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"Eliza travels to Sydney to deal with the estate of her Aunt Dodge, and finds Maxine, a hitherto unknown cousin, occupying Dodge's apartment. When legal complications derail plans to live it up on their inheritance, the women's lives become consumed by absurd attempts to deal with Australian tax law, as well their own mounting boredom and squalor. The most astonishing debut novel of the decade, Dodge Rose calls to mind Henry Green in its skewed use of colloquial speech, Joyce in its love of inventories, and William Gaddis in its virtuoso lampooning of law, high finance, and national myth."--Provided by publisher.
"Meet Me in St. Louis" was written by Sally Benson in 1941. It tells the story of the Smith family in 1903, who were looking forward to the 1904 World's Fair in St. Louis. It was originally published in New Yorker magazine as "The Kensington Stories" and later adapted to become the major motion picture, "Meet Me in St. Louis," starring Judy Garland in 1944.
In 2023 the Sydney Review of Books celebrates a decade online and the publication of more than a thousand essays and longform reviews of Australian and international literature. Over these ten years the SRB has cleared a unique space for serious reflection on literature and for critical thinking about our culture more broadly. The journal has been shaped by the diverse aesthetic, political and critical dispositions of our contributors, each of whom has different questions to ask contemporary literature. As they’ve asked these questions, they’ve guided a bold and independent public conversation about literature, and especially about the many forms of Australian literature. Critic Swallows Book brings together twenty-two essays that together demonstrate the eclecticism of the Sydney Review of Books. It includes essays on decolonising Australian literature and revisiting the classics, on blockbuster fiction and book-length poetry, on modernism in the Antipodes and reading during the pandemic. Essays on Susan Sontag and Rita Felski sit alongside critical considerations of Murray Bail and Joan London, of Evelyn Araluen and Samia Khatun. Contributors: Timmah Ball, Paola Balla, Alix Beeston, Tegan Bennett Daylight, Andrew Brooks, Bonny Cassidy, Mridula Nath Chakraborty, Tom Clark, Ali Cobby Eckermann, Ben Etherington, Ross Gibson, Ivor Indyk, Yumna Kassab, Louis Klee, Jeanine Leane, James Ley, Catriona Menzies-Pike, Drusilla Modjeska, Alys Moody, Suneeta Peres da Costa, Oliver Reeson. Open Secrets is edited by Catriona Menzies-Pike, former editor of the Sydney Review of Book. It follows the collections Open Secrets, Second City and The Australian Face, all published by the Sydney Review of Books.
J. Paul Getty had a passion for the exquisitely made furniture and decorative objects of eighteenth-century France, which he began collecting in the 1930s. Gillian Wilson, curator of decorative arts since 1971, has broadened and strengthened the collection, adding Boulle furniture, mounted oriental porcelain, tapestries, clocks, ceramics, and more. In the 1980s and 1990s the Museum continued to enlarge its decorative arts holdings, creating a European sculpture department in 1984 and adding glass, maiolica, goldsmiths’ work, pietre dure, and furniture from Italy and Northern Europe. This book is a revised and expanded edition of Decorative Arts: An Illustrated Summary Catalogue of the Collection of the J. Paul Getty Museum (1993). In addition to more than forty recent acquisitions—among these four wall sconces from Versailles that once belonged to Marie Antoinette and an elaborate upholstered bed from the collection of Karl Lagerfeld—it includes the results of years of research. Designed for scholars, students, and devotees of the decorative arts, this volume provides a comprehensive look at the Getty's fine collection.
This volume includes concise, illustrated entries on the more than 450 examples of furniture, porcelain, and silver from the Museum's collection. New to this expanded edition are sections devoted to maiolica and glass. An index of previous owners and updated bibliographies are of particular help to the scholar.
This book is a thorough study of all known guerrilla operations in Civil War Missouri between September 1864 and June 1865. It explores different tactics each side attempted to gain advantage over each other, with regional differences as influenced by the personalities of local commanders. The author utilizes both well-known and obscure sources (including military and government records, private accounts, county and other local histories, period and later newspapers, and secondary sources published after the war) to identify which Southern partisan leaders and groups operated in which areas of Missouri, and how their kinds of warfare evolved. This work presents the actions of Southern guerrilla forces and Confederate behind-Union-lines recruiters chronologically by region so that readers may see the relationship of seemingly isolated events to other events. The book also studies the counteractions of an array of different types of Union troops fighting guerrillas in Missouri to show how differences in training, leadership and experience affected actions in the field.