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Created specifically for fans of Japanese "cool culture," A Geek in Japan is one of the most iconic, hip, and concise cultural guides available. This new edition has been thoroughly revised and expanded with new chapters on Japanese video games, architecture, and a special section on visiting Kyoto. Reinvented for the internet age, it's packed with personal essays and hundreds of photographs, presenting all the touchstones of both traditional and contemporary culture in an entirely new way. The expansive range of topics include: Bushido, Geisha, Samurai, Shintoism, and Buddhism Traditional arts and disciplines like Ukiyo-e, Ikebana, Zen meditation, calligraphy, martial arts, and the tea ceremony Insightful essays on code words and social mores; dating and drinking rituals; working and living conditions and symbols and practices that are peculiarly Japanese Japanese pop culture genres and their subcultures, like otaku, gals, visual kei, and cosplay For visitors, the author includes a mini guide to his favorite neighborhoods in Tokyo as well as tips on special places of interest in other parts of Japan. Garcia has written an irreverent, insightful, and highly informative guide for the growing ranks of Japanophiles around the world.
Early years - Introduction of Buddhism - The zenith of court culture - The court and the Shogunante - Aesthetics of warrior rule - The gilded road to unification - Tokagawa control and the rise of the bourgeoisie - Eyes to the West: the Meiji restoration.
This is an account of the growth and uses of Western learning in Japan from 1720 to 1830. These are the dates of the beginning of official interest in Western learning and of the expulsion of Siebold from the country, the first stage of a crisis that could be resolved only by the opening of the country of the West. The century and more included by the two dates was a most important period in Japanese history, when intellectuals, rebelling at the isolation of their country, desperately sought knowledge from abroad. The amazing energy and enthusiasm of men like Honda Toshiaki made possible the spectacular changes in Japan, which are all too often credited to the arrival of Commodore Perry. The author chose Honda Toshiaki (1744-1821) as his central figure. A page from any one of Honda's writings suffices to show that with him one has entered a new age, that of modern Japan. One finds in his books a new spirit, restless, curious and receptive. There is in him the wonder at new discoveries, the delight in widening horizons. Honda took a kind of pleasure even in revealing that Japan, after all, was only a small island in a large world. To the Japanese who had thought of Chinese civilization as being immemorial antiquity, he declared that Egypt's was thousands of years older and far superior. The world, he discovered, was full of wonderful things, and he insisted that Japan take advantage of them. Honda looked at Japan as he thought a Westerner might, and saw things that had to be changed, terrible drains on the country's moral and physical strength. Within him sprang the conviction that Japan must become one of the great nations of the world.
In 1961, President Kennedy named Edwin O. Reischauer the U.S. Ambassador to Japan. Already deeply intimate with the country, Reischauer hoped to establish a more equal partnership with Japan, which had long been maligned in the American imagination. Reischauer pushed his fellow citizens to abandon caricature and stereotype and recognize Japan as a peace-loving democracy. Though his efforts were often condemned for being "too soft," the immensity of his influence (and the truth of his arguments) can be felt today. Having worked as Reischauer's special assistant in Tokyo, George R. Packard writes the definitive and first biography of this rare, charismatic talent. Reischauer reset the balance between two powerful nations. During World War II, he analyzed intelligence and trained American codebreakers in Japanese. He helped steer Japan toward democracy and then wrote its definitive English-language history. Reischauer's scholarship supplied the foundations for future East Asian disciplines, and his prescient research foretold America's missteps with China and involvement in Vietnam. At the time of his death in 1990, Reischauer warned the U.S. against adopting an attitude toward Asia that was too narrow and self-centered. India, Pakistan, and North Korea are now nuclear powers, and Reischauer's political brilliance has become more necessary and trenchant than ever.
In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan’s integral role in the invention of "national-style painting," or guohua, in early-twentieth-century China. Guohua, referring to brush paintings on traditional formats, is often misconstrued as a residual conservatism from the dynastic age that barricaded itself within classical traditions. Wong places this art form at the forefront of cross-cultural exchange. Notable proponents of guohua (e.g., Chen Hengke, Jin Cheng, Fu Baoshi, and Gao Jianfu) are discussed in connection with Japan, where they discovered stylistic and ideological paradigms consonant with the empowering of "Asian/Oriental" cultural practices against the backdrop of encroaching westernization. Not just a "window on the West," Japan stood as an informant of China modernism in its own right. The first book in English devoted to Sino-Japanese dialogues in modern art, Parting the Mists explores the sensitive phenomenon of Japanism in the practice and theory of Chinese painting. Wong carries out a methodologically agile study that sheds light on multiple spheres: stylistic and iconographic innovations, history writing, art theory, patronage and the market, geopolitics, the creation of artists’ societies, and exhibitions. Without avoiding the dark history of Japanese imperialism, she provides a nuanced reading of Chinese views about Japan and the two countries’ convergent, and often colliding, courses of nationalism.
