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In this text, the editors aim to make it impossible for researchers and theorists to treat preindustrial warfare without addressing the larger contexts within which all societies are embedded.
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In 1934, Nancy Cunard published Negro: An Anthology, which brought together more than two hundred contributions, serving as a plea for racial justice, an exposé of black oppression, and a hymn to black achievement and endurance. The anthology stands as a virtual ethnography of 1930s racial, historic, artistic, political, and economic culture. Samuel Beckett, a close friend of the flamboyant and unconventional Cunard, translated nineteen of the contributions for Negro, constituting Beckett's largest single prose publication. Beckett traditionally has been viewed as an apolitical postmodernist rather than as a willing and major participant in Negro's racial, political, and aesthetic agenda. In Beckett in Black and Red, Friedman reevaluates Beckett's contribution to the project, reconciling the humanism of his life and work and valuing him as a man deeply engaged with the greatest public issues of his time. Cunard believed racial justice and equality could be achieved only through Communism, and thus "black" and "red" were inextricably linked in her vision. Beckett's contribution to Negro demonstrates his support for Cunard's interest in surrealism as well as her political causes, including international republicanism and anti-fascism. Only in recent years have Cunard's ideas begun to receive serious consideration. Beckett in Black and Red radically revalues Cunard and reconceives Beckett. His work in Negro shows a commitment to cultural and individual equality and worth that Beckett consistently demonstrated throughout his life, both in personal relationships and in his writing.
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Though Kant never used the word 'emotion' in his writings, it is of vital significance to understanding his philosophy. This book offers a captivating argument for reading Kant considering the importance of emotion, taking into account its many manifestations in his work including affect and passion. Emotion, Reason, and Action in Kant explores how, in Kant's world view, our actions are informed, contextualized and dependent on the tension between emotion and reason. On the one hand, there are positive moral emotions that can and should be cultivated. On the other hand, affects and passions are considered illnesses of the mind, in that they lead to the weakness of the will, in the case of affects, and evil, in the case of passions. Seeing the role of these emotions enriches our understanding of Kant's moral theory. Exploring the full range of negative and positive emotions in Kant's work, including anger, compassion and sympathy, as well as moral feeling, Borges shows how Kant's theory of emotion includes both physiological and cognitive aspects. This is an important new contribution to Kant Studies, suitable for students of Kant, ethics, and moral psychology.
The sections in this book are devoted to new approaches and usages of stainless steels, the influence of the environments on the behavior of certain classes of steels, new structural concepts to understand some fatigue processes, new insight on strengthening mechanisms, and toughness in microalloyed steels. The kinetics during tempering in low-alloy steels is also discussed through a new set-up that uses a modified Avrami formalism.
Focusing specifically on the management of karst environments, this volume draws together the world’s leading karst experts to provide a vital source for the study and management of this unique physical setting. Although karst landscapes cover 12% of the Earth’s terrain and provide 25% of the world’s drinking water, the resource management of karst environments has only previously received indirect attention. Through a comprehensive approach, Karst Management focuses on engineering issues associated with surface karst such as quarries, dams, and agriculture, subsurface topics such as the management of groundwater, show caves, cave biota, and geo-archaeology projects. Chapters that focus on karst as an integrated system look at IUCN World Heritage sites, national parks, policy and regulation, measuring systematic disturbance, information management, and public environmental education. The text incorporates the most up-to-date research from leading karst scientists. This volume provides important perspectives for university students, educators, geoengineers, resource managers, and planners who are interested in or work with this unique physical landscape.
Reprint Edition of the 1934 Edition. This is the abridged edition of Nancy Cunard's classic collection. In 1934, Nancy Cunard self-published this volume in an edition of 1000 copies through her Hours Press. She was an odd source considering she was a wealthy white Englishwoman. Nonetheless, the volume was very well respected. Chapters in the book cover "Slavery," "Patterns of Negro Life and Expression," "Negro History and Literature," "Education and Law," and more. Langston Hughes, Zora Neale Hurston, William Carlos Williams, Samuel Becket, and others contributed to the text. Mostly neglected in Cunard's own time, Negro has attained the status of a cult classic. The list of contributors--represented in poetry, prose, translations, and music--is a who's who of 20th-century arts and literature: Louis Armstrong, Samuel Beckett, Norman Douglas, Nancy Cunard herself, Theodore Dreiser, W. E. B. DuBois, Langston Hughes, Zora Neale Hurston, William Plomer, Arthus Schomburg, William Carlos Williams, and more. In its subject and international approach, Negro was generations ahead of its time. Its exploration of black achievement and black anger takes the reader from life in America to the West Indies, South America, Europe, and Africa. Though very much of its time, Negro is also timeless in its depiction of oppressive social and political conditions as well as in its homage to myriad contributions by black artists and thinkers. The story behind Negro: An Anthology is as legendary as its contents. In the late 1920s, Nancy Cunard, socially conscious, British, white, upper-class nonconformist and heir to the famed Cunard Shipping Line, married a black man and single-handedly put out 100 copies of a groundbreaking anthology. The work contained essays, poetry, short stories, and political propaganda from the era's finest Afro-American writers, along with valuable contributions by several white writers, including William Carlos Williams, Samuel Beckett, and Theodore Dreiser. In this invaluable reprint, we can see how broadly Cunard's interest in the "Negro question" ran. In chapters dealing with slavery, history, education, and the arts--as well as Latin America, Europe, and Africa--Cunard includes the poetry of Langston Hughes and Sterling Brown; Zora Neale Hurston's anthropological study of the "Characteristics of Negro Expressions"; James Ford's legendary "Communism and the Negro"; and glimpses into the conditions and folk customs of blacks in Trinidad, Barbados, Cuba, Brazil, Uruguay, Paris, and West Africa. The most poignant writing, however, is her own account of the infamous case of the Scottsboro Boys, a group of innocent blacks falsely accused of raping two white women, which resulted in their near-execution. Although much of the communist-friendly content of Negro may seem naive by today's standards, the collection still stands as one of the most unique and esoteric compendiums of 20th-century Afro-American literature. --Eugene Holley, Jr.
In "Farewell, Babylon," Naim Kattan takes readers into the heart of exotic mid-19th-century Baghdad's then-teeming Jewish community. Jews had lived in Iraq for 25 centuries, long before the time of Christ or Muhammad, but anti-Semitism and nationalism were on the rise. In this beautifully written memoir, a young boy comes of age and describes his discoveries -- of work, literature, patriotism, the joys of lazy Sundays swimming in the Tigris. He also talks eloquently of his greatest discovery: women and love. This is a story of roots and exile, of thirst for life and life's experiences. However, more than that it is a tribute to a lost world, an ancient Eastern city in which Iraq's Kurds, Bedouins, Sunnis, Shiites, Chaldeans, Catholics, and Jews all lived together in a rough, rewarding sort of harmony.
Michael Witzel persuasively demonstrates the prehistoric origins of most of the mythologies of Eurasia and the Americas ('Laurasia').