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Créée informellement en 1989, la conférence des pays éditeurs de documents diplomatiques a réuni à Paris en octobre 2005, à l'occasion de sa 8e session, une trentaine de délégations qui ont travaillé tant sur des questions de méthodologie que sur un thème historique, celui de la naissance et de l'évolution de l'Organisation des Nations unies. L'ensemble de leurs contributions est réuni dans ce volume, dont la direction des Archives du ministère français des Affaires étrangères, organisatrice de la réunion, a choisi de confier la publication aux éditions Peter Lang, qui publie déjà les Documents diplomatiques français. Le lecteur y trouvera les secrets de fabrication de cette collection et de ses homologues les plus anciennes, et en découvrira d'autres, plus récentes, voire en cours de création. Established unofficially in 1989, the International Conference of Editors of Diplomatic Documents brought together in Paris in October 2005, on the occasion of its 8th meeting, more than thirty delegations. The conference concentrated on the methodology of editing and publishing and chose to focus on the historical theme of the birth and development of the United Nations Organization. Reports and papers presented by the participants are gathered in the present proceedings, the publishing of which was entrusted by the Archives of the ministère des Affaires étrangères to Peter Lang Publishing Group, which is currently responsible for publishing the Documents diplomatiques français. The reader will find in this publication the trade secrets of the French series and of the earliest analogous series of diplomatic documents, as well as discover other more recent collections or even some in the process of being created.
In international law the authority of the writers has been great and the Statute of the International Court of Justice still takes cognizance of them as subsidiary sources. Yet it has been widely recognized that on many points writers, even of the most respecta ble authority, have merely repeated the statements of their predecessors, sometimes with the result that error or some indivi dual dogma or predilection has been perpetuated. The three-mile limit of territorial waters, for example, was long identified with the range of cannon and with the famous dictum of Galiani until modern historical research revealed more accurately its historical origin in the practice of states. The very definition of internation al law as a law of which only states were subjects impelled to somewhat far-fetched inclusions of certain political entities as "states," and has had at last to yield at least to the concept that an international organization may also be a subject of inter national law. The long repetition of the essential attributes ot states - sovereignty, independence, equality - has not altered the realities of the very great differences between states in respect of each of these attributes. As Cardozo said of definitions, if our preconceived notions of international law do not accord with the facts of international life, so much the worse for those old no tions; they must be revised to be brought into line with reality.
The Convention establishing the World Intellectual Property Organization was signed in Stockholm on July 14, 1967. This book has been written to commemorate the 25th anniversary of that event.
The Academy is a prestigious international institution for the study and teaching of Public and Private International Law and related subjects. The work of the Hague Academy receives the support and recognition of the UN. Its purpose is to encourage a thorough and impartial examination of the problems arising from international relations in the field of law. The courses deal with the theoretical and practical aspects of the subject, including legislation and case law. All courses at the Academy are, in principle, published in the language in which they were delivered in the "Collected Courses of the Hague Academy of International Law .
How Chinese characters triumphed over the QWERTY keyboard and laid the foundation for China's information technology successes today. Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters—in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and successes in the century-long quest for a workable Chinese typewriter. The earliest Chinese typewriters, Mullaney tells us, were figments of popular imagination, sensational accounts of twelve-foot keyboards with 5,000 keys. One of the first Chinese typewriters actually constructed was invented by a Christian missionary, who organized characters by common usage (but promoted the less-common characters for “Jesus" to the common usage level). Later came typewriters manufactured for use in Chinese offices, and typewriting schools that turned out trained “typewriter girls” and “typewriter boys.” Still later was the “Double Pigeon” typewriter produced by the Shanghai Calculator and Typewriter Factory, the typewriter of choice under Mao. Clerks and secretaries in this era experimented with alternative ways of organizing characters on their tray beds, inventing an input method that was the first instance of “predictive text.” Today, after more than a century of resistance against the alphabetic, not only have Chinese characters prevailed, they form the linguistic substrate of the vibrant world of Chinese information technology. The Chinese Typewriter, not just an “object history” but grappling with broad questions of technological change and global communication, shows how this happened. A Study of the Weatherhead East Asian Institute Columbia University