Literary criticism of classical Japanese poetry, focusing on the emergence of "Kokinwakashu, ' an imperial anthology of waka poetry compiled in the 9th century.
In June, 2006, Picador launch Picador Shots, a new series of pocket-sized books priced at £1. The Shots aim to promote the short story as well as the work of some Picador's greatest authors. They will be contemporarily packaged but ultimately disposable books that are the ideal literary alternative to a magazine. Bret Easton Ellis’ two short stories chronicle the lives of a group of Los Angele’s residents all of them suffering from nothing less that death of the soul. Ellis has immense gift for dialogue, off-the-wall humour, merciless description and exotic bleakness. In 'Water from the Sun', Cheryl Lane is going under. Her marriage to William has broken down, she has moved in with a young boy half her age who is more interested in other young boys that in her and she keeps not turning up at work, the one area of her life that seems to be in good working order. To keep afloat she drinks, she shops and she takes pills. Would meeting up with William, something she has been avoiding like everything else in her life, give her what she needs anyway? In 'Discovering Japan', Bryan, is on tour. His manager, Roger, has taken him to Tokyo to promote his record and do a few gigs. But to get Roger out of hotel room, off the drink, drugs and women is going to be a tall enough feet itself for Bryan. Written with spare and hypnotic prose, this is a story about a man hell-bent on distruction by a writer deeply concerned with the moral decline of our society.
"This portrait of Japanese country life reminds us that at its core, a happy and healthy life is based on the bonds of food, family, tradition, community, and the richness of nature" --John Einarsen, Founding Editor and Art Director of Kyoto Journal What would it be like to move to Japan, leaving everyone you know behind, to become part of a traditional Japanese household? At Home in Japan tells an extraordinary true story of a foreign woman who goes through an amazing transformation, as she makes a move from a suburban lifestyle in California to a new life, living in Japan. She dedicates 30 years of her life as a housewife, custodian and chatelaine of a 350-year-old farmhouse in rural Japan. This astonishing book traces a circular path from were Rebecca began, to living under Japanese customs, from the basic day to day details of life in the house and village, through relationships with family, neighbors and the natural and supernatural entities with which the family shares the house. Rebecca Otowa then focuses on her inner life, touching on some of the pivotal memories of her time in Japan, the lessons in perception that Japan has taught her and the ways in which she has been changed by living in Japan. An insightful and compelling read, At Home in Japan is a beautifully written and illustrated reminiscence of a once simple life made extraordinary.
The classic Chinese novel The Water Margin (Shuihu zhuan) tells the story of a band of outlaws in twelfth-century China and their insurrection against the corrupt imperial court. Imported into Japan in the early seventeenth century, it became a ubiquitous source of inspiration for translations, adaptations, parodies, and illustrated woodblock prints. There is no work of Chinese fiction more important to both the development of early modern Japanese literature and the Japanese imagination of China than The Water Margin. In The Japanese Discovery of Chinese Fiction, William C. Hedberg investigates the reception of The Water Margin in a variety of early modern and modern Japanese contexts, from eighteenth-century Confucian scholarship and literary exegesis to early twentieth-century colonial ethnography. He examines the ways Japanese interest in Chinese texts contributed to new ideas about literary canons and national character. By constructing an account of Japanese literature through the lens of The Water Margin’s literary afterlives, Hedberg offers an alternative history of East Asian textual culture: one that focuses on the transregional dimensions of Japanese literary history and helps us rethink the definition and boundaries of Japanese literature itself.
When analyzing 7-Eleven Japan's advanced and innovative management style, the authors of this book explore and highlight the existence of the "integrated information system", a symbol of the competitiveness of 7-Eleven Japan. This is because of the key role it plays not only in forming 7-Eleven Japan's corporate strategy but also in developing its functional strategies for logistic support, merchandising and store operations.