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Memoir
In The Queer God, Marcella Althaus-Reid reflects on Latin American spiritual traditions and considers the need for a Queer concept of holiness and a theology of grace outside colonial parameters.
This book exposes the ways in which ostensibly normative sexualities depend upon queerness to shore up their claims of privilege. Through readings of such classic texts as The Canterbury Tales and Eger and Grime , Tison Pugh explains how sexual normativity can often be claimed only after queerness has been rejected.
This book takes up the question of Christian queer theology and ethics through the contested lens of "redemption." Starting from the root infinitive "to deem," the authors argue that queer lives and struggles can illuminate and re-value the richness of embodied experience that is implied in Christian incarnational theology and ethics. Offering a set of virtues gleaned from contemporary lesbian, gay, bisexual, transgender, intersex, queer, and asexual (LGBTIQA) lives and communities, this book introduces a new framework of ethical reasoning. Battered and wrongly condemned by life-denying theologies of redemption and dessicating ethics of virtue, this book asserts that the resilience, creativity, and epistemology manifesting in queer lives and communities are essential to a more generous and liberative Christian theology. In this book, queer "virtues" not only reveal and re-value queer soul but expose covert viciousness in the traditional (i.e., inherently colonial and racist, and thus ungodly) "family values" of dominant Christian ethics and theology. It argues that such re-imagining has redemptive potential for Christian life writ large, including the redemption of God. This book will be a key resource for scholars of queer theology and ethics as well as queer theory, gender and race studies, religious studies, and theology more generally.
What do Christianity and queerness have to do with each other? Can Christianity be queered? Queer Theology offers a readable introduction to a difficult debate. Summarizing the various apologetic arguments for the inclusion of queer people in Christianity, Tonstad moves beyond inclusion to argue for a queer theology that builds on the interconnection of theology with sex and money. Thoroughly grounded in queer theory as well as in Christian theology, Queer Theology grapples with the fundamental challenges of the body, sex, and death, as these are where queerness and Christianity find (and, maybe, lose) each other.
Religion is much queerer than we ever imagined. Nature is as well. These are the two basic insights that have led to this volume: the authors included here hope to queerly go where no thinkers have gone before. The combination of queer theory and religion has been happening for at least 25 years. People such as John Boswell began to examine the history of religious traditions with a queer eye, and soon after we had the indecent theology of Marcella Althaus Ried. Jay Johnston, one of the authors in this issue, is among those who have used the queer eye to interrogate authority within Christian theological traditions. At the same time, there have been many queer interrogations of "nature," perhaps most notably in the works of Joan Roughgarden and Ann Fausto-Sterling, and more recently in the works of Catriona Sandilands and Timothy Morton (an author in this volume). However, the intersections of religion, nature, and queer theory have been largely left untouched. With the exception of Dan Spencer, who writes the introduction for this volume and is one of the early pioneers in this realm of thought with his book Gay and Gaia (Pilgrim Press, 1996), and the work of Greta Gaard in developing a queer ecofeminist thought, religion and nature, or religion and ecology, have largely ignored the realm of queer theory. In part, the blinders to queer theory on the part of eco-thinkers (religious or otherwise) are similar to the blinders eco-thinkers have when it comes to postmodern thought in general: namely, if there are no absolute foundations, how does one create an environmental ethic and a "nature" to save? For this reason and many others, this volume on religion, nature, and queer theory is groundbreaking. Though these essays span many different disciplines and themes, they are all held together by the triple focus on religion, nature, and queer theory. Each of these essays offers a unique contribution to the intersection of religion, nature, and queer theory, and all of them challenge strict boundaries proposed in religious rhetoric and many discourses surrounding "nature." Carol Wayne White's essay draws from a queer reading of James Baldwin to develop an African American religious naturalism, which highlights humans as polyamorous bastards. Jacob Erickson's essay examines Isabella Rossellini's "Green Porno" and Martin Luther's work to develop an irreverent theology. Jay Johnston draws from personal relationships with his late dog, and Master/Pup fetish-play to blur the boundaries between humans and other animals, specifically within ethical and theological discourse. Whitney Bauman reflects on how the very processes of globalization and climate change queer our identities and call for a queer and versatile planetary ethic. Finally, Timothy Morton leads us through a reflection on queer green sex toys to challenge the ontology of agrologistics. Each of these essays in their own way is concerned with fleshing out more meaningful encounters with the planetary community. Without being too ambitious, we hope that these sets of essays will help to open up a new trajectory of conversations at the intersection of religion, nature, and queer theory.
