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Sagalassos speaks to the imagination in more ways than one. The authentic and natural beauty of the site no doubt plays a role in that. The Sagalassos Project testifies to the fact that its core business, archaeology, also appeals to the imagination. Learning about the past is fascinating, for young and old alike. Curiosity unquestionably plays a role in this. Archaeologists, as any other scientist, are driven to really know about past human activities. As they leave no stone unturned in their endeavours, archaeologists also stimulate the curiosity of society. The public at large is not only interested in the results per se, but also wants to understand how knowledge about the past comes about. This volume gives the word to the archaeologists and other scientists of the Sagalassos Archaeological Research Project. They explain their ways, methods and concepts as they reconstruct and interpret the past of the archaeological site of Sagalassos and the surrounding study region. By bringing testimony to the broader discipline of archaeology, this book deserves to be read by scholars and students with an open interest in classical archaeology who wish to (re)discover some of the basics of the science and process. It will also be of interest to professionals involved with archaeologists and the wider interested public.
The island of Rhodes in the south-eastern Aegean is in a strategic position for sea-routes between west and east. Its four ancient city-states, Lindos, Kamiros, Ialysos, and from the end of the fifth century BC the new capital of Rhodes, have all provided significant evidence for the political and cultural importance of the island throughout Antiquity. The islands rich historical past has attracted the interest of travelers, archaeologists and scholars over the centuries. Their travelogues, letters, diaries and drawings contains a plethora of information, and constitute an essential and valuable source for the ongoing research in ancient Rhodes.00The papers included in this volume throw new light on the early exploration history of Rhodes. From the earliest documented discoveries to the more systematic work done by British, French, Danish and Italian archaeologists. What are the sources for these early activities and how do they contribute to and challenge our understanding of the ancient sites and the archaeological material they yielded? How may archaeological finds that came to European museums in this period be re-contextualised and, through new analytical methods, continue to enrich our understanding of ancient Rhodes? And, finally, what are the challenges for more recent excavation and restoration work carried out at the sites that were first excavated in this formative period of archaeological research? These and many more questions will be addressed in this book by a number of leading scholars within the field.
The papers in Karia and the Dodekanese, Vol. I, focus on regional developments and interregional relations in western Asia Minor and the Dodekanese during the Late Classical and Early Hellenistic period. Throughout antiquity, this region was a dynamic meeting place for eastern and western civilizations. Cultural achievements of exceptional and everlasting importance, including significant creations of ancient Greek literature, philosophy, art and architecture, originated in the coastal cities of western Anatolia and the adjoining Aegean islands. In the fourth century BC, the eastern cities experienced a new economic boom, and a revival of Archaic culture, sometimes termed ‘The Ionian Renaissance’, began. The cultural revival furthered rebuilding of old major works such as the Artemision at Ephesos, the embellishment of sanctuaries and a new royal architecture, such as the Maussolleion at Halikarnassos. The rich cultural revival was initially promoted by the satrapal family of the Hekatomnids in Karia and in particular by its most famous member, Maussollos, whose influence was not confined to Asia Minor, but included the Dodekanese islands Kos and Rhodos. Partly under the influence of the Karian satrapy, a number of cities were founded on a new common urban model in Rhodos, Halikarnassos, Priene, Knidos and Kos. When Alexander the Great conquered the satrapies in western Asia Minor in 334 BC, the culture initially promoted at the satrapal courts was carried on by gifted thinkers, poets and architects, preparing the way for Hellenistic cultural centres such as Alexandria.
The ancient state of Rhodes was famous for many things in the Hellenistic period; it emerged as an economic powerhouse thanks to its strategic position on maritime trade routes, its status further bolstered by its proud independence in an era of great kings, and its cultural successes and heritage celebrated by contemporaries as well as later writers. But what did this state look like on the inside, and what social and religious forces contributed to its success? This book explores the origins of the Rhodian state in the late fifth century BC, a union born out of three separate city-states, Lindos, Cameiros, and Ialysos. By digging deep into the abundant epigraphic culture that survives, narratives emerge that tell the stories of these Rhodians and their communities. Despite the political unification and the foundation of a famed and successful capital city, Rhodes-town, the three old centres continued to exhibit distinctive and seemingly lively local religious cultures. What these looked like, and the question of whether they indicate cultic vitality rather than ossification, is considered in detail by examining the local pantheons and the religious dynamics and interactions that characterised and shaped them. Pulling together the diverse threads and local customs, a diachronic religious history of Rhodes is sketched. The role religion played in the social landscape of Hellenistic Rhodes is addressed through a thorough examination of priesthoods. Finally, providing a counterbalance to the institutional side of religion, the lived experience of Rhodian religious associations is depicted. The resulting picture offers a nuanced insight into the religious life and history of a Hellenistic city-state.
