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Praised in advance by Brent Bozell and many others on the political scene, Diversity Lane/ A Liberal Family Saga is a lavishly illustrated, oversized screamfest of a book featuring a colossal sampling of cartoons from internet cult favorite Diversity Lane by Zack Rawsthorne (www.diversitylane.com). Described as "an Addams Family with a conservative slant" but appreciated by anyone with a sense of humor and a taste for honesty, the series hilariously highlights the quirky doings of a suburban family all too comfy in their hyper-liberal ways. An amusing counterpoint is served up by conservative 8-year-old daughter Diversity (yes, this is a girl's name, at least in this leftist neighborhood). Quick-witted and sarcastic, she seems never at a loss to undercut the ongoing madness with a priceless remark. Diversity Lane/ A Liberal Family Saga is clever and exceedingly well-drawn by a seasoned commercial art professional. For those who enjoy laughter mixed with their thinking it could be the gift book of the year. Key to the joys of this big collection is the characters. These cartoon-people feel real, and countless readers have reported seeing in them some wayward acquaintance, challenging family member or long-forgotten college classmate. There's Alex, the ACLU lawyer with a heart of gold if you're a criminal but darkest mistrust of the rest of us... politically correct wife Allison, juggling her PC jargon as adeptly as a performer at Ringling Brothers... Devon, the brooding uber-feminist, a bundle of neuroses wrapped up in basic black... Sierra, the 48-year-old hippie who boarded the New Age bandwagon in the '60s and never got off... and little Jayson, the hapless 6-year-old: will he adopt the galloping insanity of the Lane household, or follow sister Diversity's path to normalcy? Though spirited in its comic dissection of the left's foibles, the series manages to garner many liberal readers simply by virtue of the comedic realism of its personalities. Still, this is a series with sober underpinnings. It's obvious that a great deal of thought has gone into the creation of its left/right dialog, and it comes as no surprise that Rawsthorne's cartoons have been endorsed by and featured frequently at the top conservative website American Thinker. Nor that it has appeared at Powerline, Moonbattery, I Own The World and many other renowned sites over the two years since making its internet debut. In summation, this is a witty treasure of a book for readers and humor aficionados of every stripe. Like snapshots from a sitcom just a little too uncomfortably honest to be produced, it will alternately thrill, disturb, and delight. The right will welcome joyously its no-holds-barred puncturing of liberals' most cherished beliefs; open-minded progressives up for a challenge will find it combative but thought-provoking; and non-political types will simply laugh out loud at the ever-imaginative and visually striking goings on around Diversity Lane.
This volume brings together a variety of studies on the question of cities, ethnicity and diversity. Contributions cover various facets of life in contemporary cities, ranging from the role which street markets play in diverse neighbourhoods, to everyday multiculture in a specific street, the role of community and hometown associations among migrant communities, expressions of ethnicity in urban neighbourhoods, and the changing dynamics of integration and community cohesion. This book will be of interest to those who are concerned with developing a better understanding of how urban communities are being transformed by the development of new patterns of migration and ethnic mobilisation. With contributions from a wide range of scholarly and national backgrounds, each chapter helps to provide an overview both of current trends and of historical patterns and processes. Collectively they provide important insights into the shifting patterns of community and identity in increasingly diverse communities and neighbourhoods. This book was originally published as a special issue of Ethnic and Racial Studies.
Watch what happens when educators put differentiation to work in real classrooms! Based on research and the authors’ experiences at one remarkable elementary school, this book describes what schoolwide differentiation looks like in practice. The authors show school administrators how differentiated instruction can be successfully implemented schoolwide and provide teachers with authentic tools for the classroom. Readers will find: Nine sample lesson plans from various disciplines and grade levels Teacher and student voices describing their experiences with differentiation A chapter on supporting schoolwide implementation through coaching Sample preassessments Strategies for designing and refining lessons
Annotation: A Dirge for the Temporal, Darren Speegle's second collection of fiction, bursts with sensations. A Dirge lingers on the dark mystery of the supernatural, creates the giddy feeling of fear mixed with excitement, that only comes from partial revelations, things half-glimpsed and misty. Like H.P. Lovecraft or Edgar Allen Poe, Speegle's stories belong to the twilight hour, just after the glorious reds and golds of sunset have slipped away giving warning that total darkness is quickly approaching.