God and Difference interlaces Christian theology with queer and feminist theory for both critical and constructive ends. Linn Marie Tonstad uses queer theory to show certain failures of Christian thinking about God, gender, and sexuality. She employs queer theory to dissect trinitarian discourse and the resonances found in contemporary Christian thought between sexual difference and difference within the trinity. Tonstad critiques a broad swath of prominent Christian theologians who either use queer theory in their work or affirm the validity of same-sex relationships, arguing that their work inadvertently promotes gendered hierarchy. This volume contributes to central debates in Christianity over divine and human personhood, gendered relationality, and the trinity, and provides original accounts of God, sexual difference, and Christian community that are both theologically rich and thoroughly queer.
After Method assumes the impossibility of doing theology right–and moves beyond it. Organized as a conversation in two voices—with systematic-theological commitments represented by Karl Barth and constructive-theological commitments represented by Marcella Althaus-Reid—this book calls the redemptive potential of any methodological program into question. Indeed, the search for a full and complete theological account of reality has only further fragmented theological discourse. Thus, Hanna Reichel argues that method cannot “save” us—but that does not mean that we cannot do better. After Method harnesses the best insights systematic and constructive theologies have to offer in their mutual critique and gestures toward a “better” theology. Utilizing architectural metaphor, Reichel pulls from systematic and constructive approaches to develop an understanding of theological work as conceptual design, responsibly ordering and structuring given materials for a purpose. This necessitates a more realistic adaptation to reality for theology, expanding its standards to encompass the experiences and perceptions of people and speaking the truth available to it. The honesty, humility, and solidarity generated through the failure of method liberates theology to a more playful and tentative cruising of different approaches and redirects its attention to “misfits” and outsiders. Equally demanding and self-relativizing, the resultant ethos is better able to do justice to the reality of the world and the reality of God than doctrinal orthodoxy or methodological orthopraxy.
Often viewed as theologically conservative, many theatrical works of late medieval and early Tudor England nevertheless exploited the performative nature of drama to flirt with unsanctioned expressions of desire, allowing queer identities and themes to emerge. Early plays faced vexing challenges in depicting sexuality, but modes of queerness, including queer scopophilia, queer dialogue, queer characters, and queer performances, fractured prevailing restraints. Many of these plays were produced within male homosocial environments, and thus homosociality served as a narrative precondition of their storylines. Building from these foundations, On the Queerness of Early English Drama investigates occluded depictions of sexuality in late medieval and early Tudor dramas. Tison Pugh explores a range of topics, including the unstable genders of the York Corpus Christi Plays, the morally instructive humour of excremental allegory in Mankind, the confused relationship of sodomy and chastity in John Bale’s historical interludes, and the camp artifice and queer carnival of Sir David Lyndsay’s Ane Satyre of the Thrie Estaitis. Pugh concludes with Terrence McNally’s Corpus Christi, pondering the afterlife of medieval drama and its continued utility in probing cultural constructions of gender and sexuality
This book seeks to help those who doubt or can no longer believe what they've been taught about Christianity that they don't have to abandon their faith. Kenneth Arthur challenges traditional thinking and helps the reader move beyond fundamentalism by thoughtfully reflecting on theological alternatives. His life has truly been a pilgrimage, a search for meaning and purpose that includes belief and behavior as well as belonging, so he proposes a constructive theology based on his own experiences and education in conjunction with the Bible, well known theologians, and other sources of revelation. Discussion questions at the end of each chapter invite conversation and provide a helpful resource for small groups.