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“Bulgakov’s strong point was his ability to amplify the roots of man’s dementia, the howls of political pandemonium . . . a lively collection.” —The Washington Post Book World Mikhail Bulgakov’s Diaboliad and Other Stories, comprised of Diaboliad, No. 13–The Elpit Workers’ Commune, A Chinese Tale, and The Adventures of Chichikov, serves as an excellent introduction to this renowned Russian satirist and playwright’s work. Black comedy, biting social and political commentary, and Bulgakov’s unique narrative exuberance combine to tell the tales of labyrinthine post-Revolution bureaucracy; clashes between science, the intellectual class, and the state; and the high price to be paid for the promised utopian world of Communism in early Soviet Russia. Bulgakov’s signature eloquent skewering of the various shortcomings of the world around and within him can be found on every page, and horror and magic interweave in a constant dance of the absurd—a dance that would reach its highest point both stylistically and thematically in Bulgakov’s tour de force novel The Master and Margarita. “One of the most original voices of the twentieth century.” —The Guardian, UK
This work defines the dramatic rationale of the Hamlet soliloquies in their dramatic contexts, thereby clarifying the tragic idea that organizes the play.
Written as a screenplay, Hamlet’s Twin chronicles the unusual honeymoon of a contemporary young couple, Nicholas and Sylvie Vanhesse, as they travel to Norway, and, eventually, to a mythical archipelago near the North Pole. Nicholas, while playing Fortinbras in a television production of Hamlet, becomes obsessed with the thought that Fortinbras was Hamlet’s estranged twin. His trip to Norway becomes a symbolic journey towards claiming his own rights and achieving his own revenge. Hubert Aquin’s Hamlet’s Twin is as tragic and as full of self-conscious riddles as its namesake.
Reproduction of the original: Rambles and Studies in Greece by J. P Mahaffy
Two plays deal with the efforts of a group of white officers to survive after the end of the Civil War, and an engineer who travels into the past in a time machine and returns with Ivan the Terrible.
Reissued to tie-in with a new production of Flight at the Royal National Theatre, this volume contains six plays by Mikhail Bulgakov, a Soviet playwright whose work often brought him into conflict with the Soviet authorities.