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Named for the anarchist utopia in Ursula K. Le Guin’s science fiction classic The Dispossessed, Dispatches from Anarres embodies the anarchic spirit of Le Guin’s hometown of Portland, Oregon, while paying tribute to her enduring vision. In stories that range from fantasy to sci fi to realism, some of Portland's most vital voices have come together to celebrate Le Guin’s lasting legacy and influence on that most subversive of human faculties: the imagination. Fonda Lee’s “Old Souls” explores the role of violence and redemption across time and space; Rachael K. Jones’s “The Night Bazaar for Women Turning into Reptiles” touches on gender oppression and a woman’s right to choose; Molly Gloss’s “Wenonah’s Gift” imagines coming-of-age in a post-collapse culture determined to avoid past wrongs; and Lidia Yuknavitch’s “Neuron” reveals that fairy tales may, in fact, be the best way to understand the paradoxes of science. Other contributors include Curtis Chen, Kesha Ajọsẹ-Fisher, Juhea Kim, Tina Connolly, David D. Levine, Leni Zumas, Rene Denfeld, and Michelle Ruiz Keil, with a foreword by David Naimon, co-author (with Le Guin) of Ursula K. Le Guin: Conversations on Writing.
In the tinder-dry Southwest, three eco-minded roommates--students at Deep Canyon College, known for its radical politics--are looking for love, adventure, and the promise of a bigger life that led them West. But when the FBI comes to town in pursuit of an alum wanted for "politically motivated crimes of property," rumor has it that undercover agents are enrolled in classes, making the college dating scene just a bit more sketchy than usual. Katie, an incoming freshman, will discover a passion for activism that will put her future in jeopardy; Jenna, in her second semester, will find herself seduced by deception; and Rell, a senior, will discover her voice, her calling, and love where she least expects it.
Winner of the Oregon Book Award for Fiction. Kesha Ajọsẹ-Fisher's No God Like the Mother follows characters in transition, through tribulation and hope. Set around the world--the bustling streets of Lagos, the arid gardens beside the Red Sea, an apartment in Paris, and the rain-washed suburbs of the Pacific Northwest--this collection of nine stories is a masterful exploration of life's uncertainty.
The second in Nathalie Léger’s acclaimed genre-defying triptych of books about the struggles and obsessions of women artists. “I believe there is a miracle in Wanda,” wrote Marguerite Duras of the only film American actress Barbara Loden ever wrote and directed. “Usually, there is a distance between representation and text, subject and action. Here that distance is completely eradicated.” It is perhaps this “miracle”—the seeming collapse of fiction and fact—that has made Wanda (1970) a cult classic, and a fascination of artists from Isabelle Huppert to Rachel Kushner to Kate Zambreno. For acclaimed French writer Nathalie Léger, the mysteries of Wanda launched an obsessive quest across continents, into archives, and through mining towns of Pennsylvania, all to get closer to the film and its maker. Suite for Barbara Loden is the magnificent result.
Ursula K. Le Guin discusses her fiction, nonfiction, and poetry?both her process and her philosophy?with all the wisdom, profundity, and rigor we expect from one of the great writers of the last century. When the New York Times referred to Ursula K. Le Guin as America’s greatest writer of science fiction, they just might have undersold her legacy. It’s hard to look at her vast body of work?novels and stories across multiple genres, poems, translations, essays, speeches, and criticism?and see anything but one of our greatest writers, period. In a series of interviews with David Naimon (Between the Covers), Le Guin discusses craft, aesthetics, and philosophy in her fiction, poetry, and nonfiction respectively. The discussions provide ample advice and guidance for writers of every level, but also give Le Guin a chance to to sound off on some of her favorite subjects: the genre wars, the patriarchy, the natural world, and what, in her opinion, makes for great writing. With excerpts from her own books and those that she looked to for inspiration, this volume is a treat for Le Guin’s longtime readers, a perfect introduction for those first approaching her writing, and a tribute to her incredible life and work.
NATIONAL BOOK AWARD LONGLIST The first English-language story collection from “one of Iran’s most important living fiction writers” (Guardian), “a playful, whip-smart literary conjuror: a Kundera or Rushdie of post-Khomeini Iran” (Wall Street Journal) In Seasons of Purgatory, the fantastical and the visceral merge in tales of tender desire and collective violence, the boredom and brutality of war, and the clash of modern urban life and rural traditions. Mandanipour, banned from publication in his native Iran, vividly renders the individual consciousness in extremis from a variety of perspectives: young and old, man and woman, conscript and prisoner. While delivering a ferocious social critique, these stories are steeped in the poetry and stark beauty of an ancient land and culture.
More than 100 enigmas, riddles and conundrums, all taking inspiration from the extraordinary stories and vivid worlds of five science fiction masters.
"Ursula K. Le Guin, a student of the Tao Te Ching for more than fifty years, offers her own thoughtful rendering of the Taoist scripture. She has consulted the literal translations and worked with the scholar J. P. Seaton to develop a version that lets the ancient text speak in a fresh way to modern people, while remaining faithful to the original Chinese. This rendition reveals the Tao Te Ching's immediate relevance and power, its depth and refreshing humor, illustrating better than ever before why it has been so loved for more than 2,500 years. Included are Le Guin's own personal commentary and notes along with two audio CDs of the text read by the author, with original music composed and performed by Todd Barton."--Publisher's website.
With all of the provocative, sometimes highly destructive acts committed in the name of anarchy, this enlightening volume invites readers to discover the true meaning of anarchism, exploring its vivid history and its resurgent relevance for addressing today's most vexing social problems. In Anarchism Today, an acclaimed scholar and one of the world's foremost advocates for the anarchistic tradition cuts through common misconceptions and caricatures to explore what is perhaps the most poorly understood of all political theories. As author Randall Amster explains, rather than being an anti-everything rationale for defiance and destruction, anarchism is in fact a coherent set of values and practices with a rich history and contemporary relevance. Passionate and provocative, Amster's book offers readers an expert's perspective on what anarchism really means, including its relationship to other political approaches, its careful balancing of individual liberty and a functioning society, and its controversial image as a wellspring of violence. Along the way, Amster addresses a number of current issues from the perspective of anarchism, including corporate globalization, environmentalism, warfare, nationalism, education, technology, alternative economics, criminal justice, and even spirituality. He concludes with a frank assessment of anarchism's impact and the role it can play in building a more just, peaceful, and sustainable world.
This young adult fantasy debut about love, found family, and healing is “a fantastical ode to the Golden City’s postpunk era,” told through the eyes of a Mexican-American girl (Entertainment Weekly). “Complex and beautiful, blending folklore, San Franciscan history, the music scene, vampires, magic . . . hard to put down.” —School Library Journal Seventeen-year-old Xochi is alone in San Francisco, running from her painful past: the mother who abandoned her, the man who betrayed her. Then one day, she meets Pallas, a precocious twelve-year-old who lives with her rockstar family in one of the city’s storybook Victorians. Xochi accepts a position as Pallas’s live-in governess and quickly finds her place in the girl’s tight-knit household, which operates on a free-love philosophy and easy warmth despite the band’s growing fame. But on the night of the Vernal Equinox, as a concert afterparty rages in the house below, Xochi and Pallas perform a riot-grrrl ritual in good fun, accidentally summoning a pair of ancient beings bound to avenge the wrongs of Xochi’s past. She would do anything to preserve her new life, but with the creatures determined to exact vengeance on those who’ve hurt her, no one is safe—not the family Xochi’s chosen, nor the one she left behind.