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Contemporary British Women Writers is a collection of ten essays, each devoted to an important novelist and written by a distinguished scholar. Included in this volume are Sybille Bedford, Anita Brookner, A.S. Byatt, Angela Carter, Isabel Colegate, Penelope Fitzgerald, Susan Hill, Molly Keane, Muriel Spark, and Fay Weldon. Each essay focuses on several novels, selected to reveal the novelist's consistent concerns and characteristic strategies. Individual bibliographies provide a full sense of the novelist's work as well as a discriminating guide to the best critical work available.
'Going to law courts is a good education for a novelist. It provides you with the most extravagant material, and it teaches the near impossibility of reaching the truth.' Sybille Bedford, Paris Review (1993) For The Faces of Justice (1961) Sybille Bedford journeyed through Europe to sit in the press box of the courts of law - high courts, low courts, police courts. In England, Germany, Austria, Switzerland, France, she watched the prisoners at the bar, the accusing community arrayed against them, the advocates, the jurors, the judges on the bench. She saw justice being attempted under the law - the best we can do, the worst we can do - varying in subtle yet astonishing ways from country to country. The result is a story about justice, humanity and the individual - moving, dramatic, superbly observed, splendidly told.
Set in a two month period during the late 1920s, A Compass Error suggests that at some key juncture the book's main character, Flavia, made a mistake that somehow blew her life off course, perhaps into a new sexual orientation.
Udvalgte noveller.
"Still known as "Baby", although a younger brother has come along, young Charyn makes pocket money delivering eggs, belongs to a group of twelve-year-old wannabe gangsters who meet in a soda shop run by an ex-con, and spends afternoons telling stories to the adoring wife of a wealthy Russian emigre. He becomes famous for his black-and-tans - a concoction of coffee ice cream, seltzer, milk, chocolate sauce, crushed pecans, and "a touch of bitterness that may have been the Bronx". So famous, indeed, that he walks away the winner of an annual black-and-tan contest sponsored by the real-life top gangster, called "The Little Man", Meyer Lansky."--BOOK JACKET.
What do you do when your whole world is blown apart? A seventeen-year-old confronts love, betrayal, and his brother’s illness in this brave, deeply compassionate novel by M. E. Kerr Life is going great for Seaville High senior Erick Rudd. He’s a good student, he has a girlfriend he’ll probably marry, and he’s on a straight path to college. Then his best friend’s girlfriend lets him know she’s attracted to him. Seventeen going on twenty-five, Nicki Marr is blond, green eyed, and gorgeous. Soon, Erick is seeing her on the sly. Guilt ridden over his deception, Erick isn’t prepared for what happens next. He finds out that his brother, Pete, who’s ten years older and lives in New York, is very sick . . . with AIDS. Erick is stunned; he didn’t even know his brother was gay. It was Pete who told a five-year-old Erick that night kites don’t think about the dark, that they’re not afraid to be different. How Erick and his parents deal with Pete’s illness—and how Erick handles his relationship with Nicki—are what make this book so unforgettable. Fearless and profoundly affecting, it will stay with you long after the last page is turned. This ebook features an illustrated personal history of M. E. Kerr including rare images from the author’s collection.
The fourth volume in Louis Trondheim's series about the almost normal adventures of an almost ordinary family . . . with a pet monster. Petey and Jean, along with their parents and pet monster Kriss, go on vacation in the countryside. Things quickly spiral out of control when the family is besieged by animals that have been transformed into giant monsters! From giant man-eating rabbits to hostage-taking cows, this is the zaniest volume of MONSTER yet!
The author of The Woman in Black returns to the realm of supernatural hauntings in a tale that “chills the blood gently like fine wine” (The Guardian, UK). When Oliver returns to Cambridge, he makes sure to pay a visit to his former professor, now retired and living in a small college apartment. Oliver can’t help but notice a peculiar painting on the wall; a mysterious depiction of masked revelers at the Venice carnival. Yet in the foreground, there is an anachronistically modern figure. On this cold winter’s night, the old professor has decided to reveal the painting’s eerie secret. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty.
A Favourite of the Gods is the story of two generations of a single family, united by a strong matrilineal bond but divided by the customs of their differing nationalities. Anna Howland, the matriarch and American heiress, born in the 1870s to a prominent, liberal New England family marries an Italian prince and makes her home in Rome; her daughter Constanza, the favorite of the title, inherits her mother’s beauty, intelligence, and wealth, along with her father’s Catholicism, which she soon rejects. When disaster strikes, Anna and the prince fall back on the standards of behavior of their disparate cultures; Constanza, with her European upbringing, is free to plot her own course, and she does so with daring, making an unconventional life for herself in England and on the continent during and after the First World War. Her own daughter Flavia is the heroine of A Compass Error, which begins where the first novel concludes. Flavia too is a brilliant young woman, though both more brash and more faltering than her mother, studying for her entrance exam to Oxford when she becomes involved with a mysterious woman whose arrival at a sensitive moment in Flavia’s adolescence will alter both her and her mother’s lives forever.