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This book begins with a painting. Loyalty to cultural artefacts, listening carefully to what they have to say, is the secret of Inge E. Boer’s approach to the French Orientalists tradition. In a post-Said manner, Boer provides close readings of philosophical and literary texts, paintings, prints and other artefacts. Her readings establish a dialogue with critical post-colonial and feminist theory as well as (art-) historical and literary scholarship. She treats all these artefacts like subjects in their own right, enabling them to show and tell. This dialogic attention to detail makes for an innovative vision that shuns the sweeping statements of a priori conviction, as much as avoiding the unwitting endorsements that the rhetoric of scholarship sometimes promotes.
Boer provides close readings of philosophical and literary texts, paintings, prints and other artefacts of the French Orientalists tradition. Her readings establish a dialogue with critical post-colonial and feminist theory as well as (art-) historical and literary scholarship.
This book examines the earliest writings of Edward Said and the foundations of what came to be known as postcolonial criticism, in order to reveal how the groundbreaking author of Orientalism turned literary criticism into a form of political intervention. Tracing Said’s shifting conceptions of ‘literature’ and ‘agency’ in relation to the history of (American) literary studies in the thirty years or so between the end of World War II and the last quarter of the twentieth century, this book offers a rich and novel understanding of the critical practice of this indispensable figure and the institutional context from which it emerged. By combining broad-scale literary history with granular attention to the vocabulary of criticism, Nicolas Vandeviver brings to light the harmonizing of methodological conflicts that informs Said’s approach to literature; and argues that Said’s enduring political significance is grounded in his practice as a literary critic.
Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgements -- Introduction -- 1 Through Traumatized Eyes: Trauma and Visual Stream-of-Consciousness Techniques in Paul Hornschemeier's Mother, Come Home -- 2 Joe Sacco's Documentary Graphic Novels Palestine and Footnotes in Gaza: The Thin Line Between Trauma and Propaganda -- 3 From "Maus" to MetaMaus: Art Spiegelman's Constellation of Holocaust Textimonies -- 4 Greek Romance, Alternative History, and Political Trauma in Alan Moore and Dave Gibbons' Watchmen -- Conclusion -- Index
The principal goal of the Handbook of Behavioral Neurobiology is a systematic, critical, and timely exposition of those aspects of neuroscience that have direct and immediate bearing on overt behavior. In this first volume, subtitled "Sensory Integration," the subject matter has been subdivided and the authors selected with this particular goal in mind. Although the early chapters (on the phylogeny and ontogeny of sensory systems, and on the common properties of sensory systems) are somewhat too abstract to permit many direct behavioral inferences, the focus on behavior has been maintained there too as closely as is now possible. A behavioral orientation is most obvious in the remaining chapters, which layout for each sensory modality in turn what is now known about structure-behavior relationships. The handbook is primarily intended to serve as a ready reference for two types of readers: first, practicing neuroscientists looking for a concise and authori tative treatment of developments outside of their particular specialities; and second, students of one or another branch of neuroscience who need an overview of the persistent questions and current problems surrounding the relation of the perceptual systems to behavior. The requirements imposed by the decision to address these particular audiences are reflected in the scope and style of the chapters as well as in their content.
Contributed articles.
Palestinian Literature and Film in Postcolonial Feminist Perspective is the first sustained study of gender-consciousness in the Palestinian creative imagination. Drawing on concepts from postcolonial feminist theory, Ball analyses a range of literary and filmic works by major creative practitioners including Michel Khleifi , Liana Badr, Annemarie Jacir, Elia Suleiman, Mona Hatoum and Suheir Hammad, and reveals a hitherto unrecognized trajectory in gender-consciousness under development in the Palestinian imagination from the start of the twentieth century. The book explores how these works resonate with questions of power, identity, nation, resistance, and self-representation in the Palestinian imagination more broadly, and asks how these gender-conscious narratives transform our understanding of Palestine's struggle for postcoloniality. Working at the cusp of postcolonial, feminist and cultural enquiry, Ball seeks to open up vital new directions in the interdisciplinary study of Palestine.