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A fresh reading of Dante's major literary works - the Divine Comedy and the Vita nuova - that combines central tenets of incarnational theology and dialectical thought to challenge a dominant paradigm in Dante criticism.
Despite the voluminous and ever-growing scholarly literature on Karl Barth, penetrating accounts of his theological method are lacking. In an attempt to fill this lacuna, Todd Pokrifka provides an analysis of Barth's theological method as it appears in his treatment of three divine perfections--unity, constancy, and eternity--in Church Dogmatics, II/1, chapter VI. In order to discern the method by which Barth reaches his doctrinal conclusions, Pokrifka examines the respective roles of Scripture, tradition, and reason--the "threefold cord"--in this portion of the Church Dogmatics. In doing so he finds that for Barth Scripture functions as the authoritative source and basis for theological critique and construction, and tradition and reason are functionally subordinate to Scripture. Yet Barth employs a predominantly indirect way of relating Scripture and theological proposals, a way in which tradition and reason play important "mediatory" roles. Barth's approach to theology involves the humble yet serious attempt to "redescribe God," that is, to say again on a human level what God has already said in the divine self-revelation attested in Scripture. Redescribing God features an original conceptual framework for the analysis of Barth's method and an extensive application of that framework in the context of close readings of portions of the Church Dogmatics. Through this process it draws from, critiques, and complements a wide variety of Barth scholarship on topics such as the role of Scripture and theological exegesis in Barth, the role of tradition in Barth, the meaning and role of "reason" in Barth, and the nature of Barth's doctrine of divine perfections. The book also provides a fruitful basis for those who wish to learn from Barth's distinctive way of constructing the Christian doctrine of God as an attempt to obey God's self-revelation.
One of the most pressing issues in the doctrine of the atonement today is the question of the unity and diversity of the work of Christ. What are we to make of the diversity within the biblical witness and the history of doctrine when it comes to explanations of the meaning and significance of Jesus' death and resurrection? Without a grasp of the unity of his work, our understanding and use of the diversity runs the risk of becoming haphazard and disordered. Proposals regarding the unity of Christ's work today tend to focus on the metaphorical nature of language, the role of culture, and various possible conceptual schemes, rarely reflecting on unity and diversity proper to the being God. To fill this gap, Johnson draws on Karl Barth's integrated account of the doctrines of God and reconciliation, harnessing the resources contained within the doctrines of the Trinity and divine perfections to energize a properly theological account of the unity and diversity of the atonement.
In early Greek and Near Eastern myth and religion, the gods govern the cosmos. In narrative poetry, they are frequently portrayed through scenes of divine assembly. Did Homer and early Greek poets inherit this feature from their more ancient neighbours? And what can comparison tell us besides? This book is the first to chart divine assembly scenes in ancient Babylonian and early Greek epic. It asks why similarities between the two corpora exist, and exploits those similarities to enhance understanding of Mesopotamian and early Greek literature and religion. The book discusses Sumerian narrative poems, the Akkadian works Atra-ḫasīs, Anzû, Enūma eliš, Erra and Išum and the Epic of Gilgameš; Homer's Iliad, the Odyssey, Hesiod's Theogony and some Homeric Hymns. It studies poetic technique and probes further comparisons with Sanskrit, Old Norse, Polynesian, and Aztec mythology. It argues that Greek speakers are unlikely to have inherited the divine assembly from the Near East. Still, one can posit a long-term process of oral contact and communication fostered by common poetic structures and religious affinities. In a second part pursuing a mythological and religious comparison, the book concentrates on ideas about the cosmos and humankind, and on power dynamics within the pantheon as well as between gods and mortals. A focus on the head of the pantheon and on concepts of divine prerogatives illuminates culture-specific differences which can be related to historical socio-political discourses. The book develops a systematic approach to questions of cross-cultural literary comparison in the ancient world.
This book presents a heuristic and critical study of comparative theology in engagement with phenomenological methodology and sociological inquiry. It elucidates a postcolonial study of religion in the context of multiple modernities.
Invoking the biblical motif of Jacob's struggle with the Face of God (Genesis 32), Simon D. Podmore undertakes a constructive theological account of 'spiritual trial' (tentatio; known in German mystical and Lutheran tradition as Anfechtung) in relation to enduring questions of the otherness and hiddenness of God and the self, the problem of suffering and evil, the freedom of Spirit, and the anxious relationship between temptation and ordeal, fear and desire. This book traces a genealogy of spiritual trial from medieval German mystical theology, through Lutheran and Pietistic thought (Tauler; Luther; Arndt; Boehme), and reconstructs Kierkegaard's innovative yet under-examined recovery of the category (AnfAegtelse: a Danish cognate for Anfechtung) within the modern context of the 'spiritless' decline of Christendom. Developing the relationship between struggle (Anfechtung) and release (Gelassenheit), Podmore proposes a Kierkegaardian theology of spiritual trial which elaborates the kenosis of the self before God in terms of Spirit's restless longing to rest transparently in God. Offering an original rehabilitation of the temptation of spiritual trial, this book strives for a renewed theological hermeneutic which speaks to the enduring human struggle to realise the unchanging love of God in the face of spiritual darkness.
This volume provides an analysis of divine aseity in Karl Barth's thought and appreciates the vital role that this doctrine can play in contemporary theology. Brian D. Asbill begins by setting the general theological context, first through a broad sketch of the development of Barth's understanding of the relationship between the life of God pro nobis (pronobeity) and a se (aseity), and secondly through the examination of the basic theological convictions that guide his approach to the divine being in Church Dogmatics II/1. The second section, 'The Love and Freedom of God', turns to the dialectical pairings which guide Barth's accounts of the divine reality in his earliest dogmatic cycle (The Göttingen Dogmatics §§16-7) as well as in his most mature treatment (Church Dogmatics §§28-31). Particular attention is given to how these themes arise from revelation and relate to one another. In the final section, 'The Aseity of God', Asbill identifies this doctrine's basic features and primary functions. Divine aseity is characterized as the self-demonstration and self-movement of God's life, a trinitarian and entirely unique reality, a primarily positive and dynamic concept, and the manner and readiness of God's love for creatures. Divine aseity is said to indicate God's lordship in the act of self-binding, God's uniqueness in the act of self-revelation, and God's sufficiency in the act of self-giving.
The Wiley-Blackwell Companion to Christian Mysticism brings together a team of leading international scholars to explore the origins, evolution, and contemporary debates relating to Christian mystics, texts, and the movements they inspired. Provides a comprehensive and engaging account of Christian mysticism, from its origins right up to the present day Draws on the best of current scholarship by bringing together a collection of newly-commissioned readings by leading scholars Considers examples of mysticism in both Eastern and Western Christianity Offers a brilliant synthesis of the key figures and historical periods of mysticism; its core themes, such as heresy, gender, or aesthetics; and its theoretical considerations, including theological, literary, social scientific, and philosophical approaches Features chapters on current debates such as neuroscience and mystical experience, and inter-religious dialogue