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This is the fullest study to date of this little-known French director, the co-founder of the Cinémathèque française, and the first book on Franju in English since 1967. Enjoying his real debut as a director in 1948 with his notorious documentary about Parisian abattoirs Le Sang des bêtes, Franju went on to make thirteen more courts métrages and eight longs métrages, including his horror classic Les Yeux sans visage. A full introduction and conclusion set Franju's directorial career in the context of his lifelong commitment to France's cinema institutions.
Hugh Johnson has won a legion of fans with his keen ability to make the sometimes complex topic of wine wonderfully lucid—and every year, his popular pocket guide is a bestseller. That makes it number one in the market. Here, in it’s 30th anniversary year, he has completely revised and updated this classic, offering more current news than ever on over 6,000 wines, growers, and regions, along with up-to-the-minute vintage information, recommended wines (including budget options), and star ratings. With this book in hand, wine lovers won’t need anything else to help them select anything from a bottle for an everyday dinner to a prestige vintage for investment. A new section showcases Johnson’s special, personal choices, and there are plenty of quick-reference maps, charts, and fact boxes for a little extra guidance.
In this classic fantasy novel a warrior sets out to win a deadly contest to rule a prehistoric empire—and take the hand of its beautiful priestess. The lost city of Opar was first introduced to readers in the Tarzan novels of Edgar Rice Burroughs. Hidden deep in Africa, it is a place shrouded in mystery and awash with incredible riches. In Hadon of Ancient Opar, Hugo and Nebula Award–winning author Philip José Farmer reimagines this forgotten land, revealing the heroes who lived in its prehistoric golden age . . . A poor young man of great ambition, Hadon leaves his village to enter the great games of Klakor—a bloody contest in which only the strongest and most cunning warrior will survive. He seeks the ultimate prize: to rule the Khokarsan Empire alongside the powerful High Priestess. But his quest for the throne leads him beyond the empire’s edge, where he finds himself embroiled in civil war.
All those who ever lived on Earth have found themselves resurrected - healthy, young, and naked as newborns - on the grassy banks of a mighty river, in a world unknown. Miraculously provided with food, but with no clues to the meaning of their strange new afterlife, billions of people from every period of Earth's history - and prehistory - must start again. Sir Richard Francis Burton would be the first to glimpse the incredible way-station, a link between worlds. This forbidden sight would spur the renowned 19th-century explorer to uncover the truth. Along with a remarkable group of compatriots, including Alice Liddell Hargreaves (the Victorian girl who was the inspiration for Alice in Wonderland), an English-speaking Neanderthal, a WWII Holocaust survivor, and a wise extraterrestrial, Burton sets sail on the magnificent river. His mission: to confront humankind's mysterious benefactors, and learn the true purpose - innocent or evil - of the Riverworld . . . Winner of the Hugo Award for best novel, 1972
A couple's murderous plot goes horribly awry in this French noir classic that later inspired the Alfred Hitchcock masterpiece Psycho Every Saturday evening, travelling salesman Ferdinand Ravinel returns to his wife, Mireille, who waits patiently for him at home. But Ferdinand has another lover, Lucienne—an ambitious doctor—and together the adulterers have devised a murderous plan. Drugging Mireille, the pair drown her in a bathtub. But before the "accidental" death can be discovered, the corpse mysteriously disappears. So begins the unraveling of Ferdinand's plot, and his sanity. This classic of French noir fiction was adapted for the screen by Henri-Georges Clouzot as Les Diaboliques (The Devils), starring Simone Signoret and Véra Clouzot, the film which in turn inspired Alfred Hitchcock's Psycho. A second movie version, Diabolique, followed in 1996, starring Sharon Stone.
A small tribe of Neanderthals find themselves at odds with a tribe comprised of homo sapiens, whose superior intelligence and agility threatens their doom.
Plucked out of the past and transported forty thousand years into the future, a Neanderthal child discovers that human nature has remained unchanged, in an expanded version of an original Asimov story
Nineteen months before the attack on Pearl Harbor, FDR sent twelve "vice consuls" to Algeria, Morocco, and Tunisia on a secret mission. Their objective? To prepare the groundwork for what eventually became Operation TORCH, the Allied invasion of North Africa that repelled the Nazis and also enabled the liberation of Italy. This spy network included an ex-Cartier jewel salesman and wine merchant, a madcap Harvard anthropologist, a Parisian playboy who ran with Hemingway, ex-French Foreign Legionnaires and Paris bankers, and a WWI hero. Based on recently declassified foreign records, as well as the memoirs of Ridgeway Brewster Knight (one of the twelve “apostles”), this fast-paced historical account gives the first behind-the-scenes look at FDR’s top-secret plan. .
Orlan is a French multimedia and performance artist whose performances ... have consisted of cosmetic surgery .. remaining conscious during cosmetic surgery photographing, filming and broadcasting"--P. 1
The only scholarly book in English dedicated to recent European contemporary dance, Exhausting Dance: Performance and the Politics of Movement examines the work of key contemporary choreographers who have transformed the dance scene since the early 1990s in Europe and the US. Through their vivid and explicit dialogue with performance art, visual arts and critical theory from the past thirty years, this new generation of choreographers challenge our understanding of dance by exhausting the concept of movement. Their work demands to be read as performed extensions of the radical politics implied in performance art, in post-structuralist and critical theory, in post-colonial theory, and in critical race studies. In this far-ranging and exceptional study, Andre Lepecki brilliantly analyzes the work of the choreographers: * Jerome Bel (France) * Juan Dominguez (Spain) * Trisha Brown (US) * La Ribot (Spain) * Xavier Le Roy (France-Germany) * Vera Mantero (Portugal) and visual and performance artists: * Bruce Nauman (US) * William Pope.L (US). This book offers a significant and radical revision of the way we think about dance, arguing for the necessity of a renewed engagement between dance studies and experimental artistic and philosophical practices.