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In follow-up to her acclaimed Privilege of Being a Woman;, Dr. von Hildebrand expands the discussion to explore how the fullness of human nature is found in the perfect union between man and woman. God chose to create man doubly complex. He made man of both soul and body a spiritual reality and a material reality. To crown this complexity, He created them male and female. Dr. von Hildebrand elucidates the tragic separation that happened with original sin and the consequences of this brokenness in the world today: the distortion of the male and female genius, supernatural blindness, and the triumph of secularism. She explores how this brokenness can be healed by following God s Divine plan for man and woman. We see this first and foremost in our Blessed Mother, exemplar of the path to holiness. This is also seen in the characteristics of saintly male / female relationships between husbands and wives, fathers and daughters, mothers and sons, brothers and sisters, and holy friendships. It is only by coming to more fully understand the Divine plan for man and woman, and submitting ourselves to His plan, that true complementarity harmony of body and soul, male and female can be accomplished.
"To show that inventors have accomplished more than most persons realize, not only in bringing forth new mechanisms, but in doing creative work in many walks of life, is, in part, the object of this book. To suggest what they may do, if properly encouraged, is its main intention. For, since it is to inventors mainly that we owe all that civilization is, it is to inventors mainly that we must look for all that civilization can be made to be." -Preface
n The Divine Invasion, Philip K. Dick asks: What if God--or a being called Yah--were alive and in exile on a distant planet? How could a second coming succeed against the high technology and finely tuned rationalized evil of the modern police state? The Divine Invasion "blends Judaism, Kabalah, Zoroastrianism, and Christianity into a fascinating fable of human existence" (West Coast Revew of Books). From the Trade Paperback edition.
A preeminent classics scholar revises the history of medicine. Medical thinking and observation were radically changed by the ancient Greeks, one of their great legacies to the world. In the fifth century BCE, a Greek doctor put forward his clinical observations of individual men, women, and children in a collection of case histories known as the Epidemics. Among his working principles was the famous maxim "Do no harm." In The Invention of Medicine, acclaimed historian Robin Lane Fox puts these remarkable works in a wider context and upends our understanding of medical history by establishing that they were written much earlier than previously thought. Lane Fox endorses the ancient Greeks' view that their texts' author, not named, was none other than the father of medicine, the great Hippocrates himself. Lane Fox's argument changes our sense of the development of scientific and rational thinking in Western culture, and he explores the consequences for Greek artists, dramatists and the first writers of history. Hippocrates emerges as a key figure in the crucial change from an archaic to a classical world. Elegantly written and remarkably learned, The Invention of Medicine is a groundbreaking reassessment of many aspects of Greek culture and city life.
Includes: College directory [giving the name, locality, course of study, faculty, and number of students, of 175 or more of the Principal collegiate institutions of the United States]. [Boston, Robert Bros. 1872-74]
Genius. With hints of madness and mystery, moral license and visionary force, the word suggests an almost otherworldly power: the power to create, to divine the secrets of the universe, even to destroy. Yet the notion of genius has been diluted in recent times. Today, rock stars, football coaches, and entrepreneurs are labeled 'geniuses,' and the word is applied so widely that it has obscured the sense of special election and superhuman authority that long accompanied it. As acclaimed historian Darrin M. McMahon explains, the concept of genius has roots in antiquity, when men of prodigious insight were thought to possess -- or to be possessed by -- demons and gods. Adapted in the centuries that followed and applied to a variety of religious figures, including prophets, apostles, sorcerers, and saints, abiding notions of transcendent human power were invoked at the time of the Renaissance to explain the miraculous creativity of men like Leonardo and Michelangelo. Yet it was only in the eighteenth century that the genius was truly born, idolized as a new model of the highest human type. Assuming prominence in figures as varied as Newton and Napoleon, the modern genius emerged in tension with a growing belief in human equality. Contesting the notion that all are created equal, geniuses served to dramatize the exception of extraordinary individuals not governed by ordinary laws. The phenomenon of genius drew scientific scrutiny and extensive public commentary into the 20th century, but it also drew religious and political longings that could be abused. In the genius cult of the Nazis and the outpouring of reverence for the redemptive figure of Einstein, genius achieved both its apotheosis and its Armageddon. The first comprehensive history of this elusive concept, Divine Fury follows the fortunes of genius and geniuses through the ages down to the present day, showing how -- despite its many permutations and recent democratization -- genius remains a potent force in our lives, reflecting modern needs, hopes, and fears.
A new history of human intelligence that argues that humans know themselves by knowing their machines. We imagine that we are both in control of and controlled by our bodies—autonomous and yet automatic. This entanglement, according to David W. Bates, emerged in the seventeenth century when humans first built and compared themselves with machines. Reading varied thinkers from Descartes to Kant to Turing, Bates reveals how time and time again technological developments offered new ways to imagine how the body’s automaticity worked alongside the mind’s autonomy. Tracing these evolving lines of thought, An Artificial History of Natural Intelligence offers a new theorization of the human as a being that is dependent on technology and produces itself as an artificial automaton without a natural, outside origin.
Reprint of the original, first published in 1860.