibrant imagery and metaphysical issues, creating a poetic tapestry that explores the bounds of perception and the mysteries of lifestyles. Throughout the gathering, Baker delves into the nation-states of spirituality and mysticism, infusing her work with a lyrical exceptional that captivates the reader's creativeness. Her exploration of the unconscious and the fantastical elements of lifestyles provides depth and complexity to the poetry. "The Garden of the Plynck" reflects Baker's contribution to American literature at some stage in the early twentieth century. Her potential to craft mesmerizing verses, coupled with her hobby inside the mystical and religious dimensions of lifestyles, garnered popularity and acclaim.
They call New Orleans the Big Easy. The moniker comes, in part, from the French saying laissez les bons temps rouler. Let the good times roll. The name is a misnomer. There is nothing easy about living and growing up in New Orleanss Eighth Ward. My mother told me God created the world as a garden. A peek and a promise of what is to be seen in heaven. She also taught me that God allowed the devil access to the garden. Access and permission to tempt earths mortals. My mother told me we should all try to hide from the devil. To do so she believed we should pass through life as much a shadow, a silhouette to the devils eye, as possible. That is a difficult task for the pious. It is even more difficult in New Orleans, a city made famous by its history and traditions. Traditions and history that include temptations, vices, corruption, Mardi Gras, and voodoo. My name is Jehan Henri. This is the story of my silhouette in the garden we call earth.