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“[This] artful ethnography . . . challenges us to reconsider both what giving looks like, and the relational possibilities of anthropological practice itself.” —Jocelyn L. Chua, American Ethnologist While most people would not consider sponsoring an orphan’s education to be in the same category as international humanitarian aid, both acts are linked by the desire to give. Many studies focus on the outcomes of humanitarian work, but the impulses that inspire people to engage in the first place receive less attention. Disquieting Gifts takes a close look at people working on humanitarian projects in New Delhi to explore why they engage in philanthropic work, what humanitarianism looks like to them, and the ethical and political tangles they encounter. Motivated by debates surrounding Marcel Mauss’s The Gift, Bornstein investigates specific cases of people engaged in humanitarian work to reveal different perceptions of assistance to strangers versus assistance to kin, how the impulse to give to others in distress is tempered by its regulation, suspicions about recipient suitability, and why the figure of the orphan is so valuable in humanitarian discourse. The book also focuses on vital humanitarian efforts that often go undocumented and ignored and explores the role of empathy in humanitarian work. “Bornstein . . . delineate[s] a ‘global economy of giving’ while questioning Western preconceptions about humanitarianism.” —Jonathan Benthall, Times Literary Supplement “Insightful and beautifully written . . . accessible and engaging.” —Pierre Minn, Social Anthropology “Conveys deep insights into international and intra-Indian charity and volunteering.” —Jonathan Benthall, University College London “Reveals the complexity of the contemporary moral economies of the gift.” —Didier Fassin, Institute for Advanced Study, author of Humanitarian Reason: A Moral History of the Present
How do our bodies speak for us when words don?t suffice? How can we make ourselves understood when what we have to say is inarticulable? In Disquieting, Cynthia Cruz tarries with others who have provided examples of how to ?turn away,? or reject the ideologies of contemporary Neoliberal culture. These essays inhabit connections between silence, refusal, anorexia, mental illness, and Neoliberalism. Cruz also explores the experience of being working-class and poor in contemporary culture, and how those who are silenced often turn to forms of disquietude that value open-endedness, complexity, and difficulty. Disquieting: Essays on Silence draws on philosophy, theory, art, film, and literature to offer alternative ways of being in this world and possibilities for building a new one.
The Strega Award–winning Italian author’s “scalding and incisive” novel of marriage and family bonds that come undone in the wake of an affair (Library Journal, starred review). A New York Times Notable Book of the Year A Sunday Times and Kirkus Reviews Best Book of the Year Winner of the 2015 Bridge Prize for Best Novel Italy, 1970s. Like many marriages, Vanda and Aldo’s has been subject to strain, attrition, and the burden of routine. Yet it has survived intact. Or so things appear. The rupture in their marriage lies years in the past, but if one looks closely enough, the fissures and fault lines are evident. It is a cracked vase that may shatter at the slightest touch. Or perhaps it has already shattered, and nobody is willing to acknowledge the fact. Domenico Starnone’s thirteenth work of fiction is a powerful short novel about relationships, family, love, and the ineluctable consequences of one’s actions. Known as a consummate stylist and beloved as a talented storyteller, Domenico Starnone is the winner of Italy’s most prestigious literary award, the Strega. “The leanest, most understated and emotionally powerful novel by Domenico Starnone.” —The New York Times
A Washington Post Notable Book With a new chapter on eugenicist Madison Grant’s The Passing of the Great Race In this brilliant and original exploration of some of the formative influences in Adolf Hitler’s life, Timothy Ryback examines the books that shaped the man and his thinking. Hitler was better known for burning books than collecting them but, as Ryback vividly shows us, books were Hitler’s constant companions throughout his life. They accompanied him from his years as a frontline corporal during the First World War to his final days before his suicide in Berlin. With remarkable attention to detail, Ryback examines the surviving volumes from Hitler’s private book collection, revealing the ideas and obsessions that occupied Hitler in his most private hours and the consequences they had for our world. A feat of scholarly detective work, and a captivating biographical portrait, Hitler’s Private Library is one of the most intimate and chilling works on Hitler yet written.
Includes twelve short stories ranging from fantasy to fairy tale.
