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Exposing the social and political landscape of homelessness in Fresno, Dispatches from the War Zone offers the reader a rare opportunity to understand this issue from the perspective of the homeless, their allies and an investigative journalist who closely followed this story for more than 10 years. What at first appeared to be builders and developers working with Fresno City Hall and the police to move the homeless to more remote areas of town turns into something else entirely. We find government corruption, a class action lawsuit against the city for its unconstitutional attacks against the homeless and the suspicious death of Pamela Kincaid, the lead plaintiff in the legal action. Originally, it was the federal government's de-funding of affordable housing in the early 1980s that led to today's homeless crisis. The book examines those structural reasons for homelessness but also looks at what grassroots groups in Fresno, working on alternatives, have accomplished. Although the end to homelessness has been elusive for those groups doing business as usual, the paradigm shifts this book suggests give new hope that a better world is possible. There is a pathway to ending homelessness and treating all people with the dignity and respect they deserve.
"The best book to have been written about the Vietnam War" (The New York Times Book Review); an instant classic straight from the front lines. From its terrifying opening pages to its final eloquent words, Dispatches makes us see, in unforgettable and unflinching detail, the chaos and fervor of the war and the surreal insanity of life in that singular combat zone. Michael Herr’s unsparing, unorthodox retellings of the day-to-day events in Vietnam take on the force of poetry, rendering clarity from one of the most incomprehensible and nightmarish events of our time. Dispatches is among the most blistering and compassionate accounts of war in our literature.
A ground-level chronicle of the violent drug war in Ciudad Juárez, Mexico—with accounts from both traffickers and law enforcement, and “astute analysis” (The Americas). Thousands die in drug-related violence every year in Mexico. Ciudad Juárez, Chihuahua, adjacent to El Paso, Texas, has become the most violent city in the drug war. Much of the cocaine, marijuana, and methamphetamine consumed in the United States is imported across the Mexican border, making El Paso/Juárez one of the major drug-trafficking venues in the world. In this anthropological study of drug trafficking and anti-drug law enforcement efforts on the US–Mexico border, Howard Campbell uses an ethnographic perspective to chronicle the recent Mexican drug war, focusing especially on people and events in the El Paso/Juárez area. It is the first social science study of the violent drug war that is tearing Mexico apart. Based on deep access to the drug-smuggling world, this study presents the drug war through the words of direct participants. Half of the book consists of oral histories from drug traffickers, and the other half from law enforcement officials. There is much journalistic coverage of the drug war, but very seldom are the lived experiences of traffickers and “narcs” presented in such vivid detail. In addition to providing an up-close, personal view of this world, Campbell explains and analyzes the functioning of cartels, the corruption that facilitates trafficking, the strategies of smugglers and anti-narcotics officials, and the perilous culture of drug trafficking that Campbell refers to as the “Drug War Zone.” “This collection of oral histories of drug traffickers and counter-drug officials examines the border narco-world through the eyes of first-hand participants . . . An invaluable resource for anyone seeking a greater sociological understanding.” —Journal of Latin American Studies
The critically acclaimed account of life in Iraq under US occupation with a new afterword.
Although his career continued for almost three decades after the 1939 publication of The Grapes of Wrath, John Steinbeck is still most closely associated with his Depression-era works of social struggle. But from Pearl Harbor on, he often wrote passionate accounts of America’s wars based on his own firsthand experience. Vietnam was no exception. Thomas E. Barden’s Steinbeck in Vietnam offers for the first time a complete collection of the dispatches Steinbeck wrote as a war correspondent for Newsday. Rejected by the military because of his reputation as a subversive, and reticent to document the war officially for the Johnson administration, Steinbeck saw in Newsday a unique opportunity to put his skills to use. Between December 1966 and May 1967, the sixty-four-year-old Steinbeck toured the major combat areas of South Vietnam and traveled to the north of Thailand and into Laos, documenting his experiences in a series of columns titled Letters to Alicia, in reference to Newsday publisher Harry F. Guggenheim’s deceased wife. His columns were controversial, coming at a time when opposition to the conflict was growing and even ardent supporters were beginning to question its course. As he dared to go into the field, rode in helicopter gunships, and even fired artillery pieces, many detractors called him a warmonger and worse. Readers today might be surprised that the celebrated author would risk his literary reputation to document such a divisive war, particularly at the end of his career. Drawing on four primary-source archives—the Steinbeck collection at Princeton, the Papers of Harry F. Guggenheim at the Library of Congress, the Pierpont Morgan Library’s Steinbeck holdings, and the archives of Newsday—Barden’s collection brings together the last published writings of this American author of enduring national and international stature. In addition to offering a definitive edition of these essays, Barden includes extensive notes as well as an introduction that provides background on the essays themselves, the military situation, the social context of the 1960s, and Steinbeck’s personal and political attitudes at the time.