Karia and the Dodekanese, Vol. II, presents new research that highlights cultural interrelations and connectivity in the Southeast Aegean and western Asia Minor over a period of more than 700 years. Throughout antiquity, this region was a dynamic meeting place for eastern and western civilizations. Modern geographical limitations have been influential on both archaeological investigations and how we approach cultural relations in the region. Comprehensive and valuable research has been carried out on many individual sites in Karia and the Dodekanese, but the results have rarely been brought together in an attempt to paint a larger picture of the culture of this region. In antiquity, the sea did not constitute an obstacle to interaction between societies and cultures, but was an effective means of communication for the exchange of goods, sculptural styles, architectural form and embellishment, education, and ideas. It is clear that close relations existed between the Dodekanese and western Asia Minor during the Classical period (Vol. I), but these relations were evidently further strengthened under the shifting political influences of the Hellenistic kings, the Roman Empire, and the cosmopolitan late antique period. The contributions in this volume comprise investigations on urbanism, architectural form and embellishment, sculpture, pottery, and epigraphy.
The Colossus of Rhodes is both the most famous and the least well-known monument of Ancient Greece. Numbered among the Seven Wonders of the World, this bronze statue of the god Helios, thirty-four metres in height, was created by the sculptor Chares of Lindos between the years 295 and 283 BC, only to be destroyed by an earthquake in 227 BC. The legends that have spread after its collapse seem so strange and contradictory that, from an archaeological point of view, it has become a minor and almost neglected object, which specialists in Greek sculpture barely mention in their work. In The Colossus of Rhodes, the first comprehensive examination of the Colossus, Nathan Badoud mobilises a large array of sources, ranging from antiquity to the present day, proposing an intellectual excavation through the layers of the literary, artistic, and scientific tradition to discover the historical Colossus. It envisages the statue in its religious, political, and topographical contexts, exploring its function, its technique, its appearance, its meaning, and its location. Badoud reconsiders the beginnings of the Hellenistic world, marked by the emergence of Rhodes as an imperial power, embodied by the Colossus.
In this book, Catherine M. Keesling lends new insight into the origins of civic honorific portraits that emerged at the end of the fifth century BC in ancient Greece. Surveying the subjects, motives and display contexts of Archaic and Classical portrait sculpture, she demonstrates that the phenomenon of portrait representation in Greek culture is complex and without a single, unifying history. Bringing a multi-disciplinary approach to the topic, Keesling grounds her study in contemporary texts such as Herodotus' Histories and situates portrait representation within the context of contemporary debates about the nature of arete (excellence), the value of historical commemoration and the relationship between the human individual and the gods and heroes. She argues that often the goal of Classical portraiture was to link the individual to divine or heroic models. Offering an overview of the role of portraits in Archaic and Classical Greece, her study includes local histories of the development of Greek portraiture in sanctuaries such as Olympia, Delphi and the Athenian Acropolis.
Ancient Greece first coined the concept of "democracy", yet almost every major ancient Greek thinker-from Plato and Aristotle onwards- was ambivalent towards or even hostile to democracy in any form. The explanation for this is quite simple: the elite perceived majority power as tantamount to a dictatorship of the proletariat. In ancient Greece there can be traced not only the rudiments of modern democratic society but the entire Western tradition of anti-democratic thought. In Democracy, Paul Cartledge provides a detailed history of this ancient political system. In addition, by drawing out the salient differences between ancient and modern forms of democracy he enables a richer understanding of both. Cartledge contends that there is no one "ancient Greek democracy" as pure and simple as is often believed. Democracy surveys the emergence and development of Greek politics, the invention of political theory, and-intimately connected to the latter- the birth of democracy, first at Athens in c. 500 BCE and then at its greatest flourishing in the Greek world 150 years later. Cartledge then traces the decline of genuinely democratic Greek institutions at the hands of the Macedonians and-subsequently and decisively-the Romans. Throughout, he sheds light on the variety of democratic practices in the classical world as well as on their similarities to and dissimilarities from modern democratic forms, from the American and French revolutions to contemporary political thought. Authoritative and accessible, Cartledge's book will be regarded as the best account of ancient democracy and its long afterlife for many years to come.
This book highlights the benefits of Non-Destructive Testing (NDT) methods and their applications on several cultural heritage sites including the Holy Selphuchre Monitoring System in Jerusalem. This book demonstrates Nondestructive sensing technologies and inspection modules as main tools for documentation, diagnosis, characterization, preservation planning, monitoring and quality of restoration, assessment and evaluation of material and preservation work.
The Oxford Handbook of the History of Archaeology offers comprehensive perspectives on the origins and developments of the discipline of archaeology and the direction of future advances in the field. Written by thirty-six archaeologists and historians from all over the world, it covers a wide range of themes and debates, including biographical accounts of key figures, scientific techniques and archaeological fieldwork practices, institutional contexts, and the effects of religion, nationalism, and colonialism on the development of archaeology.