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Claire Denis is one of France's most acclaimed and original filmmakers. Since her remarkable debut success with 'Chocolat' (1986), she has produced an impressive series of features which have been intriguing, visually striking, and often highly controversial (including 'Beau Travail' (2000) and 'Trouble Every Day' (2001)). Beugnet provides a thematic and stylistic framework within which to consider Denis' work, as well as a comprehensive analysis of individual films. She highlights the resonance of Denis' films in relation to ongoing debates about French national identity and culture, and issues of postcolonial identity, alienation and transgression, as well as examining their exploration of the interface between sexuality, desire and sensuality. This is an essential introduction to Denis, and a sophisticated and illuminating study of her work to date.
The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France’s complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons—such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others—what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation—reinvention—in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.
Presents a revision of the late Columbia University art historian's lectures given at Indiana University in 1961.
Step into the tumultuous world of the French Revolution with Ninety-Three by Victor Hugo. This historical novel captures the intense struggle between the ideals of liberty and the brutal realities of war, offering readers a vivid portrayal of a nation in chaos. As Hugo weaves his intricate narrative, a provocative question arises: Can humanity truly thrive amidst the horrors of conflict, or does the essence of compassion fade in the face of violence?Set against the backdrop of 1793, the story follows a cast of compelling characters, including a nobleman torn between duty and love, and a revolutionary who grapples with the moral implications of his actions. Hugo's powerful prose delves into themes of sacrifice, loyalty, and the enduring quest for justice. Are you ready to confront the moral dilemmas that arise in times of upheaval? Ninety-Three challenges you to reflect on the costs of revolution and the sacrifices made for the greater good.This masterpiece not only illuminates a pivotal moment in history but also resonates with contemporary issues of justice and human rights. Hugo’s impassioned narrative compels readers to consider the true meaning of freedom and the complexities of societal change. Don’t miss your chance to immerse yourself in this compelling exploration of revolutionary fervor. Purchase Ninety-Three now and discover the profound insights that await within its pages!
Printed in the colors of flesh and blood, VAS: An Opera in Flatland--a hybrid image-text novel--demonstrates how differing ways of imagining the body generate diverse stories of history, gender, politics, and, ultimately, the literature of who we are. A constantly surprising, VAS combines a variety of voices, from journalism and libretto to poem and comic book. Often these voices meet in counterpoint, and the meaning of the narrative emerges from their juxtapositions, harmonies, or discords. Utilizing a wide and historical sweep of representations of the body--from pedigree charts to genetic sequences--VAS is, finally, the story of finding one's identity within the double helix of language and lineage.
This collection of essays reflect the diversity of approaches currently being brought to bear on the writings of Jules Verne. "An indispensable book for those who want to see how far we have come along the path toward a better understanding of Verne."—Science Fiction Studies
'XIII' is the story of an amnesiac on the run, caught in the crossfire as he tries to understand his true identity while attempting to make sense of the various conspiracies swirling around him.
The idea for Philosophy in a Time of Terror was born hours after the attacks on 9/11 and was realized just weeks later when Giovanna Borradori sat down with Jürgen Habermas and Jacques Derrida in New York City, in separate interviews, to evaluate the significance of the most destructive terrorist act ever perpetrated. This book marks an unprecedented encounter between two of the most influential thinkers of our age as here, for the first time, Habermas and Derrida overcome their mutual antagonism and agree to appear side by side. As the two philosophers disassemble and reassemble what we think we know about terrorism, they break from the familiar social and political rhetoric increasingly polarized between good and evil. In this process, we watch two of the greatest intellects of the century at work.
Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.