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It's not easy drawing Dojin manga to make money on the side, and that's exactly what Najimi is learning-- and she's not alone. There are literally thousands of artists trying to make a buck, and many of them suck just as bad as Najimi. Enter Kaneru a rival artist who's deluded enough to think she's better than Najimi-- unfortunately she's awful too. They have to find a way to bring attention to their books-- but what could possibly draw the Otaku in?
March 6, 2035. Motoko Aramaki is a hyper-advanced cyborg, a counter-terrorist Net security expert, heading the investigative department of the giant multi-national Poseidon Industrial. Partly transcending the physical world and existing in a virtual world of networks, Motoko is a fusion of multiple entities and identities, deploying remotely controlled prosthetic humanoid surrogates around the globe to investigate a series of bizarre incidents.
"Based on the light novel series by Tsukasa Fushimi."
Inside her heart, Najimi is confident that she can make money with manga. Perhaps if she just prints enough copies, her enthusiasm and spirit, alone, will sell the books. She''ll do it, and with her friends at her side - Justice, Sora, Kaneru and Hoshi - she''ll succeed... or, at least, she''ll be surrounded by friends when she fails!
High school was supposed to be a fresh start—new school, new me. I should be basking in the glory of my new found popularity and placing top of my class, but I can’t. That’s because I have to live with my stupid ex, Mizuto Irido, who is also my little stepbrother now. For the sake of our newlywed parents, we’re pretending to be best friends, but behind the scenes, we hate each other’s guts and would like nothing more than to see the other crash and burn. We once thought we were deeply in love, but that was nothing but a folly of youth—a mistake that neither of us were keen on repeating. He never really understood me, even when we were dating. Nowadays, he still acts like he knows me, but that’s all it is—an act. All he saw— No, all he’s ever seen has been a plain-looking girl who shared a hobby with him. If someone else who fit that description asked him out, what would stop him from saying yes?
This book demonstrates that during Japan’s early modern Edo period (1603–1868) an ethical code existed among the merchant class comparable to that of the well-known Bushido. There is compelling evidence that contemporary merchants, who were widely and openly despised as immoral by the samurai, in fact acted in highly ethical ways in accordance with a well-articulated moral code. Japanese society was strictly stratified into four distinct and formally recognized classes: warrior, farmer, craftsman and merchant. From the warriors’ perspective, the merchants, at the base of the social order, had no virtue, and existed only to skim profits as middlemen between producers and consumers. But were these accusations correct? Were the merchants really unethical beings who engaged in unfair business practices? There is ample evidence that negates the ubiquitous slanders of the warrior class and suggests that merchants – no less than the warriors – possessed and acted in accordance with a well-developed ethical code, a spirit that may be called shonindo or “The Way of the Merchant.” This book examines whether a comparison of shonindo, depicting the ethical point of view of the merchant class, and Bushido, embodying that of the warrior class, reveals that shonindo may have in fact surpassed Bushido in some aspects. Comparing contemporarily published historical documents concerning both shonindo and Bushido, as well as Inazo Nitobe’s classic work Bushido: The Soul of Japan, published in 1900, the author examines how Bushido surpassed shonindo in that warriors were willing to die for their strict ethical code. Shonindo, however, may have surpassed Bushido in that merchants were liberal, willing to expand and extend application of their ethical beliefs into all aspects of everyday life for the overall benefit of society. This ethical code is compared with that of the conservative Bushido, which demonstrably proved not up to the task for the modernization and improved well-being of Japan. Ichiro Horide is professor emeritus of Reitaku University. Edward Yagi (Reitaku University) and Stanley J. Ziobro II (Trident Technical College) collaborated in the translation of the original Japanese manuscript into English.
It's not easy drawing Dojin manga to make money on the side, and that's exactly what Najimi is learning-- and she's not alone. There are literally thousands of artists trying to make a buck, and many of them suck just as bad as Najimi. Enter Kaneru a rival artist who's deluded enough to think she's better than Najimi-- unfortunately she's awful too. They have to find a way to bring attention to their books-- but what could possibly draw the Otaku in?
Now available in this paperback In this the parallel volume to The Boundaries of 'the Japanese': Volume 1: Okinawa 1818-1972 (2014), renowned historical sociologist Eiji Oguma further explores the fluctuating political, geographical, ethnic, and sociocultural borders of Japan and the Japanese from the latter years of the Tokugawa shogunate to the mid-20th century. Focus is placed first upon the northern island of Hokkaido with its indigenous Ainu inhabitants, and then upon the mainstays of Japan's colonial empire-Taiwan and Korea. In continuing to elaborate on the theme of inclusion and exclusion, the author comprehensively recounts and analyzes the events, actions, campaigns, and attitudes of both the rulers and the ruled as Japan endeavoured both to be seen as a strong, civilized nation by the wider world, and to 'civilize' its disparate subjects on its own terms. (Series: Japanese Society Series) Subject: Sociology, Cultural Anthropology, Asian Studies, Japanese Studies, Cultural Studies, History]
Focusing on Los Angeles farmland during the years between the Immigration Act of 1924 and the Japanese Internment in 1942, Transborder Los Angeles weaves together the narratives of Mexican and Japanese immigrants into a single transpacific history. In this book, Yu Tokunaga moves from international relations between Japan, Mexico, and the US to the Southern California farmland, where ethnic Japanese and Mexicans played a significant role in developing local agriculture, one of the major industries of LA County before World War II. Japanese, Mexicans, and white Americans developed a unique triracial hierarchy in farmland that generated both conflict and interethnic accommodation by bringing together local issues and international concerns beyond the Pacific Ocean and the US-Mexico border. Viewing these experiences in a single narrative form, Tokunaga breaks new ground, demonstrating the close relationships between the ban on Japanese immigration, Mexican farmworkers' strikes, wartime Japanese removal, and the Bracero Program.