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"While La Débâcle (1892), the nineteenth novel of the Les Rougon-Macquart, brought to a close the history of the Second Empire, Dr Pascal (Le Docteur Pascal, 1893), the twentieth and final novel of the series, concludes the saga of the Rougon-Macquart family. Set in Plassans, the novel begins in 1872, after the fall of the Empire. Pascal Rougon, a doctor, first appears in The Fortune of the Rougons (1871) as the second son of Pierre and Félicité Rougon; his elder brother is Eugène Rougon, his younger brother is Aristide (Saccard). He stands apart, to such an extent that he 'did not seem to belong to the family' (The Fortune of the Rougons, p. 61). When he reappears twenty-two years later as the central figure of the novel that bears his name, it is as a heroic, almost messianic, old man, a kind of scientist-scholar, prophesying a glorious future. Devoted to medical research, he has spent his life studying genetics, chronicling and classifying the hereditary ills of his own family-the thirty descendants of his grandmother Adélaïde Fouque (Tante Dide). He keeps his files locked in a cupboard, along with a family tree he has painstakingly compiled. Additionally, he has developed a process of hypodermic injections which, he believes, will cure hereditary and nervous diseases. Pascal's young niece, Clotilde (daughter of Aristide), who lives with him, has acquired strong religious convictions under the influence of Martine, the doctor's pious old servant. Clotilde considers her uncle's work a vain, even sacrilegious, attempt to understand what can be known only by God, and begs him to destroy his manuscripts. The conflict between science and religious faith is the focus of the first half of the novel. Pascal responds to Clotilde's pleas: I believe that the future of humanity lies in the progress of reason through science. I believe that the pursuit of truth through science is the divine ideal that man ought to set himself. I believe that all is illusion and vanity outside the treasure trove of truths slowly acquired and which will never again be lost. I believe that the sum of these truths, which are always growing in number, will end up giving man incalculable power-and serenity, if not happiness... Yes, I believe in the ultimate triumph of life. (p. 000) Pascal shows his niece the genealogical tree, and, one by one, reads out his files and comments on them, rehearsing in a single sitting the narratives Zola took twenty years to produce: 'Ah! ... there's a world, a society, a whole civilisation in there, the whole of life is there, in all its manifestations, good and bad, hammered out in the forge fire that seeps all along' (p. 000). Clotilde is won over, persuaded of the power of medical science and natural evolution. Eventually, the doctor and his pupil begin an intimate and tender relationship, albeit incestuous. Pascal's mother, Félicité, is outraged that they live together out of wedlock. A financial crisis and burgeoning debts induce Pascal to send Clotilde away to Paris. He falls ill and dies before she can return. Félicité, desperate to keep the family skeletons hidden at any cost, burns her son's research papers. Clotilde, on her return, finds fragments of his work, as well as the family tree, and resolves to complete the project. Her and Pascal's child is born several months later, and the novel closes in semi-idyllic fashion-Nicholas White speaks of the 'euphoria' of the final pages(1)-by focusing on the hope for the future, and for the regeneration of the family, which is symbolized by the child. The themes of Dr Pascal, in particular its optimistic vision and the conflict it dramatizes between scientific materialism and religious faith, are best understood by placing the novel in the context not simply of Zola's original intentions for his novel series but also of the climate of ideas in France in the mid- and late-nineteenth century"--
This eBook features the unabridged text of ‘Doctor Pascal’ from the bestselling edition of ‘The Complete Works of Emile Zola’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Zola includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Doctor Pascal’ * Beautifully illustrated with images related to Zola’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
In the heat of the glowing July afternoon, the room, with blinds carefully closed, was full of a great calm. From the three windows, through the cracks of the old wooden shutters, came only a few scattered sunbeams which, in the midst of the obscurity, made a soft brightness that bathed surrounding objects in a diffused and tender light. It was cool here in comparison with the overpowering heat that was felt outside, under the fierce rays of the sun that blazed upon the front of the house. Standing before the press which faced the windows, Dr. Pascal was looking for a paper that he had come in search of. With doors wide open, this immense press of carved oak, adorned with strong and handsome mountings of metal, dating from the last century, displayed within its capacious depths an extraordinary collection of papers and manuscripts of all sorts, piled up in confusion and filling every shelf to overflowing. For more than thirty years the doctor had thrown into it every page he wrote, from brief notes to the complete texts of his great works on heredity. Thus it was that his searches here were not always easy. He rummaged patiently among the papers, and when he at last found the one he was looking for, he smiled. For an instant longer he remained near the bookcase, reading the note by a golden sunbeam that came to him from the middle window. He himself, in this dawnlike light, appeared, with his snow-white hair and beard, strong and vigorous; although he was near sixty, his color was so fresh, his features were so finely cut, his eyes were still so clear, and he had so youthful an air that one might have taken him, in his close-fitting, maroon velvet jacket, for a young man with powdered hair....
Ted Geisel loved to doodle from the time he was a kid. He had an offbeat, fun-loving personality. He often threw dinner parties where guests wore outrageous hats! And he donned quirky hats when thinking up ideas for books- like his classic The Cat in the Hat. This biography, with black-and-white illustrations throughout, brings an amazingly gifted author/illustrator to life.
A bump on his knee, a class full of sniffles, a principal with foot odor and not a doctor to be found... Ted knows it is time to become Doctor Ted. Well, what else is a bear to do?
Blaise Pascal's wager argues that since there is much to gain and relatively little to lose, the wise decision is to seek a relationship with God and live a Christian life. Michael Rota explores the dynamics of doubt, evidence and decision-making in order to consider what is necessary for people to embrace the Christian faith—and the difference it makes in people's lives.
Although there are many books on the mechanics of doctor-patient interaction, none has previously confronted the philosophical and psychological issues of power and trust that bind these figures. One consequence of their changed relationship, Furst asserts, has been the decrease of interest in patients as individuals. In this time of impersonal HMOs and spiraling health-care costs, she hopes that doctors and patients can learn from the past and eventually find a mutually beneficial balance of power that will see medicine as both a science and an art and will recognize human understanding as an integral element of healing.