Risk-taking is foundational to the structure and goals of higher education. Encouraging students to consider new, diverse, even uncomfortable ideas is needed to develop a critically informed view of the world and establish one’s own values and beliefs. Yet, students and parents are increasingly averse to risk-taking in higher education; a shift evidenced by calls for colleges and universities to provide an education that shelters students from diverse and potentially controversial ideas and topics. This tension over the necessary role of risk-taking in higher education represents a critical moment for American education. This volume includes authors from numerous academic disciplines to emphasize both the importance of risk-taking across higher education and to highlight the varied approaches to incorporate risk-taking into classroom practices. The authors’ collective works in this volume reaffirm the critical need to reject intellectual coddling and commodification in the college classroom, and to promote intellectual risk-taking as an essential aspect of higher education. Sustained, systematic emphasis on risk-taking in higher education is key to promoting innovation, critical thinking, life-long learning, and moral-ethical development.
The media continue to have a significant persuasive influence on the public perception of crime, even when the information presented is not reflective of the crime rate or actual crime itself. There have been numerous theoretical studies on fear of crime in the media, but few have considered this from a social psychological perspective. As new media outlets emerge and public dependence on them increases, the need for such awareness has never been greater. This volume lays the foundation for understanding fear of crime from a social psychological perspective in a way that has not yet been systematically presented to the academic world. This volume brings together an international team of experts and scholars to assess the role of fear and the media in everyday life. Chapters take a multidisciplinary approach to psychology, sociology and criminology and explore such topics as dual process theory, construal level theory, public fascination with gangs, and other contemporary issues.
This Handbook is a comparative treatment of employment relations, providing frameworks and empirical evidence for understanding trends in different parts of the world.
One of the most influential debates across business and management studies has centered on the relative impact of institutions on the fortunes of firms and nations. However, analyses have primarily focused on institutional effects on societal features, rather than actual firm practices. This volume brings together recent trends in comparative institutional analysis with a rich body of data on firm-level human resource management practice, consolidating and extending more than a decade of research on the topic. Human Resource Management and the Institutional Perspective explores the overlapping and distinct elements in work and employment relations both within and across country lines. The authors focus on intra-firm relations, internal diversity within varieties of capitalism, and the uneven and experimental nature of systemic change, all the while employing an impressive level of theoretical rigor and empirical evidence. In a single volume, this text unites soundly based, theoretically strong and empirically new chapters that bring advances in institutional theory to bear on the subject of international and comparative human resource management. This book is a valuable resource for students and scholars interested in contemporary developments in institutional theory, the relationship between regulation and practice, and innovation and continuity in human resource management.
Charles Burnett (b. 1944) is a groundbreaking African American filmmaker and one of this country’s finest directors, yet he remains largely unknown. His films, most notably Killer of Sheep (1977) and To Sleep with Anger (1990), are considered classics, yet few filmgoers have seen them or heard of Burnett. The interviews in this volume explore this paradox and collectively shed light on the work of a rare film master whose stories bring to the screen the texture and poetry of life in the black community. The best qualities of Burnett’s films-rich characterizations, morally and emotionally complex narratives, and intricately observed tales of African American life-are precisely the things that make his films a tough sell in the mass marketplace. As many of the interviews reveal, Hollywood has been largely inept in responding to this marketing challenge. “It takes an extraordinary effort to keep going,” Burnett told Terrence Rafferty in 2001, “when everybody’s saying to you, ‘No one wants to see that kind of movie,’ or ‘There’s no black audience.’” All the interviews selected for this volume—spanning more than three decades of Burnett’s directorial career, including his recent work—examine, in various degrees, Burnett’s status as a true independent filmmaker and explore his motivation for making films that chronicle the black experience in America.