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Lists significant international films, with brief plot summaries, critical analyses, and listings of producers, directors, and actors
A study of the multilingual cultural contexts and the hybrid identities created when writers self-translate.
An era has ended. The political expression that most galvanized evangelicals during the past quarter-century, the Religious Right, is fading. What's ahead is unclear. Millions of faith-based voters still exist, and they continue to care deeply about hot-button issues like abortion and gay marriage, but the shape of their future political engagement remains to be formed. Into this uncertainty, former White House insiders Michael Gerson and Peter Wehner seek to call evangelicals toward a new kind of political engagement -- a kind that is better both for the church and the country, a kind that cannot be co-opted by either political party, a kind that avoids the historic mistakes of both the Religious Left and the Religious Right. Incisive, bold, and marked equally by pragmatism and idealism, Gerson and Wehner's new book has the potential to chart a new political future not just for values voters, but for the nation as a whole.
(Songbooks and Folios). 15 songs from the 2004 release by Carr and his 7-voice contemporary gospel ensemble: Reign * Hallelujah Praise * God Great God * Psalm 68 (Let Our God Arise!) * Power Praise (Let God Arise!) * God Blocked It * One Word * Intro * Speak Lord Chant * If I Tell God * Why Not Trust God Again? * Be Grateful * My Time for God's Favor * Something Happens * They Didn't Know. The Christian Post says this album "takes music ministry to new levels with a combination of powerful praise and stirring vocals that is both multi-cultural and international in scope."
From classicism to comedy, Kubrick to the Coen Brothers, this practical and instructive guide offers a straightforward approach to film in an accessible format: a perfect read for novices and experts alike. A fresh, engaging, and beautifully illustrated volume, Talk About Cinema is the ideal companion for those looking to gain a deeper understanding of cinema today. The main genres of contemporary cinema are clearly defined and exemplified, and chapters on major dates, turning points, and "firsts" since the turn of the twentieth century allow the reader to contextualize different cinematic movements. From Postmodernism and Expressionism to Teen Movies, Westerns, and Science Fiction, all the major trends and styles of recent times are explored and provide a detailed picture of the contemporary cinematic landscape. The portraits of thirty eminent contemporary filmmakers offer valuable insight into the creative and stylistic processes of some of the greatest names in world cinema, while a chapter on twenty seminal works from the last century details those films that have proved inspirational in shaping cinema as we know it today, such as The Twilight Zone, Scarface, and Night of the Living Dead. Hundreds of screenshots and original photographs of legendary actors and directors on set and on screen provide snapshots of their glamorous world, and an easy-to-use glossary ensures that the reader is never overwhelmed by jargon. If you want to understand and discuss film-related topics, Talk About Cinema effortlessly synthesizes a wealth of pertinent facts and ideas into a fun, didactic, and readable volume.
This book examines how, beginning in the 1960s up to the present, a new type of fiction was created in America, but also in Europe and Latin America, in response to the cultural, social, and political turmoil of the time. The author has coined the term “Surfiction” for this New Fiction. Written in an informal, provocative style, by an internationally known practitioner, these essays examine the cultural, social, and political conditions that forced serious writers to reflect (often within the work itself) on the act of writing fiction in the modern world. The entire book can be read as a manifesto for the present and future of the new fiction. This book is the first in the SUNY series in Postmodern Culture, edited by Joseph Natoli.
"In attempting to give a panorama of world cinema since its origins, [Sadoul] selected some 1200 films for this Dictionary. [He] set out to include films from lesser known countries and to give a place to major works from the 'silent era'" --Preface.
Bilingual texts have been left outside the mainstream of both translation theory and literary history. Yet the tradition of the bilingual writer, moving between different sign systems and audiences to create a text in two languages, is a rich and venerable one, going back at least to the Middle Ages. The self-translated, bilingual text was commonplace in the mutlilingual world of medieval and early modern Europe, frequently bridging Latin and the vernaculars. While self-translation persisted among cultured elites, it diminished during the consolidation of the nation-states, in the long era of nationalistic monolingualism, only to resurge in the postcolonial era. The Bilingual Text makes a first step toward providing the fields of translation studies and comparative literature with a comprehensive account of literary self-translation in the West. It tracks the shifting paradigms of bilinguality across the centuries and addresses the urgent questions that the bilingual text raises for translation theorists today: Is each part of the bilingual text a separate, original creation or is each incomplete without the other? Is self-translation a unique genre? Can either version be split off into a single language or literary tradition? How can two linguistic versions of a text be fitted into standard models of foreign and domestic texts and cultures? Because such texts defeat standard categories of analysis, The Bilingual Text reverses the usual critical gaze, highlighting not dissimilarities but continuities across versions, allowing for dissimilarities within orders of correspondence, and englobing the literary as well as linguistic and cultural dimensions of the text. Emphasizing the arcs of historical change in concepts of language and translation that inform each case study, The Bilingual Text examines the perdurance of this phenomenon in Western societies and literatures.