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The first Dodge trucks with the famous Power Wagon nameplate were introduced in 1946 when Dodge adapted its 4WD 3/4-ton military truck built for use in WWII. As a civilian truck, the sturdy, go-anywhere Dodge Power Wagons were used for numerous on and off-road jobs, from fire rescue to maintaining horse racing tracks. This comprehensive photo history covers all years, models and types of the rugged Dodge Power Wagon - military and civilian.
The most comprehensive photographic record ever published about the manufacturer instantly recognized throughout world for its bulldog logo. Follow the evolution of Mack's product line with photographs of more than 400 light-, medium-, heavy- and super-duty trucks performing a variety of applications. This huge collection of archival Mack Truck photographs was hand-picked from the extensive collection at the Mack Trucks Historical Museum.
Dodge's most famous trucks from WWII through the '80s; military and civilian versions with mechanical specifications and production figures.
The Iron Mining Industry was quite extensive throughout the area known as the Lake Superior Iron Ore District. All of the iron ore was transported by rail to a wide number of lake ports on Lake Superior, Lake Michigan and Lake Huron. This book lists all of the ore docks constructed on The Great Lakes. Includes photos of the ore docks and ore cars, ore car schematics and pertinent data.
Pontiac's most exciting performance car and million-seller is covered from the first 1969-1/2 models through the brand-new '99s. Included are photographs of special one-offs like the Pegasus/Banshee, as well as clay models, race versions, 25th anniversary editions, Indy pace cars, and movie cars. Photos and captions detail exteriors, interiors, and successive engine generations.
Photography possesses a powerful ability to bear witness, aid remembrance, shape, and even alter recollection. In Beyond Memory: Soviet Nonconformist Photography and Photo-Related Works of Art, the general editor, Diane Neumaier, and twenty-three contributors offer a rigorous examination of the medium's role in late Soviet unofficial art. Focusing on the period between the mid-1950s and the late 1980s, they explore artists' unusually inventive and resourceful uses of photography within a highly developed Soviet dissident culture. During this time, lack of high-quality photographic materials, complimented by tremendous creative impulses, prompted artists to explore experimental photo-processes such as camera and darkroom manipulations, photomontage, and hand-coloring. Photography also took on a provocative array of forms including photo installation, artist-made samizdat (self-published) books, photo-realist painting, and many other surprising applications of the flexible medium. Beyond Memory shows how innovative conceptual moves and approaches to form and content-echoes of Soviet society's coded communication and a Russian sense of absurdity-were common in the Soviet cultural underground. Collectively, the works in this anthology demonstrate how late-Soviet artists employed irony and invention to make positive use of difficult circumstances. In the process, the volume illuminates the multiple characters of photography itself and highlights the leading role that the medium has come to play in the international art world today. Beyond Memory stands on its own as a rigorous examination of photography's place in late Soviet unofficial art, while also serving as a supplement to the traveling exhibition of the same title.
Hailed by national leaders as politically diverse as former Vice President Al Gore and former House Speaker Newt Gingrich, Generations has been heralded by reviewers as a brilliant, if somewhat unsettling, reassessment of where America is heading. William Strauss and Neil Howe posit the history of America as a succession of generational biographies, beginning in 1584 and encompassing every-one through the children of today. Their bold theory is that each generation belongs to one of four types, and that these types repeat sequentially in a fixed pattern. The vision of Generations allows us to plot a recurring cycle in American history -- a cycle of spiritual awakenings and secular crises -- from the founding colonists through the present day and well into this millenium. Generations is at once a refreshing historical narrative and a thrilling intuitive leap that reorders not only our history books but also our expectations for the twenty-first century.