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Examines the history and tradition of gardens in Great Britain and Western Europe, and describes the contributions of prominent landscape architects.
The first Europeans to set foot on North America stood in awe of the natural abundance before them. The skies were filled with birds, seas and rivers teemed with fish, and the forests and grasslands were a hunter’s dream, with populations of game too abundant and diverse to even fathom. It’s no wonder these first settlers thought they had discovered a paradise of sorts. Fortunately for us, they left a legacy of copious records documenting what they saw, and these observations make it possible to craft a far more detailed evocation of North America before its settlement than any other place on the planet. Here Steve Nicholls brings this spectacular environment back to vivid life, demonstrating with both historical narrative and scientific inquiry just what an amazing place North America was and how it looked when the explorers first found it. The story of the continent’s colonization forms a backdrop to its natural history, which Nicholls explores in chapters on the North Atlantic, the East Coast, the Subtropical Caribbean, the West Coast, Baja California, and the Great Plains. Seamlessly blending firsthand accounts from centuries past with the findings of scientists today, Nicholls also introduces us to a myriad cast of characters who have chronicled the changing landscape, from pre–Revolutionary era settlers to researchers whom he has met in the field. A director and writer of Emmy Award–winning wildlife documentaries for the Smithsonian Channel, Animal Planet, National Geographic, and PBS, Nicholls deploys a cinematic flair for capturing nature at its most mesmerizing throughout. But Paradise Found is much more than a celebration of what once was: it is also a reminder of how much we have lost along the way and an urgent call to action so future generations are more responsible stewards of the world around them. The result is popular science of the highest order: a book as remarkable as the landscape it recreates and as inspired as the men and women who discovered it.
Inventing Americans in the Age of Discovery traces the linguistic, rhetorical, and literary innovations that emerged out of the first encounters between Europeans and indigenous peoples of the Americas. Through analysis of six texts, Michael Householder demonstrates the role of language in forming the identities or characters that permitted Europeans (English speakers, primarily) to adapt to the unusual circumstances of encounter. Arranged chronologically, the texts examined include John Mandeville's Travels, Richard Eden's English-language translations of the accounts of Spanish and Portuguese discovery and conquest, George Best's account of Martin Frobisher's voyages to northern Canada, Ralph Lane's account of the abandonment of Roanoke, John Smith's writings about Virginia, and John Underhill's account of the Pequot War. Through his analysis, Householder reveals that English colonists did not share a universal, homogenous view of indigenous Americans as savages, but that the writers, confronted by unfamiliar peoples and situations, resorted to a mixed array of cultural beliefs, myths, and theories to put together workable explanations of their experiences, which then became the basis for how Europeans in the colonies began transforming themselves into Americans.
Drawn from Paradise is David Attenborough’s journey through the cultural history of the birds of paradise, one of the most exquisite and extravagant, colourful and intriguing families of birds.
Reproduction of the original: A Book of Discovery by Margaret Bertha
This book explores considerations of method in the field of political anthropology, contending that this constitutes a distinct approach within the broader area of the human, social and political sciences. Faithful to the basic guiding ideas of anthropology, it nonetheless challenges and rejects the pretended stance of scientific neutrality and advances a position that engages with the notion of participation, recognising its value and arguing that participation is essential to the development of a proper social and political understanding. An outline of what political anthropology can offer by way of methods, this invitation to consider the development of methodological ideas beyond the presumed ‘scientific’ and ‘universalistic’ approaches that dominate in the social sciences will appeal to scholars of anthropology, sociology and politics with interests in questions of method and methodology.
"Lord Milton should have been a happy man, with an ancient title and a magnificent estate. But he was deep in debt and haunted by memories of the Crimea, where he had once been a soldier and taken part of the Charge of the Light Brigade. To take his mind off the past, he eagerly accepted the suggestion of a friend to become the manager of a hotel in Brighton, called the Paradise Hotel. He was seeking new discoveries, but he could not have guessed how startling his discoveries were going to be. First he decided to abandon his title and pass simply as John Milton. Then there was the mysterious young lady, who arrived suddenly and begged him to hide her from a man who was hunting her. Finally there was the aggressive Sir Stewart Paxton who was seeking her, full of fury and threats. To Cecilia the Paradise Hotel was a paradise indeed once she had met John Milton. She had no idea where the rocky road was taking her. She only knew that she must escape her evil guardian, Sir Stewart, who was ruthlessly intent on marrying her for her fortune. And John was the only man who could help her. Lord Milton came to understand how wonderfully attractive she was, how gentle and sympathetic to the nightmares that still troubled him. He would give his life to protect her and make her his own. But then he made a terrible discovery about her, and it seemed as if a life together was impossible. What happened when Sir Stewart pursued them, and how Cecilia found a man who loved her for herself instead of for her money, is all told in this romantic and unusual story by Barbara Cartland."
In a simple manner, explains the frontiers of astronomy, how fractals appear in cosmic physics, offers a personal view of the history of the idea of self-similarity and of cosmological principles and presents the debate which illustrates how new concepts and deeper observations reveal unexpected aspects of Nature.