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Photographs by a team of photographers who traveled across the United States documenting America's experience of the Great Depression and World War II.
Consultant reports presented at the Conference of the National Historical Publications and Records Commission Assessment and Reporting Grantees, Atlanta, Georgia, June 24-25, 1983.
From 1936 to 1943, John Vachon travelled across America as part of the Farm Security Administration photography project, documenting the desperate world of the Great Depression. This collection offers a record of his vision and of America's land and people.
These photographs reveal places we know but scarcely recognize and give us another look at the people of the greatest generation.
After the Fact: Authority and the Historical Document in Late Twentieth-Century Literature examines historiographic metafiction’s epistemological concern with the historical document. The six texts herein recover official and neglected documents, viewing history from marginal perspectives endeavoring an ethical reconsideration of dominant historical narratives. Thematically paired chapters focus on eye-witness narratives, legal and official government documents, and news publications. The first two chapters, D.M. Thomas’ The White Hotel with Toni Morrison’s Beloved, explore the writers’ reconsideration of eye-witness accounts, specifically the Holocaust survivor narrative and the slave narrative. The second pair reviews mythologies of the nation in the United States. Susan Howe’s Singularities rewrites the Indian captivity narrative. Hannah Weiner’s Spoke revises the 1868 Black Hills treaty to focus on how popular and official texts promote the colonial imaginary and function to justify colonial expansion. The final two chapters examine Margaret Atwood’s Alias Grace and Robert Coover’s The Public Burning, which critique the press’s authority by questioning its claim to objectivity.
Seeing America explores the camera work of five women who directed their visions toward influencing social policy and cultural theory. Taken together, they visually articulated the essential ideas occupying the American consciousness in the years between the world wars. Melissa McEuen examines the work of Doris Ulmann, who made portraits of celebrated artists in urban areas and lesser-known craftspeople in rural places; Dorothea Lange, who magnified human dignity in the midst of poverty and unemployment; Marion Post Wolcott, a steadfast believer in collective strength as the antidote to social ills and the best defense against future challenges; Margaret Bourke-White, who applied avant-garde advertising techniques in her exploration of the human condition; and Berenice Abbott, a devoted observer of the continuous motion and chaotic energy that characterized the modern cityscape. Combining feminist biography with analysis of visual texts, McEuen considers the various prisms though which each woman saw and revealed America. Their documentary photographs were the result of personal visions that had been formed by experiences and emotions as well as by careful calculations and technological processes. These photographers captured the astounding variety of occupations, values, and leisure activities that shaped the nation, and their photographs illuminate the intricate workings of American culture in the 1920s and 1930s.
The American West has influenced important national developments throughout the twentieth century, not only in the cultural arena, but also in economic development, in political ideology and action, and in natural resource conservation and preservation. Using regionalism as a lens for illuminating these national trends, America's West: A History, 1890–1950 examines this region's history and explores its influence on the rest of America. Moving chronologically from the late nineteenth- to the mid-twentieth century, David M. Wrobel examines turn-of-the-century expansion, the Progressive Era, the 1920s, the Great Depression and the New Deal, World War II, and the early Cold War years. He emphasizes cultural and political history, showing how developments in the West frequently indicated the future direction of the country.
In the collections of the Prints and Photographs Division of the Library of Congress are more than 1500 photographs of the state of Michigan during the depression and wartime years of the 1930s and 1940s, taken by some of the most talented photographers of that generation. The FSA photographs have become the nation's visual memory of these trying times. Michigan Remembered contains 150 of these images, chosen to represent various geographic areas of Michigan, the economic diversity of the state and its people, and a broad range of subjects ranging from urban and industrial scenes of Detroit and the surrounding areas to images of the Upper Peninsula and rural and community life in the Lower Peninsula. The two introductory essays enhance the story told by the photographs. The first, by William H. Mulligan Jr., recounts the history of Michigan during the momentous events of the depression and wartime years. The second, by Constance B. Schulz, tells the lesser known story of the origins of the FSA in the agricultural program of the New DeaL and exlains the importance of Roy E. Stryker as the agency's director and the process by which more than 200,000 photographs were accumulated in the FSA/OWI files. Brief biographical sketches of the photographers include descriptions of their travels and work in Michigan. Michigan Remembered joins more than a dozen other state studies of the FSA/OWI photographs and provides a unique visual perspective on a key midwestern state during the mid-twentieth century. It will be of interest both to scholars of historical documentary photography and Michigan history, and to those fascinated by historical photographs of years which they, their parents, or their grandparents can still recall.
This book presents watercolor renderings along with a selection of the artifacts in the Index of American Design, a visual archive of decorative, folk, and popular arts made in America from the colonial period to about 1900. Three essays explore the history, operation, and ambitions of the Index of American Design, examine folk art collecting in America during the early decades of the twentieth century, and consider the Index's role in the search for a national cultural identity in the early twentieth-century United States.
This book offers a one-stop reference work covering the Gilded Age and Progressive Era that serves teachers and their students. This book helps students to better understand key pieces in literature from the Gilded Age and Progressive Era by putting them in the context of history, society, and culture through historical context essays, literary analysis, chronologies, documents, and suggestions for discussion and further research. It provides teachers and students with selections that align with the ELA Common Core Standards and that also offer useful connections for curriculum that integrates American literature and social studies. The book covers Mark Twain's A Connecticut Yankee in King Arthur's Court, Charlotte Perkins Gilman's The Yellow Wallpaper, Willa Cather's A Lost Lady, and Upton Sinclair's The Jungle. Readers will be able to appreciate the significance of this period through these canonical and widely taught works of American literature. The book also includes historical context essays, primary document excerpts, and suggested readings.