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When Gabby finds out she is about to become a big sister, she wonders what will she do with the brand-new baby. Fortunately, her friends Millie, Melody, Morty, and Ferdie have lots of great ideas! This board book is filled with shaped pages and peekaboo surprises, and is perfect for preschoolers who are about to welcome a new baby to their family. Featuring Disney friends and lots of fun, Growing Up Stories offer a fresh approach to preparing young children for important milestones.
Loveable chipmunks Chip and Dale learn all about Christmas with help from Mickey Mouse and friends! My First Stories, featuring classic Disney characters, are just the right length for little ones!
When Huey, Dewey, and Louie take a turn in the kitchen, dinner is delicious! Turn tabbed pages to share their shopping, chopping, cooking fun. This board book is perfect for preschoolers to get involved with meal planning and preparation. Featuring Disney friends and lots of fun, Growing Up Stories offer a fresh approach to preparing young children for important milestones.
Pongo and Perdita are very proud parents to fifteen puppies. When the menacing Cruella De Vil steals the puppies to make them into a fur coat, they must leap into action! Will Pongo, Perdita and their friends be able to find the kidnapped puppies before its too late?
The Pulitzer Prize–winning memoir about coming of age in America between the world wars: “So warm, so likable and so disarmingly funny” (The New York Times). One of the New York Times’ “50 Best Memoirs of the Past 50 Years” Ranging from the backwoods of Virginia to a New Jersey commuter town to the city of Baltimore, this remarkable memoir recounts Russell Baker’s experience of growing up in pre–World War II America, before he went on to a celebrated career in journalism. With poignant, humorous tales of powerful love, awkward sex, and courage in the face of adversity, Baker reveals how he helped his mother and family through the Great Depression by delivering papers and hustling subscriptions to the Saturday Evening Post—a job which introduced him to bullies, mentors, and heroes who endured this national disaster with hard work and good cheer. Called “a treasure” by Anne Tyler and “a blessing” by Time magazine, this autobiography is a modern-day classic—“a wondrous book [with scenes] as funny and touching as Mark Twain’s” (Los Angeles Times Book Review). “In lovely, haunting prose, he has told a story that is deeply in the American grain.” —The Washington Post Book World “A terrific book.” —St. Louis Post-Dispatch
The Funny Thing is an "aminal" who eats nothing but dolls until the good little man of the mountains gets him to taste the jum jills.
This book is special because music and candlelight make reading a multisensory experience. Sweet rhymes and interactive questions bring the birthday child in the story.
This classic collection of six lovable Pooh stories teaches preschoolers basic concepts and quells their anxieties about new experiences - like having a new babysitter or moving to a new home.
In 1937, the first full-length animated film produced by Walt Disney was released. Based on a fairy tale written by the Brothers Grimm, Snow White and the Seven Dwarfs was an instant success and set the stage for more film adaptations over the next several decades. From animated features like and Bambi to live action films such as Mary Poppins, Disney repeatedly turned to literary sources for inspiration—a tradition the Disney studios continues well into the twenty-first century. In It’s the Disney Version!: Popular Cinema and Literary Classics, Douglas Brode and Shea T. Brode have collected essays that consider the relationship between a Disney film and the source material from which it was drawn. Analytic yet accessible, these essays provide a wide-ranging study of the term “The Disney Version” and what it conveys to viewers. Among the works discussed in this volume are Alice in Wonderland, Mary Poppins, Pinocchio,Sleeping Beauty, Tarzan, and Winnie the Pooh. In these intriguing essays, contributors to this volume offer close textual analyses of both the original work and of the Disney counterpart. Featuring articles that consider both positive and negative elements that can be found in the studio’s output, It’s the Disney Version!: Popular Cinema and Literary Classics will be of interest to scholars and students of film, as well as the diehard Disney fan.
In On Living with Television, Amy Holdsworth examines the characteristics of intimacy, familiarity, repetition, and duration that have come to exemplify the medium of television. Drawing on feminist television studies, queer theory, and disability studies as well as autobiographical life-writing practices, Holdsworth shows how television shapes everyday activities, from eating and sleeping to driving and homemaking. Recounting her own life with television, she offers a sense of the joys and pleasures Disney videos brought to her disabled sister, traces how bedtime television becomes part of a daily routine between child and caregiver, explores her own relationship to binge-eating and binge-viewing, and considers the idea of home through the BBC family drama Last Tango in Halifax. By foregrounding the ways in which television structures our relationships, daily routines, and sense of time, Holdsworth demonstrates how television emerges as a potent vehicle for writing about life.