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Michelle Castleberry's "Dissecting the Angel and Other Poems" is the remarkable debut of a poet in strong voice and with a sure poetic sense in matters great and small. Stepping into the world presented here is to open a present you did not expect and find yourself almost overwhelmed with delight at what you have been given. The Gideons, jazz, the god of fire, nightmares, love and divorce, the devil's nephew, a Delta lullaby, and so much more are examined and brought to life here. Her poems are rich with imagery from her childhood among the tomato fields and timber lanes of southeastern Arkansas; Michelle Castleberry remains grounded in what is most important from her beginnings, even as she ventures out into the realm of intelligent and inspired imagination. This extraordinary first book by an already accomplished poet reminds us of the continuing importance, relevance, and, yes, necessity of poetry, poetry that offers us both pleasure and truth. Michelle Castleberry is a poet, sometime saxophonist, and clinical social worker. Her work has appeared in "Umbrella," "Bellemeade Books," "The Dead Mule School of Southern Literature," "Poemeleon," "The Anthology of Southern Poetry, Vol. V: Georgia," and "The Chattahoochee Review." She is most proud of her involvement in the Athens, Georgia, community of Word of Mouth, a monthly open poetry reading. She lives in Watkinsville, Georgia. Praise for "Dissecting the Angel and Other Poems" "Michelle Castleberry's poems are often quiet, but never subtle or shy. In fact, they are fearless and dead set on searching out and praising beauty in this world: from a coroner's exam table to a hospital burn unit in Afghanistan, or a winter carnival, these poems sing with feather and grit. Read this book and be moved." -Travis Wayne Denton, author of "When Pianos Fall from the Sky" and "The Burden of Speech" "Michelle Castleberry's poems are probative and lyrical, proving instinct and heart are still essential for our customary lives. 'Dissecting the Angel' is a fervent, defiant, and fresh collection from a poet of ardor and nerve." -Stephen Kuusisto, author of "Planet of the Blind" "In 'Dissecting the Angel and Other Poems, ' Michelle Castleberry conjures a landscape that is both of the real world-her home in rural Arkansas, and in equal measure, of the dreams we all carry within us of home: 'For most of my life/I've woken up from nightmares/mouthing the wish to go Home.' These poems are created out of sharply etched images and filled with insight. Most importantly, they all come straight from the heart of the poet." -Judith Ortiz Cofer, author of "A Love Story Beginning in Spanish" "Raw, piercing, full of sass and the sacrament of longing, her imagery captures the universal." -Trish Joyce, professor, creative writing, Broward College "Whatever gift it takes to make poetry, and from whichever god of words that gift is given, Michelle Castleberry has been exceedingly blessed. Her collection, 'Dissecting the Angel and Other Poems, 'is triumphant writing, a far better offering than anything I've read in a very long while. Lovers of rich, profound language will be mesmerized by her descriptive power and by the surety of her insight. The gods have chosen well." -Terry Kay, author of "To Dance with the White Dog" and "The Book of Marie"
The Virgin Mary long ago transcended her religious origins to become an instantly recognizable icon. From pop art to pop music, Mary's status as the Mother of God continues to inspire the faithful and the secular. A statue of Mary weeping blood or her appearance on a piece of toast still has the power to make front page news and bring the devoted running with candles and eBay bids. In Mother Mary Comes To Me, poets explore the intersection of the sacred and popular personifications of Mary that have evolved throughout the ages, and how she still holds sway in the 21st century as a figure to be praised and celebrated.
Poetry. Asian American Studies. Native American Studies. California Interest. Longlisted for the 2020 PEN/Voelcker Award for Poetry Collection. The book loosely navigates the archived immigration trial of Hong On, a biracial Alaska Native-Chinese man, in 1912 on Angel Island, CA, during the Chinese Exclusion Act. Hong On was born in San Francisco, CA, in 1895 and was orphaned shortly after. The concepts of U.S. government-designated recreational spaces, genocide, and intergenerational trauma are examined by Hong On's granddaughter, the author, who sees imperialistic residue in product, place, and color naming. At the core of this book is the speaker's Alaska Native great grandmother who is named "Unknown: Indian" on Hong On's birth certificate.
