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In Divided Empire, Robert T. Fallon examines the influence of John Milton's political experience on his great poems: Paradise Lost, Paradise Regained, and Samson Agonistes. This study is a natural sequel to Fallon's previous book, Milton in Government, which examined Milton's decade of service as Secretary for Foreign Languages to the English Republic. Milton's works are crowded with political figures—kings, counselors, senators, soldiers, and envoys—all engaged in a comparable variety of public acts—debate, decree, diplomacy, and warfare—in a manner similar to those who exercised power on the world stage during his time in public office. Traditionally, scholars have cited this imagery for two purposes: first, to support studies of the poet's political allegiances as reflected in his prose and his life; and, second, to demonstrate that his works are sympathetic to certain ideological positions popular in present times. Fallon argues that Paradise Lost is not a political testament, however, and to read its lines as a critique of allegiances and ideologies outside the work is limit the range and scope of critical inquiry and to miss the larger purpose of the political imagery within the poem. That imagery, the author proposes, like that of all Milton's later works, serves to illuminate the spiritual message, a vision of the human soul caught up in the struggle between vast metaphysical forces of good and evil. Fallon seeks to enlarge the range of critical inquiry by assessing the influence of personal and historical events upon art, asking, as he puts it, "not what the poetry says about the events, but what the events say about the poetry." Divided Empire probes, not Milton's judgment on his sources, but the use he made of them.
In Divided Empire, Robert T. Fallon examines the influence of John Milton's political experience on his great poems: Paradise Lost, Paradise Regained, and Samson Agonistes. This study is a natural sequel to Fallon's previous book, Milton in Government, which examined Milton's decade of service as Secretary for Foreign Languages to the English Republic. Milton's works are crowded with political figures&—kings, counselors, senators, soldiers, and envoys&—all engaged in a comparable variety of public acts&—debate, decree, diplomacy, and warfare&—in a manner similar to those who exercised power on the world stage during his time in public office. Traditionally, scholars have cited this imagery for two purposes: first, to support studies of the poet's political allegiances as reflected in his prose and his life; and, second, to demonstrate that his works are sympathetic to certain ideological positions popular in present times. Fallon argues that Paradise Lost is not a political testament, however, and to read its lines as a critique of allegiances and ideologies outside the work is limit the range and scope of critical inquiry and to miss the larger purpose of the political imagery within the poem. That imagery, the author proposes, like that of all Milton's later works, serves to illuminate the spiritual message, a vision of the human soul caught up in the struggle between vast metaphysical forces of good and evil. Fallon seeks to enlarge the range of critical inquiry by assessing the influence of personal and historical events upon art, asking, as he puts it, &"not what the poetry says about the events, but what the events say about the poetry.&" Divided Empire probes, not Milton's judgment on his sources, but the use he made of them.
An award-winning book, An Empire Divided tells the story of how troubled relations between Catholic missionaries and a host of republican critics shaped colonial policies, Catholic perspectives, and domestic French politics in the tumultuous decades before the First World War.
There were 26—not 13—British colonies in America in 1776. Of these, the six colonies in the Caribbean—Jamaica, Barbados, the Leeward Islands, Grenada and Tobago, St. Vincent; and Dominica—were among the wealthiest. These island colonies were closely related to the mainland by social ties and tightly connected by trade. In a period when most British colonists in North America lived less than 200 miles inland and the major cities were all situated along the coast, the ocean often acted as a highway between islands and mainland rather than a barrier. The plantation system of the islands was so similar to that of the southern mainland colonies that these regions had more in common with each other, some historians argue, than either had with New England. Political developments in all the colonies moved along parallel tracks, with elected assemblies in the Caribbean, like their mainland counterparts, seeking to increase their authority at the expense of colonial executives. Yet when revolution came, the majority of the white island colonists did not side with their compatriots on the mainland. A major contribution to the history of the American Revolution, An Empire Divided traces a split in the politics of the mainland and island colonies after the Stamp Act Crisis of 1765-66, when the colonists on the islands chose not to emulate the resistance of the patriots on the mainland. Once war came, it was increasingly unpopular in the British Caribbean; nonetheless, the white colonists cooperated with the British in defense of their islands. O'Shaughnessy decisively refutes the widespread belief that there was broad backing among the Caribbean colonists for the American Revolution and deftly reconstructs the history of how the island colonies followed an increasingly divergent course from the former colonies to the north.
Already an international bestseller, A Kingdom Divided continues the epic story of the Moghuls, one of the most magnificent and violent dynasties in world history. India, 1530. Humayun, the newly crowned second Moghul emperor, is a fortunate man. His father has left him wealth, glory, and an empire that stretches a thousand miles south of the Khyber Pass. But, unbeknownst to him, his half-brothers are plotting against him. They doubt that he has the strength, the will, the brutality needed to command the Moghul armies and lead them to still-greater glories. Soon Humayun will be locked in a terrible battle: not only for his crown, not only for his life, but for the existence of the very empire itself.
