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El falso documental ha pasado de ser una producción anecdótica a convertirse en una categoría cinematográfica reconocida por el gran público. Aunque su popularidadactual es incuestionable, no se trata de una forma nueva, sino que podemos rastrearla desde el inicio del cinematógrafo. Este libro recopila algunos de los títulos más emblemáticos, buscando a través de su estudio las características y la estructura que lo definen como modelo documental.En sus páginas se mantiene que todo fake puede ser estudiado no solo por los códigos tradicionalmente adscritos a los relatos de realidad que parasita, sino también por el contexto de su producción, su recepción y por la actitud mantenida por el texto. Alguno de los aspectos que mejor definen el falso documental es su falta de vocaciónde engaño y su insistencia en retratar los medios de comunicación de una manera subversiva.
To begin, I gratefully acknowledge the support of Appris Editor for accepting the project for an E-Book, and of IAMCR – International Association for Media and Communication Research - for the Fund to Claudia Lambach, PhD, whose Post-Doctorate Project includes the organization of the E-Book and two Dossiers with FAMECOS Journal, plus two Workshops for IAMCR Conference 2023- LYON, France, online (June 26 to September 12) and face-to-face (July 9 to 13), one in Pre-Conference and another in Post-Conference. IAMCR Conference 2023 will be in LYON, France, online (June 26 to July 5) and face-to-face (July 9 to 13). On behalf of IAMCR VIC-Visual Culture Working Group- I, Denize Araujo, PhD, thank Thomas Wiedemann, PhD, Vice-Chair and Curator of VIC CineClub, who selected five French films open for discussion, and also Roger Odin, PhD, Guest of Honor of this session of VIC CineClub, who sent comments about the film Muriel (Resnais, 1963). The E-Book Cinema/Cinéma Français/Cine Francés is VIC ́s proposal as an homage to Lyon, birth of cinéma and site of IAMCR Conference 2023. Appris Editor is the publisher and the publication counts with an International Scientific Committee and texts by researchers from eight countries, in the three official IAMCR idioms: English, French and Spanish, including Roger Odin ́s comments about the film Muriel (Resnais, 1963). The dates for the two sessions of the Workshop with the E-book authors are June 3 and 10 and the launch of it will be in Lyon, during IAMCR 2023 Conference online, from July 9 to 13. Trying to develop a multilevel dialog among the texts, I selected them according to their specific related themes and created three clusters: "filmmakers and their works"; "comparative film analyses"; and "interchanges between two countries". Four authors are included in the first cluster for sharing the same themes, two of them for discussing corporality and two for their focus on cinéma history and silent movies. Two authors share the second cluster for developing comparative analyses and three authors belong to the third cluster presenting interchanges between two countries.
Proporciona las referencias de los principales documentos que puedan ser útiles para un formador de sector turístico interesado en ambientalizar su práctica profesional.
Abiayalan Pluriverses: Bridging Indigenous Studies and Hispanic Studies looks for pathways that better connect two often siloed disciplines. This edited collection brings together different disciplinary experiences and perspectives to this objective, weaving together researchers, artists, instructors, and authors who have found ways of bridging Indigenous and Hispanic studies through trans-Indigenous reading methods, intercultural dialogues, and reflections on translation and epistemology. Each chapter brings rich context that bears on some aspect of the Indigenous Americas and its crossroads with Hispanic studies, from Canada to Chile. Such a hemispheric and interdisciplinary approach offers innovative and significant means of challenging the coloniality of Hispanic studies.
Saberes con sabor: Culturas hispánicas a través de la cocina es un manual avanzado que responde al creciente interés por el estudio de las prácticas culinarias y alimenticias de Ibero-América, sin desatender ni la lengua ni la cultura de esas regiones del mundo. Cada capítulo comprende aspectos vinculados con recetas, lengua, arte y teoría. Los estudiantes son expuestos a temas de geografía, historia, literatura, política, economía, religión, música e, incluso, cuestiones de género que estarían implicadas en la elaboración y en el consumo de ciertas comidas. Y, esto, mientras mejoran sus habilidades en temas esenciales y específicos del español. A lo largo del libro, están incorporados materiales de internet —como vínculos para videos, registros sonoros, referencias históricas, sitios web de cocina y contenidos suplementarios para la investigación. Muy útil en cursos universitarios, Saberes con sabor es un recurso original y único de aprendizaje para estudiantes fascinados por los placeres del paladar y, de igual manera, con una genuina pasión por las culturas hispánicas.
Taking a Systemic Functional Linguistic approach, this book explores the language that builds knowledge and values about history.
This volume brings forward a descriptive approach to the translation and reception of African American women’s literature in Spain. Drawing from a multidisciplinary theoretical and methodological framework, it traces the translation history of literature produced by African American women, seeking to uncover changing strategies in translation policies as well as shifts in interests in the target context, and it examines the topicality of this cohort of authors as frames of reference for Spanish critics and reviewers. Likewise, the reception of the source literature in the Spanish context is described by reconstructing the values that underlie judgements in different reception sources. Finally, this book addresses the specific problem of the translation of Black English into Spanish. More precisely, it pays attention to the ideological and the ethical implications of translation choices and the effect of the latter on the reception of literary texts.
Latin American Documentary Filmmaking is the first volume written in English to examine themes in major works of Latin American documentary films. Foster looks at the major ideological issues raised and the approaches to Latin American social and political history taken by key documentary films.