"A disturbing, unsettling novel . . . if it had been published in English soon after its first appearance in Italian (1968), the name of Giorgio De Maria would be well-known, his novels and stories mentioned in the context of J.G. Ballard, Anna Kavan, Shirley Jackson or Robert Aickman."—Lisa Tuttle, Nebula Award winner and author of Gabriel, Windhaven, and The Curious Affair of the Witch at Wayside Cross. Before an untimely mental breakdown cut short his two-decade career, Giorgio De Maria distinguished himself as one of Italy's most unique and eccentric weird fiction masters. With a background in the post-war literary culture of Turin -- Italy's urbane but eerie "city of black magic" -- De Maria drew inspiration from the Turinese underbelly of occultism, secret societies and radical politics. His writing coincided with the decade of terrorist violence known to Italians as the Years of Lead; the outcome was a weird fiction suffused with panic, rage, trauma, paranoia and meditations on antisocial hubris. In 1978, he told an interviewer: "...I think that the dimension of the fantastic, as much as this may seem paradoxical, is the most fitting one to express a reality as complex as ours today." De Maria's debut novel, The Transgressionists (1968) portrays a cell of malicious telepaths who meet in the cafés and jazz clubs of 1960s Turin to plot world domination. After experiencing the worst of their power, an embittered office clerk resolves to join them and prove himself worthy to share in their villainy. He cultivates twisted mindfulness techniques to awaken his inner sociopath. He fights off predatory phantoms that seem maddeningly drawn to him. He prepares for the dangerous "Great Leap" which will make him into a fully-fledged Transgressionist. But could his megalomania strain relations with his fiancee? Will he sacrifice love in his quest for omnipotence? The other works in this volume are no less surreal and startling. The Secret Death of Joseph Dzhugashvili (1976) gives us a nightmarish fantasy Soviet Union, where a dissident poet finds himself trapped in a psychological experiment conducted by Stalin himself. In "The End of Everydayism," a group of futuristic artists begin using corpses as a medium -- with violent, unforeseen results. The antihero of "General Trebisonda" is a possibly insane commander who prepares for a war crime in an eerily deserted fortress. Available in English for the first time, this collection contains two novellas, two short stories and a dystopian teleplay, The Appeal, which the post-cyberpunk novelist Andrea Vaccaro has lauded as "worthy of the best episodes of Black Mirror." Meanwhile, an introduction by translator Ramon Glazov offers a detailed account of De Maria's background, creative context and thoroughly unusual life.
The first major monograph on Zhang Xiaogang (b. 1958), a leading Chinese contemporary artist, world‐renowned for his haunting, surrealist works. Both a retrospective of his paintings and a biography of his dramatic life, Zhang Xiaogang: Disquieting Memories is a key resource for academia and art enthusiasts alike. This book features all of the artist’s iconic series – major works as well as lesser‐known drawings – and never‐before‐published letters dating from the early 1980s between the artist and his friends. These offer an inside view of everyday life in China, historic and political events, as well as invaluable insight into Zhang’s artistic practice. With a chronology illustrated with personal photographs from the artist’s archive, this is the most comprehensive account of the artist’s life and work.
Describes and defends the centrality of discomfort for consumers of various arts--literature, architecture, visual art, music, dance, and cinema.
A gleefully dark and well-researched exploration of the history and customs of European Yuletide folklore. How did St Nicholas save children from cannibalism? Who were the Yule Lads and why would they steal your sausages? Why was the Alpine Father Christmas accompanied by a demonic figure called the Krampus who bundled children into sacks and dragged them off to Hell? And why do Spanish nativity scenes often feature a defecating peasant? Over the course of the 20th Century, a universal image developed around the world of Santa Claus as a kindly Christmas visitor but, prior to that, each country, town and community would have Christmas visitors of their own - sometimes human, sometimes animal, sometimes something else entirely - with their own curious set of mythology and customs. The Finns were visited by a pagan goat named Joulupukki that was said to eat anyone who misbehaved. In Iceland, it was said that any child who did not receive an item of new clothing for Christmas would be caught and consumed by the monstrous Christmas Cat! Bad Santascelebrates some of the most imaginative, terrifying and outright curious Christmas figures from across Europe - looking closely at its legacy of disquieting fairy stories. With beautiful black and white line drawings in each chapter, this unusual, entertaining and gleefully dark exploration of seasonal folklore will make an ideal Christmas gift and the perfect book for reading around the fireside.
A haunting collection of landscapes pulled from security camera footage.