In 400 the mighty Roman Empire was almost as large as it had ever been; within three centuries, advances by Germanic peoples in western Europe, Slavs in eastern Europe and Arabs around the eastern and southern shores of the Mediterranean had brought about the loss of most of its territory. Ranging from Britain to Mesopotamia, this book explores the changes that resulted from these movements. It shows the different paths away from the classical past that were taken, and how the relatively unified civilization of the ancient Mediterranean gave place to the very different civilizations that cluster around the sea today. This comprehensive and authoritative second edition has been thoroughly revised and updated line-by-line, and contains several new sections dealing for instance with the new evidence provided by recent finds like the Staffordshire Treasure and the widespread effects of the plague. As well as a completely new bibliographical essay, The Roman Empire Divided now also includes six maps and an expanded selection of illustrations fully integrated in the text.
Now a major DisneyPlus Hotstar Special - THE EMPIRE is streaming now The second enthralling installment in Alex Rutherford's Empire of the Moghul series. 'A totally absorbing narrative filled with authentic historical characters and sweeping action set in an age of horrifying but magnificent savagery. The writing is as compelling as the events described and kept me eagerly leaping from one page to the next' Wilbur Smith 1530, Agra, Northern India. Humayun, the newly-crowned second Moghul Emperor, is a fortunate man. His father, Babur, has bequeathed him wealth, glory and an empire which stretches a thousand miles south from the Khyber pass; he must now build on his legacy, and make the Moghuls worthy of their forebear, Tamburlaine. But, unbeknownst to him, Humayun is already in grave danger. His half-brothers are plotting against him; they doubt that he has the strength, the will, the brutality needed to command the Moghul armies and lead them to still-greater glories. Perhaps they are right. Soon Humayun will be locked in a terrible battle: not only for his crown, not only for his life, but for the existence of the very empire itself. 'Rutherford's glorious, broad-sweeping adventure in the wild lands of the Moghul sees the start of a wonderful series...In Babur, he has found a real-life hero, with all the flaws, mistakes and misadventures that spark true heroism... Breathtaking stuff' Manda Scott 'Alex Rutherford has set the bar high for his sequels' Daily Mail 'Alex Rutherford brings the period and the history of the region alive. The characters are dynamic, and the deadly regional politics of alliances and treaties are reflected by the internal tensions at court' US Historical Novel Society
This book examines the intersection between religious belief, dynastic ambitions, and late Renaissance court culture within the main branches of Germany's most storied ruling house, the Wittelsbach dynasty. Their influence touched many shores from the "coast" of Bohemia to Boston.
After invading Tunisia in 1881, the French installed a protectorate in which they shared power with the Tunisian ruling dynasty and, due to the dynasty’s treaties with other European powers, with some of their imperial rivals. This "indirect" form of colonization was intended to prevent the violent clashes marking France’s outright annexation of neighboring Algeria. But as Mary Dewhurst Lewis shows in Divided Rule, France’s method of governance in Tunisia actually created a whole new set of conflicts. In one of the most dynamic crossroads of the Mediterranean world, residents of Tunisia— whether Muslim, Jewish, or Christian—navigated through the competing power structures to further their civil rights and individual interests and often thwarted the aims of the French state in the process. Over time, these everyday challenges to colonial authority led France to institute reforms that slowly undermined Tunisian sovereignty and replaced it with a more heavy-handed form of rule—a move also intended to ward off France's European rivals, who still sought influence in Tunisia. In so doing, the French inadvertently encouraged a powerful backlash with major historical consequences, as Tunisians developed one of the earliest and most successful nationalist movements in the French empire. Based on archival research in four countries, Lewis uncovers important links between international power politics and everyday matters of rights, identity, and resistance to colonial authority, while re-interpreting the whole arc of French rule in Tunisia from the 1880s to the mid-20th century. Scholars, students, and anyone interested in the history of politics and rights in North Africa, or in the nature of imperialism more generally, will gain a deeper understanding of these issues from this sophisticated study of colonial Tunisia.
THE FIRES HAVE BEEN LIT. The Perimeter is a follow-up to Empire Divided that challenged the global-centric idealism that plagues our modern world. If a noble culture based on virtue and greatness is to once again emerge, the battle lines must be drawn. The way of the tribe is the way of man as he was meant to be. In order to bring about order to the dark forces that seek the destruction of masculinity and personal sovereignty, Men must take their light and journey beyond the border fires. They must meet the enemy on their own turf and invade the hearts and minds of those that can still be saved.