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This adorable animated adaptation of Dickens' classic tale Oliver Twist tells the story of a gang of New York City dogs who help save the day for a little kitten without a home. Scheduled for re-release in theaters March 29, 1996. Four board books in a slipcase especially designed for little hands. Full color.-3 yrs.
Oliver, a lost kitten, teams up with Dodger, a street-smart dog, but runs into trouble with an evil man named Sykes.
Oliver and kitten searches for his dream home while undergoing adventures with Fagin's gang of streetwise dogs and trying to avoid the evil Sykes.
Toddlers are invited to come along with Princess Anna, Queen Elsa, and everyone's favorite talking snowman, Olaf, on an icy adventure!
Picture book version of Disney's "Toy Story," in which two toys that have secret lives of their own--Woody, a talking cowboy, and Buzz Lightyear, a space hero--are forced to put aside their jealousy of one another and work together to save themselves from the beastly neighbor child.
The Song Index features over 150,000 citations that lead users to over 2,100 song books spanning more than a century, from the 1880s to the 1990s. The songs cited represent a multitude of musical practices, cultures, and traditions, ranging from ehtnic to regional, from foreign to American, representing every type of song: popular, folk, children's, political, comic, advertising, protest, patriotic, military, and classical, as well as hymns, spirituals, ballads, arias, choral symphonies, and other larger works. This comprehensive volume also includes a bibliography of the books indexed; an index of sources from which the songs originated; and an alphabetical composer index.
This work provides an overview of the Disney organization, in particular the theme parks and their significance for contemporary culture. The author examines topics such as Walt Disney's life and how his biography has been constructed, the Disney Company in the years after his death and various writings about the Disney theme parks. He raises important issues about the parks such as: whether they are harbringers of postmodernism; the significance of consumption at the parks; and the representation of past and future. The discussion of theme parks links with the presentation of Disney's biography and his organization by showing how central economic and business considerations have been in their development and how the significance of these considerations is typically marginalized in order to place an emphasis on fantasy and magic.
Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals
In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period. Drawing from archival research, interviews, and textual analysis, Peter C. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation—not live action—was the center of a veritable “renaissance” at Disney, and the animated musicals driving this revival laid the groundwork for the company’s growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company but both reflects and influenced changes in Broadway and Hollywood more broadly.