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Although considered an isolated event, the Italian government’s initial resistant response to COVID-19 has deep historical roots. This is the first interdisciplinary book to critically examine the ongoing phenomenon of disguising contagious disease in Italy from Unification to the present. The book explores how governments, public opinion, social entities and cultural production have avoided or sublimated contagion during cholera, typhoid, syphilis, malaria, HIV and COVID-19 to impose narratives of the nation’s healthy body in Italy and its colonies. Examples range from a tuberculosis sanatorium in Capri that masked as a luxury hotel and hideaway for queer couples to an obscure but talented professor who found a new cure for syphilis; from denial of disease in governmental actions to sublimated representations in Italian art, literature and films such as Luchino Visconti’s cinematic adaptation of Thomas Mann’s Death in Venice to a sociological study of the need to include fragile figures based on the lessons of COVID-19. Intended for scholars, students and general readers interested in the history of medicine, political and cultural history, and Italian studies, this volume shows how contagious diseases clash with the official narrative of emerging modernized urban settings and challenge the desire for political and economic stability.
Following his third election victory in 2008, the Italian Prime Minister Silvio Berlusconi was the most controversial head of government in the EU. This is a cogent examination of the Berlusconi phenomenon, exploring the success and development of the new populist right-wing coalition in Italy since the collapse of the post-war party system in the early 1990s. Carlo Ruzza and Stefano Fella provide a comprehensive discussion of the three main parties of the Italian right: Berlusconi’s Forza Italia, the xenophobic and regionalist populist Northern League and the post-fascist National Alliance. The book assesses the implications of this controversial right for the Italian democratic system and examines how the social and political peculiarities of Italy have allowed such political formations to emerge and enjoy repeated electoral success. Framed in a comparative perspective, the authors: explore the nature of the Italian right in the context of right-wing parties and populist phenomena elsewhere in other advanced democracies, drawing comparisons and providing broader explanations. locate the parties of the Italian right within the existing theoretical conceptions of right-wing and populist parties, utilising a multi-method approach, including a content analysis of party programmes. highlight the importance of political and discursive opportunities in explaining the success of the Italian right, and the agency role of a political leadership that has skilfully shaped and communicated an ideological package to exploit these opportunities. Providing an excellent insight into a key European nation, this work provides a thoughtful and stimulating contribution to the research on the Italian right, and its implications for democratic politics.
The tension between culture, politics and economy has become one the dominant anxieties of modern society. On the one hand people endeavour to maintain and develop their cultural identity; on the other there are many forces for international integration. How to understand and explain this fundamental issue is illuminated in nine essays by eminent scholars.
Ethnic Cleansing in the Balkans looks at the phenomenon of ethnic cleansing in the Balkans over the last two hundred years. It argues that the events that occurred during this time can be demystified, that the South East of Europe was not destined to become violent and that constructions of the Balkans as endemically violent misses a important political point and historical point. Carmichael provides an account of ethnic cleansing in the Balkans as a single historical phenomenon and brings together a vast array of primary and secondary sources to produce a concise and accessible argument. This book will be of interest to students and researchers of European studies, history and comparative politics.
Italian Colonialism is a pioneering anthology of texts by scholars from seven countries who represent the best of classical and newer approaches to the study of Italian colonization. Essays on the political, economic, and military aspects of Italian colonialism are featured alongside works that reflect the insights of anthropology, race and gender studies, film, architecture, and oral and cultural history. The volume includes many essays by Italian and African scholars that have never been translated into English. It is a unique resource that offers students and scholars a comprehensive view of the field.
The aim of this book is to explain and assess the relevance of the ideas of Gramsci to a world fundamentally transformed from that in which his thought was developed. It takes some of Gramsci’s best-known concepts – hegemony, civil society, passive revolution, the national-popular, trasformismo, the integral state - and uses them creatively to analyse features of present-day politics, assessing to what extent his ideas can aid our understanding of the contemporary political world. The book contains essays focused on: aspects of global politics (the development of a global civil society, the validity of the knowledge claims of neo-Gramscian IR specialists and the politics of the WTO and the Alternative Globalisation Movement); contemporary feminism; the problem of adjusting Gramsci’s theory of political agency to modern conditions; Turkish and Israeli politics; and a series of essays on present-day British politics. The book concludes that while there remain considerable problems in applying Gramsci’s concepts to the contemporary world, his political thought still retains an attraction and validity that will continue to inspire political analysts well into the future. Bringing together a range of essays representing some of the latest research in the field, Gramsci and Global Politics: Hegemony and Resistance opens up new perspectives on Gramsci which will be of vital interest to students and scholars in International Relations and Political Science, Sociology and History.
This multidisciplinary text identifies and investigates the variety of practices that make up the complex phenomena of racism and xenophobia. In systematically analyzing these problems, Kamali contributes to a deeper understanding of the forces underlying xenophobia and racism and to generating more effective anti-racial and integrative policy making.
Spanning four decades of radical political and social change in Italy, this interdisciplinary study explores photography’s relationship with Italian painting, film, literature, anthropological research and international photography. Evocative and powerful, Italian social documentary photography from the 1930s to the 1960s is a rich source of cultural history, reflecting a time of dramatic change. This book shows, through a wide range of images (some published for the first time) that to fully understand the photography of this period we must take a more expansive view than scholars have applied to date, considering issues of propaganda, aesthetics, religion, national identity and international influences. By setting Italian photography against a backdrop of social documentary and giving it a distinctive place in the global history of photography, this exciting volume of original research is of interest to art historians and scholars of Italian and visual culture studies.
This volume analyzes representations of disability in art from antiquity to the twenty-first century, incorporating disability studies scholarship and art historical research and methodology. This book brings these two strands together to provide a comprehensive overview of the intersections between these two disciplines. Divided into four parts: Ancient History through the 17th Century: Gods, Dwarfs, and Warriors 17th-Century Spain to the American Civil War: Misfits, Wounded Bodies, and Medical Specimens Modernism, Metaphor and Corporeality Contemporary Art: Crips, Care, and Portraiture and comprised of 16 chapters focusing on Greek sculpture, ancient Chinese art, Early Italian Renaissance art, the Spanish Golden Age, nineteenth century art in France (Manet, Toulouse-Lautrec) and the US, and contemporary works, it contextualizes understandings of disability historically, as well as in terms of medicine, literature, and visual culture. This book is required reading for scholars and students of disability studies, art history, sociology, medical humanities and media arts.
Late Antique artefacts, and the images they carry, attest to a highly connected visual culture from ca. 300 to 800 C.E. On the one hand, the same decorative motifs and iconographies are found across various genres of visual and material culture, irrespective of social and economic differences among their users – for instance in mosaics, architectural decoration, and luxury arts (silver plate, textiles, ivories), as well as in everyday objects such as tableware, lamps, and pilgrim vessels. On the other hand, they are also spread in geographically distant regions, mingled with local elements, far beyond the traditional borders of the classical world. At the same time, foreign motifs, especially of Germanic and Sasanian origin, are attested in Roman territories. This volume aims at investigating the reasons behind this seemingly globalised visual culture spread across the Late Antique world, both within the borders of the (former) Roman and (later) Byzantine Empire and beyond, bringing together diverse approaches characteristic of different national and disciplinary traditions. The presentation of a wide range of relevant case studies chosen from different geographical and cultural contexts exemplifies the vast scale of the phenomenon and demonstrates the benefit of addressing such a complex historical question with a combination of different theoretical approaches.