A New York Times Book Review Editors' Choice. Finalist for the Costa Biography Award and long-listed for the Andrew Carnegie Medal for Excellence. Named a Best Book of 2018 by Esquire and Foreign Policy. An Amazon Best Book of November, the Guardian Bookshop Book of November, and one of the Evening Standard's Books to Read in November "Now, thanks to Hilsum’s deeply reported and passionately written book, [Marie Colvin] has the full accounting that she deserves." --Joshua Hammer, The New York Times The inspiring and devastating biography of Marie Colvin, the foremost war reporter of her generation, who was killed in Syria in 2012, and whose life story also forms the basis of the feature film A Private War, starring Rosamund Pike as Colvin. When Marie Colvin was killed in an artillery attack in Homs, Syria, in 2012, at age fifty-six, the world lost a fearless and iconoclastic war correspondent who covered the most significant global calamities of her lifetime. In Extremis, written by her fellow reporter Lindsey Hilsum, is a thrilling investigation into Colvin’s epic life and tragic death based on exclusive access to her intimate diaries from age thirteen to her death, interviews with people from every corner of her life, and impeccable research. After growing up in a middle-class Catholic family on Long Island, Colvin studied with the legendary journalist John Hersey at Yale, and eventually started working for The Sunday Times of London, where she gained a reputation for bravery and compassion as she told the stories of victims of the major conflicts of our time. She lost sight in one eye while in Sri Lanka covering the civil war, interviewed Gaddafi and Arafat many times, and repeatedly risked her life covering conflicts in Chechnya, East Timor, Kosovo, and the Middle East. Colvin lived her personal life in extremis, too: bold, driven, and complex, she was married twice, took many lovers, drank and smoked, and rejected society’s expectations for women. Despite PTSD, she refused to give up reporting. Like her hero Martha Gellhorn, Colvin was committed to bearing witness to the horrifying truths of war, and to shining a light on the profound suffering of ordinary people caught in the midst of conflict. Lindsey Hilsum’s In Extremis is a devastating and revelatory biography of one of the greatest war correspondents of her generation.
Named one of the Best Books of the Year by Kirkus Reviews and the New York Post Winner of the IWMF Courage in Journalism Award Winner of the Hay Festival Medal for Prose Finalist for the NYPL Helen Bernstein Award for Excellence in Journalism Shortlisted for the Moore Prize for Nonfiction "Destined to become a classic." —Lisa Shea, Elle A masterpiece of war reportage, The Morning They Came for Us bears witness to one of the most brutal internecine conflicts in recent history. Drawing from years of experience covering Syria for Vanity Fair, Newsweek, and the front page of the New York Times, award-winning journalist Janine di Giovanni chronicles a nation on the brink of disintegration, all written through the perspective of ordinary people. With a new epilogue, what emerges is an unflinching picture of the horrific consequences of armed conflict, one that charts an apocalyptic but at times tender story of life in a jihadist war zone. The result is an unforgettable testament to resilience in the face of nihilistic human debasement.
For all readers, especially those whose only of World War II may be from textbooks or films, Ernie's War offers a revealing, poignant look at the actual experiences of the average foot soldier swept into the tumult of battle. 9 black-and-white photographs.
The conflict was short and limited, packed with intense activity, major movement, heavy fighting and crucial decisions. The initiative rested with Pakistan to commence hostilities, which they did with a mix of irregular and regular troops and tactics. This is a story of anticipation, of impending actions, of virtual equality of forces engaged in a savage battle of attrition in which no quarters were given or asked. The author, GOC-in-C Western Command during those fateful days provided an unflappable presence under whose command the Army imposed unacceptable levels of losses on the enemy, first toning down their rhetoric, then their confidence, and lastly their ability to sustain very high levels of material losses. There is very little material or records to draw upon for our military studies of warfare in and around the Indian subcontinent. War Despatches narrates for the first time the inside story through original despatches field by the Army Commander from the war zone. To maintain the authenticity of the Despatches, the military style of writing has been followed in the text as far as possible.
Thirty-four stories by an Austrian poet who writes on familiar subjects from a new angle. In St. George and His Dragon, the dragon and St. George are friends, and the dragon's death is a mercy killing.