A TIME Magazine Best Paperback of 2017 One of Oprah Magazine's "Ten Best Books of 2017" "This singular poetry collection is a dynamic meditation on the experience of, and societal narratives surrounding, contemporary black womanhood. . . . These exquisite poems defy categorization." —The New Yorker The only thing more beautiful than Beyoncé is God, and God is a black woman sipping rosé and drawing a lavender bath, texting her mom, belly-laughing in the therapist’s office, feeling unloved, being on display, daring to survive. Morgan Parker stands at the intersections of vulnerability and performance, of desire and disgust, of tragedy and excellence. Unrelentingly feminist, tender, ruthless, and sequined, these poems are an altar to the complexities of black American womanhood in an age of non-indictments and deja vu, and a time of wars over bodies and power. These poems celebrate and mourn. They are a chorus chanting: You’re gonna give us the love we need.
For this sequence of poems, organized like so many reflecting mirrors that amongst one another exchange an infinite commentary, the historic reference and point of departure is Catullus and the work where the first century Latin poet tells of his passion for Lesbia, whom he by turns and concurrently loved and hated.
Longlisted for the Prix Sade 2021 Longlisted for the Joyce Carol Oates Prize Longlisted for the Gordon Burn Prize A New York Times Notable Book of 2020 A New York Times Critics Top Ten Book of the Year Named a Best Book of the Year by over 30 Publications, including The New Yorker, TIME, The Washington Post, Entertainment Weekly, NPR, and the BBC In the highly anticipated follow-up to his beloved debut, What Belongs to You, Garth Greenwell deepens his exploration of foreignness, obligation, and desire Sofia, Bulgaria, a landlocked city in southern Europe, stirs with hope and impending upheaval. Soviet buildings crumble, wind scatters sand from the far south, and political protesters flood the streets with song. In this atmosphere of disquiet, an American teacher navigates a life transformed by the discovery and loss of love. As he prepares to leave the place he’s come to call home, he grapples with the intimate encounters that have marked his years abroad, each bearing uncanny reminders of his past. A queer student’s confession recalls his own first love, a stranger’s seduction devolves into paternal sadism, and a romance with another foreigner opens, and heals, old wounds. Each echo reveals startling insights about what it means to seek connection: with those we love, with the places we inhabit, and with our own fugitive selves. Cleanness revisits and expands the world of Garth Greenwell’s beloved debut, What Belongs to You, declared “an instant classic” by The New York Times Book Review. In exacting, elegant prose, he transcribes the strange dialects of desire, cementing his stature as one of our most vital living writers.
Poet Leslie Adrienne Miller's brilliant and provocative exploration of anatomical texts and historical assumptions about the body Whoever they were, they're still with us, posing demurely in suits of blood and muscle, the bruised shadows of what skin they do have . . . —from "Gautier d'Agoty's Écorchés" "The resurrection trade," the business of trafficking in corpses, is an old trade, one that makes possible the art of anatomy and, as poet Leslie Adrienne Miller discovers, the art of her own book. Miller delves into the mysteries of early anatomical studies and medical illustrations and finds there stories of women's lives—sometimes tragic, sometimes comic—as exposed as the drawings themselves. These meticulously researched and rendered poems become powerful testimonies to women's bodies objectified and misunderstood throughout history. Miller's sensuous and harrowing fifth collection brings a new truth to what she calls "the strange collusion of imaginary science and real art."
In Between Biblical Criticism and Poetic Rewriting, Samuel Tongue offers an account of the aesthetic and critical tensions inherent in the development of the Higher Criticism of the Bible. Different ‘types’ of Bible are created through the intellectual and literary pressures of Enlightenment and Romanticism and, as Tongue suggests, it is this legacy that continues to orientate the approaches deemed legitimate in biblical scholarship. Using a number of ancient and contemporary critical and poetic rewritings of Jacob’s struggle with the ‘angel’ (Gen 32:22-32), Tongue makes use of postmodern theories of textual production to argue that it is the ‘paragesis’, a parasitical form of writing between disciplines, that best foregrounds the complex performativity of biblical interpretation.